In Broadcast - November 2021 - 10

10
www.inbroadcast.com | Vol: 11 - Issue 11 | November 2021
InNews
Kybio now
powered by
Kubernetes M
I
n April 2020, a new licensing offer
became available to Kybio users
with the launch of its SaaS solution
for network monitoring. Today, just 20
months later, WorldCast CONNECT is
proud to announce a major update to
Kybio's SaaS-hosted platform.
Mo-Sys Reveal New Solutions
for LED Virtual Production
o-Sys™ Engineering, world leader
in image robotics and virtual
production solutions, has revealed new
solutions for LED virtual production
with a high frame rate (HFR)
StarTracker camera tracking system
and the award-winning NearTime®
workflow extended to LED volumes.
NearTime for LED is a smart solution
to solve multiple challenges when
shooting in-camera visual effects
(ICVFX) in an LED volume. At its
most basic level it is an automated
background
for
After
a rigorous
benchmark
of
technologies to best meet CONNECT's
need for more scale and performance,
its SaaS version of Kybio, is now
powered by Kubernetes, the standard
container orchestrator for cloud.
" Using Kubernetes technology
radically changes the way our team
and engineers work on the SaaS offer.
It also adds significant added-value for
our customers in media and broadcast,
especially by speeding up the time
of deployment " , says Julien Libeau,
Kybio Product Manager at WorldCast
CONNECT, " They can literally have
Kybio up and running in less than 10
minutes. "
This new cloud-hosting solution
brings to Kybio the ability to scale on
growth while ensuring high reliability
for cloud deployments worldwide.
Based on Kubernetes, the architecture
provides the correct amount of
compute power needed for each
customer, depending on usage and
licence size.
Leveraging cloud and on-premise
monitoring for high scalability
EdgeBots, the in-house local
software agents for Kybio's remote
monitoring, played a major role
in the deployment of this new
cloud infrastructure. They bring
the ability to combine on-premise
remote monitoring with a full cloud
environment. The Kybio cloud offer is
intended to be used in a decentralized
network. By connecting EdgeBots
with their remote network, users are
quickly and securely connected to
Kybio SaaS, offering high scalability for
large network infrastructures.
With the transition to cloud and the
decentralized architecturing with
EdgeBots, Kybio users now benefit
from a scalable, effortless, and highly
reliable cloud-based monitoring
system.
resolution
improving
of
re-rendering
the
Unreal
quality
based
service
and/or
virtual
production scenes, and is used
simultaneously alongside a real-time
ICVFX shoot. NearTime solves one
of the key challenges of LED ICVFX
shoots, which is balancing Unreal
image quality whilst maintaining realtime
frame rates. Currently every
Unreal scene created for ICVFX has
to be reduced in quality in order to
guarantee real-time playback.
Using NearTime with an LED 'green
frustrum',
the
same
Unreal
scene
can be automatically re-rendered
with higher quality or resolution, and
this version can replace the original
background Unreal
scene.
Whilst
it
takes longer to do this, no traditional
post-production costs or time have
been used, plus moiré issues can be
avoided completely!
Mo-Sys CEO Michael Geissler pictured
said, " We patented NearTime almost
8 years ago knowing that real-time
graphics quality versus playback
frame rate was always going to be an
issue with ICVFX shoots. At that time
we were focussing on green/blue
screen use, but today LED volumes
have exactly the same challenge. "
Mo-Sys is also announcing a special
StarTracker
for
LED
that
provides
camera and lens tracking up to 240fps
for slo-mo shots, as would be typically
used for fight scenes in Asian action
films. In this scenario, rather than
drive the LED wall at high frame rates
to match the camera, which requires
significant hardware processing and
comes with an Unreal image quality
impact, NearTime for LED is used to
post-render the Unreal scene at HFR
following the HFR 'green frustrum'
shoot
of
the
talent
performing.
During the slo-mo shot review, the rerendered
Unreal background and the
talent foreground are re-combined,
delivering a significantly higher quality
composited shot.
" Proxies were used as a smart
solution to solving computer
processing limits in the early days
of digital compositing and colour
grading, "
Geissler
commented.
" Similarly, HFR StarTracker and
NearTime for LED is a smart solution
to shooting slo-mo shots in an LED
volume. "
The HFR StarTracker for LED has
been designed in anticipation of
future GPU processing improvements
enabling higher frame rate Unreal
scene playback. In conjunction
with Mo-Sys' VP Pro XR content
server, the HFR StarTracker's
programmable phase shift feature
can utilise Brompton Technology's
Frame Remapping or Megapixel
VR's GhostFrame capability
for
simultaneous multi-camera shoots in
an LED volume.
NearTime for LED will be available in
Q4 to Mo-Sys customers with VP Pro
and VP Pro XR. The HFR StarTracker
for LED will be available early Q1 2022.
Eurovision Sport engage with Blackbird
B
lackbird
licensor,
plc,
the
developer
technology
seller
native
and
of the market-leading cloud
video editing platform, Blackbird, has
announced that Eurovision Sport has
engaged with Blackbird to drive cloud
native video production workflow
efficiencies for its members in a multiyear
deal.
Eurovision Sport is utilising Blackbird
for professional, collaborative and
scalable cloud native video editing
and publishing of sports content.
Blackbird has been deployed to enable
Eurovision Sport to complement
its digital services, providing cloud
native editing tools for its members to
take advantage of within their media
supply chains.
Eurovision Sport - a division of
the European Broadcasting Union
( " EBU " ) - manages the media rights
for 17 sports on behalf of its public
service media members, delivering
up to 30,000 hours of sport a
year through agreements with
international sports federations.
Blackbird is enabling the Eurovision
Sport editorial team and EBU Members
to immediately access multiple
live
streams, seconds behind live, from
any location in the world through its
browser-based editor. Not only can
users perform fast, collaborative
clipping in Blackbird, but they can
also take advantage of a multi-track
non-linear editor with a professional
toolset, creating high quality content
that would be impossible with any
other video editing
technology.
Content can be rapidly published to
media partners and multiple digital
endpoints including social, web and
OTT platforms for viewers to enjoy.
Blackbird is enabling remote
production, removing the need
to travel to a facility or event and
also eliminating the need to transit
material to and from multiple local
storage environments.
Proven to reduce carbon emissions
by up to 91% compared to traditional
video editing workflows, Blackbird is
playing an active role in supporting
Eurovision Sport's sustainability goals.
Blackbird also reduces infrastructure
costs by up to 75% due to its cloud
native architecture.
Blackbird plc CEO, Ian McDonough
pictured, added: " As part of the
European Broadcast Union, with
members in over 50 countries,
Eurovision Sport is a giant in sports
broadcasting. In its role in helping
stakeholders navigate technological
innovation in sports production,
Blackbird is delighted to be playing a
part as a central hub for cloud native
video editing. We are really excited to
add Eurovision to our growing roster
of large global OEM partners and
to be directly enabling their
members in efficient cloud
migration. "
http://www.inbroadcast.com https://inbroadcast.com/news/mo-sys-reveal-new-solutions-for-led-virtual-production https://inbroadcast.com/news/kybio-now-powered-by-kubernetes https://inbroadcast.com/news/mo-sys-reveal-new-solutions-for-led-virtual-production https://inbroadcast.com/news/kybio-now-powered-by-kubernetes https://inbroadcast.com/news/eurovision-sport-engage-with-blackbird https://inbroadcast.com/news/eurovision-sport-engage-with-blackbird https://inbroadcast.com/news/eurovision-sport-engage-with-blackbird https://inbroadcast.com/news/eurovision-sport-engage-with-blackbird

