In Broadcast - November 2021 - 64

64
www.inbroadcast.com | Vol: 11 - Issue 11 | November 2021
InMedia
Edinburgh Filmhouse forges
the way with CLIPSTER
from Rohde & Schwarz
Scotland's leading independent cinema, Filmhouse, is the home of the annual
Edinburgh International Film Festival, which was established in 1947...
D
edicated to celebrating world
cinema in all its brilliance and
diversity, Filmhouse also plays host
to at least two film festivals a month,
ranging from Japanese Anime events
to Spanish and French film festivals.
The cinema also offers special oneoff
events such as the Mark Cousins
collection, and offers content to a
global audience via Filmhouse at Home,
its online streaming platform.
In the last decade, Filmhouse has
become the blueprint for the way
other film festival hosts support their
content, having pioneered new ways
to handle shorts programmes, dubbing
and subtitling outside the professional
post production sector.
Changing the game
Prior to 2012, Filmhouse found the
task of handling shorts programmes
increasingly challenging. With the
technology available at the time, this
element of a film festival meant the
Filmhouse team faced the challenge
of handling multiple tapes in different
formats (DigiBeta, HDCAM, HDCAM SR,
etc.) all running at different speeds
and at different ratios. Transitions
between shorts were a time-intensive
and clunky process.
KEY FEATURES
Flexible colour format
The R&S®CLIPSTER uses a highprecision,
procedural colourprocessing
pipeline to mix and match
any colour format in the timeline,
allowing the user to select the target
colour container that all clips will be
converted to.
Mix and match codecs
Whether working with compressed
or uncompressed formats, the
R&S®CLIPSTER can handle them
all at the same time. Mix and
match different codecs alongside
uncompressed frame sequences - the
R&S®CLIPSTER won't skip a beat.
Mix resolutions
If you have a mix of HD, 2K, UHD
and 4K, each can be combined within
the same timeline and formatted
to the desired output and can be
switched on the fly.
Input any file type or video signal
The
R&S®CLIPSTER
supports
an
extensive list of file formats that are
supported natively in the timeline
without any pre-processing, and
captures material in the highest
quality from SDI inputs.
Conforming to non-linear timeline
The R&S®CLIPSTER timeline works
just like a nonlinear editor,
including a conforming tool to aid
in assembly. Combining a nonlinear
timeline with the power of the
resolution- and format- independent
processing engine behind it makes
the R&S®CLIPSTER a workhorse for
high-end post-production workflows.
Customizable file-based media
The R&S®CLIPSTER can output to an
extensive list of file formats through
a customizable generic file output
setup. The finalize tool allows you
to customize an output to meet a
proprietary delivery specification.
Video-tape-based media
and true
The R&S®CLIPSTER has a tried
I/O
tool
to
create
tape
deliverables in SD and HD directly
from the timeline.
Standardized file-based media
The R&S®CLIPSTER has highly
refined
output
wizards
to
simplify
the creation of standardized formats
such as DCP, IMP, AS02 and AS11, so
that the outputs are constrained to
comply with standards and ensure
interoperability.
The search for a smoother, more
efficient way to handle shorts led the
team to begin making compilations,
but the next logical step was to create
Digital Cinema Packages (DCPs) that
would allow seamless individual
playback of each package, as well as
ensuring better quality playback. At
the time, DCPs were the preserve of
big film laboratories, like Deluxe and
Technicolor, and R&S®CLIPSTER from
Rohde & Schwarz was their equipment
of choice.
CLIPSTER had already
established
itself as the gold standard solution
for the mastering and distribution of
feature films and episodic TV. This
powerful tool supports editing of any
type of media, in any resolution, to
create a high-quality professional
deliverable that meets stringent,
professional delivery specifications.
Filmhouse decided to put CLIPSTER
to the test during the 2012 EIFF and
the rest is history.
Ally McCrum, Technical Manager
CMI, Filmhouse Edinburgh, Belmont
Filmhouse Aberdeen, Edinburgh
International Film Festival explains,
" With the high volume of content
involved, the only sensible way was
to follow in the footsteps of the film
labs and go with CLIPSTER, but as
an arts organisation and a charity,
the cost of going down this route
was a huge consideration for us.
However, we worked out that if we
did not do it ourselves the cost would
be astronomical, so we budgeted
CLIPSTER into the film festival budget
over a few years - it actually paid for
itself twice over. "
The success of that first film
festival season with CLIPSTER meant
Filmhouse became the model for other
film festival hosts, such as the British
Film Institute (BFI), who went on to
adopt the same approach of creating
DCPs with CLIPSTER to support their
own events.
Photo © Abbie Dobson
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In Broadcast - November 2021

