In Broadcast - November 2021 - 44

44
www.inbroadcast.com | Vol: 11 - Issue 11 | November 2021
InStudio
Virtual Sets come of age cont'd...
Enter Chyron's PRIME
VSAR,
an
Unrealdriven
engine which
contains new features
as part of the PRIME
Live
Platform
4.3
WASP3D's new 3D Virtual Set Production System in action
LED walls to display large graphics.
This look can be easily mimicked using
combinations of hard sets and green
screens at a much lower cost. "
WASP3D recently launched its 3D
Virtual Set Production System. " The
cost-effective, ready to use custom
virtual sets and playout suite, lets you
realize your vision of a studio with a
professional look and feel, " she says.
The product, priced at $129 per month
comes with a design application and
playout engine, inbuilt virtual camera
animations, data-driven AR graphics
and NDI Integration capabilities for
video conference integrations.
" Users can explore endless
possibilities with a small
green screen set-up, " Mishra
says. " You can convert any
limited size space to an infinite
360-degree hybrid virtual
set environment and capture
every minute detail like mirror
reflections, shadows and
cloth movements. You can
enhance a channel's brand
value with custom 3D overlays and
unique frames, icons, shapes, patterns,
illustrations, textures, images and
videos (live/stock footage). "
When Unreal first broke into the
virtual
TV world as an engine for
productions, it represented such a leap
forward in graphics quality that many
early adopters treated it a novelty.
" Networks would put on these once-ina-lifetime
events with bespoke designs,
high-budget external creative and
production teams, and lots of fanfare,
but then these systems would sit on
the shelf for the other 99% of their
programming, " says Carol Bettencourt,
Chyron. " That's not going to drive ROI
in the big picture. The demand we
see from broadcasters is to demystify
the virtual workflow, making it into
something their designers, producers,
and journalists can leverage to engage
their audience every day - while still
having the horsepower to execute
those amazing one-off shows. "
release. " On top of
significant technical
improvements - such
as support for UHD
formats, two cameras
per
engine,
and
real-time previews - we're enriching
the Chyron toolbox within Unreal
for ultimate usability, " says Carol
Bettencourt.
" With this release, PRIME VSAR
simplifies design processes with
templates for virtual studio screens,
weather forecasting, elections, and
other data-driven graphics. Crucially,
all of this plugs into our templatebased
CAMIO workflow that producers
and journalists can use to customize
virtual elements for stories in MOS
rundown - just like any everyday news
graphic. PRIME VSAR makes it easy to
be creative. "
Panasonic's PTZ cameras and robotic
systems support the FreeD protocol
which enables usage with most AR
and VR graphic engines. Its system
cameras house a Super 35mm MOS
sensor which therefore counteracts
potential
moire
issues
that
can
otherwise be a problem when using
LED backdrops. KAIROS, Panasonic's
'next gen' live production platform,
can sit at the centre of a virtual studio
to enable productions to work with a
simultaneous combination of video
inputs such as ST 2110, NDI, SRT or
baseband SDI. " Such connectivity helps
support the move towards true remote
production, Newland says. " KAIROS
has a Canvas feature which enables it
to output to non-traditional formats
such as 32:9 for a LED backdrop with
ease, as well as standard resolutions
such as HD and UHD. "
The product's GUI enables team with
varied levels of experience to deliver
engaging content or set-up complex
systems with limited training time.
" This makes it an ideal option for the
implementation of virtual studios into
corporate environments where
operators can more often than
not be employees with limited
experience with professional
video technology. "
Incorporating a virtual
studio
into
a
broadcast
Panasonic's LIVE Series
Panasonic suggest the significant
increase in the demand for virtual sets
is partly down to advancements in LED
making systems more accessible.
" Rental and staging companies have
able to develop their
been
own
studios due to extensive LED panels
for backdrop, and access to lighting
and camera technology, " says Ollie
Newland Field Marketing Manager.
" The low footprint required to build
a virtual studio compared to green
screen makes them attractive in the
broadcast, corporate and higher
education market in particular.
" Virtual studios can be a seamless
experience
for presenters
with
relatively low levels of presentation
experience, as visible cues obtained
from the LED backdrop allows the
presenter to be immersed into the
environment with ease, and instantly
makes them feel more comfortable
within the surroundings. "
workflow " has enabled remote
communication on a different
level, " says Reckeen President,
Adrianna Hebisz. " For example,
by incorporating remote speakers
into broadcasts more effectively and
not only on a screen but into a virtual
studio environment, even if a green
screen is located in a different part
of the world. Additionally, with 3D
virtual studio solutions becoming more
accessible, even smaller TV studios can
afford to transform their broadcasts
into advanced and progressivelooking
content, with almost limitless
possibilities. "
The technology in this area is
advancing to include Augmented and
Extended Reality solutions " which is
bound to keep shaking things up in the
industry even further, " she says.
Reckeen's latest addition to its AR
solution is intended to create a truly
impressive and immersive experience
for viewers, as well as being the firm's
most advanced product by far: The 3DS
PRO X8 is a self-sufficient workstation
designed to handle all of the heavyduty
tasks of a 3D production and
a broadcast simultaneously. With a
capture card capable of four physical
4K inputs at once, a powerful GPU,
dual LAN with 10 Gigabit throughput,
NDI 5 support, and more, " the platform
has been made with truly demanding
customers in mind. "
" While so called 'traditional'
rendering engines have always been
adding features, the truth is that
game engines arrived and changed
the technology panorama, " says João
Robalo, Product Manager for Graphics,
VR & AR at Vantec. " Unreal Engine
is now established in a myriad of TV
studios and production houses and
is becoming the new standard in VR/
AR/XR. It allows the creation of virtual
worlds which emulate the real world
so well, that sometimes it's difficult
to distinguish the barrier between
both worlds. The question 'is this real
or virtual?' is being posed more and
more. "
Vantec says it's been working closely
with VR/AR companies which employ
Unreal as their 3D engine and have
been building their solutions on top.
" We offer
an all-in-one
product
called Studio2Go which is a portable
equipment which allows to quickly
start a live production, record and
livestream, " Robalo explains. " With
the
possibility
of
inserting
graphic
templates, feeding data from external
sources and quickly inserting remote
interviewers into the production,
it truly is an agile and effective
production equipment for productions
on the go. "
Reckeen's 3DS
PRO X8 workstation
http://www.inbroadcast.com https://www.wasp3d.com/livestream-overlay-solutions/virtual-set-solution-for-advanced-live-production-virtual https://business.panasonic.co.uk/professional-camera/news-and-events/panasonic-live-series-showcases-virtual-innovations-in-the-broadcast-media-industry https://business.panasonic.co.uk/professional-camera/news-and-events/panasonic-live-series-showcases-virtual-innovations-in-the-broadcast-media-industry https://www.reckeen.com/reckeen-3ds-pro-next-generation-of-multicamera-production-system/