In Broadcast - November 2021

Table of Contents for the Digital Edition of In Broadcast - November 2021

Contents
In Broadcast - November 2021 - Intro
In Broadcast - November 2021 - Cover1
In Broadcast - November 2021 - Cover2
In Broadcast - November 2021 - Contents
In Broadcast - November 2021 - 4
In Broadcast - November 2021 - 5
In Broadcast - November 2021 - 6
In Broadcast - November 2021 - 7
In Broadcast - November 2021 - 8
In Broadcast - November 2021 - 9
In Broadcast - November 2021 - 10
In Broadcast - November 2021 - 11
In Broadcast - November 2021 - 12
In Broadcast - November 2021 - 13
In Broadcast - November 2021 - 14
In Broadcast - November 2021 - 15
In Broadcast - November 2021 - 16
In Broadcast - November 2021 - 17
In Broadcast - November 2021 - 18
In Broadcast - November 2021 - 19
In Broadcast - November 2021 - 20
In Broadcast - November 2021 - 21
In Broadcast - November 2021 - 22
In Broadcast - November 2021 - 23
In Broadcast - November 2021 - 24
In Broadcast - November 2021 - 25
In Broadcast - November 2021 - 26
In Broadcast - November 2021 - 27
In Broadcast - November 2021 - 28
In Broadcast - November 2021 - 29
In Broadcast - November 2021 - 30
In Broadcast - November 2021 - 31
In Broadcast - November 2021 - 32
In Broadcast - November 2021 - 33
In Broadcast - November 2021 - 34
In Broadcast - November 2021 - 35
In Broadcast - November 2021 - 36
In Broadcast - November 2021 - 37
In Broadcast - November 2021 - 38
In Broadcast - November 2021 - 39
In Broadcast - November 2021 - 40
In Broadcast - November 2021 - 41
In Broadcast - November 2021 - 42
In Broadcast - November 2021 - 43
In Broadcast - November 2021 - 44
In Broadcast - November 2021 - 45
In Broadcast - November 2021 - 46
In Broadcast - November 2021 - 47
In Broadcast - November 2021 - 48
In Broadcast - November 2021 - 49
In Broadcast - November 2021 - 50
In Broadcast - November 2021 - 51
In Broadcast - November 2021 - 52
In Broadcast - November 2021 - 53
In Broadcast - November 2021 - 54
In Broadcast - November 2021 - 55
In Broadcast - November 2021 - 56
In Broadcast - November 2021 - 57
In Broadcast - November 2021 - 58
In Broadcast - November 2021 - 59
In Broadcast - November 2021 - 60
In Broadcast - November 2021 - 61
In Broadcast - November 2021 - 62
In Broadcast - November 2021 - 63
In Broadcast - November 2021 - 64
In Broadcast - November 2021 - 65
In Broadcast - November 2021 - 66
In Broadcast - November 2021 - 67
In Broadcast - November 2021 - 68
In Broadcast - November 2021 - 69
In Broadcast - November 2021 - 70
In Broadcast - November 2021 - 71
In Broadcast - November 2021 - 72
In Broadcast - November 2021 - 73
In Broadcast - November 2021 - 74
In Broadcast - November 2021 - Cover3
In Broadcast - November 2021 - Cover4
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
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