In Broadcast - November 2021 - 14

14
www.inbroadcast.com | Vol: 11 - Issue 11 | November 2021
InNews
Wowow TV Invests
in Lightspeed Live
Capture C4
Canon celebrates 10 years
of Cinema EOS
C
anon celebrates the 10th
anniversary
of
its
renowned
owow was Japan's first private
satellite TV station, established in
1991 and the first 24/7 high-definition
broadcaster in Japan. Wowow now
offers three HD channels (general
entertainment, news, sports and
movies, plus one 4K channel over
satellite and OTT to a subscriber base
of over 2.5 million.
W
The recording center at Wowow
used Telestream Pipeline, a previous
generation network capture device
used to move SDI and tape-based
media in and out of file-based
workflows, for many years as their
standard appliance for SDI capture of
sports broadcast recording. Wowow
wanted to refresh the capture
solution to allow ingest and output
of newer formats, especially HD and
4K resolutions, while also supporting
new remote production workflows. To
accomplish the tasks, Wowow invested
in three of Telestream's Lightspeed
Live Capture C4 systems.
Wowow looked at several candidate
solutions, but the track record
of
Lightspeed Live Capture being used
by major networks to support remote
production from sports events such
as the world cup and summer games
was a major factor in Wowow's
decision. With the help of Itochu
Cable, a Japanese Telestream reseller,
it became clear that Lightspeed
Live Capture was the ideal product
to replace and enhance their video
capture systems.
Lightspeed Live Capture C4 supports
up to 8 channels of HD inputs in a
1RU appliance allowing an incredibly
efficient use of rack space. It can also
capture two 4K channels at XAVC 60P,
which
enables Wowow to
capture
content for their 4K channel. The
ability of Lightspeed Live Capture to
record files locally and to a remote
drive, with immediate access once the
event has finished, was a significant
benefit to the team. Being able to
natively transcode the captured files
to whatever editing format is required
adds additional operational efficiency
for Wowow.
Cinema EOS line-up, praised by
filmmakers including Jimmy Chin,
Director and Producer of the Academy
Award winning documentary Free Solo,
the Cinema EOS range is celebrated in
a special Shutter Stories episode. The
podcast includes discussion around
Canon's renowned colour
science
and high picture quality, with Jimmy
speaking about how the range has
supported his professional journey.
Looking back to 2011, Canon broke
new ground with the launch of the
Cinema EOS System bringing to
market its first Full HD digital cinema
camera and dedicated camera lenses.
Building on the accolades the EOS 5D
Mark II received for filming Hollywood
films and hit TV programmes, the
EOS C300 became Canon's first
dedicated cinema camera. With a
CMOS sensor that achieved video
reproduction comparable to 35mm
film, it was awarded a Technology and
Engineering Emmy in 2012. This paved
the way for the rest of Canon's Cinema
range, giving filmmakers a step-up to
a true motion picture camera, which
was soon used across
broadcast and even
feature films including the
Oscar nominated, Captain
Phillips and Netflix's hit
true crime series, The
Confession Tapes.
The new system was
revolutionary, empowering
cinematographers with a whole host
of creative filming opportunities and
capabilities.
Since then, Canon has introduced
ground-breaking
technologies to
the film
industry with each of the
13 innovative cameras added to the
line, from the powerful and precise
Dual Pixel CMOS AF which originally
featured in the Canon EOS 70D, to
the EOS C200 that debuted Canon's
Cinema RAW Light - a technology
which has made shooting RAW
more efficient than ever before.
Further expanding the possibilities of
filmmaking, last year Canon embarked
on a new era of Cinema EOS with the
EOS C70, the first of the range to
utilise the RF mount.
Yuichi
Ishizuka,
CEO
Canon
EMEA, comments: " As we mark the
Riedel Expands Vienna R&D Hub
E
xtending its global leadership in
IP-enabled hardware and software
solutions,
Riedel
Communications
has expanded the company's new
R&D hub in Vienna and ramped up its
capacity to drive technical innovation
and accelerate Riedel customers' path
toward the IP future.
The expansion
doubles
the size
of Riedel's Vienna offices with
neighbor the Euro Plaza technology
park, enabling further growth of
the company's development team
and even more robust support for
customers across Central and Eastern
Europe (CEE).
" The team at our Vienna R&D
hub has the talent and creativity to
deliver products with forward-looking
functionality that has the power to
transform the broadcast and event
industry, " said Gernot Butschek,
Head of Development at Riedel's
Vienna
location.
" As
the
broadcast
industry undergoes major disruptive
change with the transition to IPbased
transport of media signals, our
R&D team meets that challenge with
innovation. "
10th anniversary of our Cinema
EOS System, we reflect on the
developments that have unlocked
new possibilities for the film industry.
Following the success of the EOS 5D
Mark II for film and TV, we began to
hear demands from the industry for
cameras and lenses optimised for film
and so we developed the Cinema EOS
System. Since then, we've continued
to listen to the changing needs of the
industry and over the last decade
have pushed technical boundaries to
develop a versatile range, including 13
cameras and 30 cinema lenses which
have helped cinematographers bring
stories to life through video. Now, the
future of the video industry is exciting
- it is more active and more diverse
than ever. "
Riedel's Vienna team is responsible
for front- and backend development,
automated test software, FPGA
programming, PCB layout, and
mechanical design. Experts in the
fiber transport, video processing, and
wireless communications technologies
at the heart of Riedel's Artist, Bolero,
and MediorNet product lines, the
growing engineering
team stands
ready to extend the capabilities of the
Riedel product portfolio.
In significantly expanding its Vienna
facilities, originally
designed to
accommodate up to 55 developers and
engineers, Riedel is not only hiring
additional software developers and
boosting its R&D capabilities, but also
committing greater resources to the
company's growing customer base
across
CEE.
Thanks
to
concurrent
restructuring and process optimization
projects, Riedel also has increased the
capacity of its rental and managed
technology business to take on special
projects of any size and any degree of
complexity.
The R&D hub is part of a larger
Riedel
Austria
facility
that
offers
an additional 120 square meters
of space for the preparation of
installations and managed technology
projects. The facility also includes
a 100-square-meter warehouse to
support Riedel's rental business,
offering the company's entire product
line to customers in Poland, the Czech
Republic, Slovakia, Ukraine, Hungary,
Romania, Bulgaria, the Balkans,
Greece, and Austria.
" Our offices are well-situated
for
our growing development team,
and they serve as a convenient base
for supporting increasing customer
activity across CEE markets, "
said J├╝rgen Diniz-Malleck, Riedel
Communications
General
Manager,
Austria and CEE. " This is an exciting
period of growth for Riedel, and I
look forward to seeing the impact of
this investment on the Riedel product
line and in
customers. "
the
success
of
Riedel
http://www.inbroadcast.com https://inbroadcast.com/news/canon-celebrates-10-years-of-cinema-eos https://inbroadcast.com/news/japans-wowow-tv-upgrades-to-telestream-lightspeed-live-capture-c4 https://inbroadcast.com/news/canon-celebrates-10-years-of-cinema-eos https://inbroadcast.com/news/canon-celebrates-10-years-of-cinema-eos https://inbroadcast.com/news/canon-celebrates-10-years-of-cinema-eos https://inbroadcast.com/news/canon-celebrates-10-years-of-cinema-eos https://inbroadcast.com/news/japans-wowow-tv-upgrades-to-telestream-lightspeed-live-capture-c4 https://inbroadcast.com/news/riedel-expands-vienna-rd-hub https://inbroadcast.com/news/riedel-expands-vienna-rd-hub