Table of Contents for the Digital Edition of In Broadcast - November 2021

Contents
In Broadcast - November 2021 - Intro
In Broadcast - November 2021 - Cover1
In Broadcast - November 2021 - Cover2
In Broadcast - November 2021 - Contents
In Broadcast - November 2021 - 4
In Broadcast - November 2021 - 5
In Broadcast - November 2021 - 6
In Broadcast - November 2021 - 7
In Broadcast - November 2021 - 8
In Broadcast - November 2021 - 9
In Broadcast - November 2021 - 10
In Broadcast - November 2021 - 11
In Broadcast - November 2021 - 12
In Broadcast - November 2021 - 13
In Broadcast - November 2021 - 14
In Broadcast - November 2021 - 15
In Broadcast - November 2021 - 16
In Broadcast - November 2021 - 17
In Broadcast - November 2021 - 18
In Broadcast - November 2021 - 19
In Broadcast - November 2021 - 20
In Broadcast - November 2021 - 21
In Broadcast - November 2021 - 22
In Broadcast - November 2021 - 23
In Broadcast - November 2021 - 24
In Broadcast - November 2021 - 25
In Broadcast - November 2021 - 26
In Broadcast - November 2021 - 27
In Broadcast - November 2021 - 28
In Broadcast - November 2021 - 29
In Broadcast - November 2021 - 30
In Broadcast - November 2021 - 31
In Broadcast - November 2021 - 32
In Broadcast - November 2021 - 33
In Broadcast - November 2021 - 34
In Broadcast - November 2021 - 35
In Broadcast - November 2021 - 36
In Broadcast - November 2021 - 37
In Broadcast - November 2021 - 38
In Broadcast - November 2021 - 39
In Broadcast - November 2021 - 40
In Broadcast - November 2021 - 41
In Broadcast - November 2021 - 42
In Broadcast - November 2021 - 43
In Broadcast - November 2021 - 44
In Broadcast - November 2021 - 45
In Broadcast - November 2021 - 46
In Broadcast - November 2021 - 47
In Broadcast - November 2021 - 48
In Broadcast - November 2021 - 49
In Broadcast - November 2021 - 50
In Broadcast - November 2021 - 51
In Broadcast - November 2021 - 52
In Broadcast - November 2021 - 53
In Broadcast - November 2021 - 54
In Broadcast - November 2021 - 55
In Broadcast - November 2021 - 56
In Broadcast - November 2021 - 57
In Broadcast - November 2021 - 58
In Broadcast - November 2021 - 59
In Broadcast - November 2021 - 60
In Broadcast - November 2021 - 61
In Broadcast - November 2021 - 62
In Broadcast - November 2021 - 63
In Broadcast - November 2021 - 64
In Broadcast - November 2021 - 65
In Broadcast - November 2021 - 66
In Broadcast - November 2021 - 67
In Broadcast - November 2021 - 68
In Broadcast - November 2021 - 69
In Broadcast - November 2021 - 70
In Broadcast - November 2021 - 71
In Broadcast - November 2021 - 72
In Broadcast - November 2021 - 73
In Broadcast - November 2021 - 74
In Broadcast - November 2021 - Cover3
In Broadcast - November 2021 - Cover4
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