In Broadcast - November 2021

Table of Contents for the Digital Edition of In Broadcast - November 2021

Contents
In Broadcast - November 2021 - Intro
In Broadcast - November 2021 - Cover1
In Broadcast - November 2021 - Cover2
In Broadcast - November 2021 - Contents
In Broadcast - November 2021 - 4
In Broadcast - November 2021 - 5
In Broadcast - November 2021 - 6
In Broadcast - November 2021 - 7
In Broadcast - November 2021 - 8
In Broadcast - November 2021 - 9
In Broadcast - November 2021 - 10
In Broadcast - November 2021 - 11
In Broadcast - November 2021 - 12
In Broadcast - November 2021 - 13
In Broadcast - November 2021 - 14
In Broadcast - November 2021 - 15
In Broadcast - November 2021 - 16
In Broadcast - November 2021 - 17
In Broadcast - November 2021 - 18
In Broadcast - November 2021 - 19
In Broadcast - November 2021 - 20
In Broadcast - November 2021 - 21
In Broadcast - November 2021 - 22
In Broadcast - November 2021 - 23
In Broadcast - November 2021 - 24
In Broadcast - November 2021 - 25
In Broadcast - November 2021 - 26
In Broadcast - November 2021 - 27
In Broadcast - November 2021 - 28
In Broadcast - November 2021 - 29
In Broadcast - November 2021 - 30
In Broadcast - November 2021 - 31
In Broadcast - November 2021 - 32
In Broadcast - November 2021 - 33
In Broadcast - November 2021 - 34
In Broadcast - November 2021 - 35
In Broadcast - November 2021 - 36
In Broadcast - November 2021 - 37
In Broadcast - November 2021 - 38
In Broadcast - November 2021 - 39
In Broadcast - November 2021 - 40
In Broadcast - November 2021 - 41
In Broadcast - November 2021 - 42
In Broadcast - November 2021 - 43
In Broadcast - November 2021 - 44
In Broadcast - November 2021 - 45
In Broadcast - November 2021 - 46
In Broadcast - November 2021 - 47
In Broadcast - November 2021 - 48
In Broadcast - November 2021 - 49
In Broadcast - November 2021 - 50
In Broadcast - November 2021 - 51
In Broadcast - November 2021 - 52
In Broadcast - November 2021 - 53
In Broadcast - November 2021 - 54
In Broadcast - November 2021 - 55
In Broadcast - November 2021 - 56
In Broadcast - November 2021 - 57
In Broadcast - November 2021 - 58
In Broadcast - November 2021 - 59
In Broadcast - November 2021 - 60
In Broadcast - November 2021 - 61
In Broadcast - November 2021 - 62
In Broadcast - November 2021 - 63
In Broadcast - November 2021 - 64
In Broadcast - November 2021 - 65
In Broadcast - November 2021 - 66
In Broadcast - November 2021 - 67
In Broadcast - November 2021 - 68
In Broadcast - November 2021 - 69
In Broadcast - November 2021 - 70
In Broadcast - November 2021 - 71
In Broadcast - November 2021 - 72
In Broadcast - November 2021 - 73
In Broadcast - November 2021 - 74
In Broadcast - November 2021 - Cover3
In Broadcast - November 2021 - Cover4
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
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