In Broadcast - November 2021

Table of Contents for the Digital Edition of In Broadcast - November 2021

Contents
In Broadcast - November 2021 - Intro
In Broadcast - November 2021 - Cover1
In Broadcast - November 2021 - Cover2
In Broadcast - November 2021 - Contents
In Broadcast - November 2021 - 4
In Broadcast - November 2021 - 5
In Broadcast - November 2021 - 6
In Broadcast - November 2021 - 7
In Broadcast - November 2021 - 8
In Broadcast - November 2021 - 9
In Broadcast - November 2021 - 10
In Broadcast - November 2021 - 11
In Broadcast - November 2021 - 12
In Broadcast - November 2021 - 13
In Broadcast - November 2021 - 14
In Broadcast - November 2021 - 15
In Broadcast - November 2021 - 16
In Broadcast - November 2021 - 17
In Broadcast - November 2021 - 18
In Broadcast - November 2021 - 19
In Broadcast - November 2021 - 20
In Broadcast - November 2021 - 21
In Broadcast - November 2021 - 22
In Broadcast - November 2021 - 23
In Broadcast - November 2021 - 24
In Broadcast - November 2021 - 25
In Broadcast - November 2021 - 26
In Broadcast - November 2021 - 27
In Broadcast - November 2021 - 28
In Broadcast - November 2021 - 29
In Broadcast - November 2021 - 30
In Broadcast - November 2021 - 31
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In Broadcast - November 2021 - 71
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In Broadcast - November 2021 - 73
In Broadcast - November 2021 - 74
In Broadcast - November 2021 - Cover3
In Broadcast - November 2021 - Cover4
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