In Broadcast - CABSAT 2018 - 12

12

www.inbroadcast.com | CABSAT InShow Guide | 14 - 16 January 2018

Tripleplay Unveils
Enhanced Platform
E

xhibiting at CABSAT for the first
time, Tripleplay brings its market
leading single platform IPTV, VOD and
Digital Signage platform to APAC's top
video and broadcast show. With its
latest software platform, Tripleplay is
giving the region an exclusive look at
new features, solutions and supported
devices.
CABSAT delegates will get an
exclusive look at Tripleplay's fullyencrypted IPTV and VOD streaming
delivery solution for mobile devices,
desktop PC, Mac and Thin Clients, with
native support for H.265/HEVC.
Tripleplay has also released both a
sub 100ms High Definition Encoder
and a 4K HEVC encoder card in the
past 12 months, helping it deliver high
quality streamed video to any device,
on any IP network in near real-time.
Also released for its digital signage
and IPTV platform is support for
Samsung Tizen, LG webOs and
BrightSign Media Players all offering
full 4K HEVC video; ensuring Tripleplay
now delivers full 4K workflow.

At Tripleplay's stand (ZB3-C31)
delegates can see:
*	 Interactive IPTV Portal with
PlayMedia BYOC App, IPTV
and VOD;
*	 Mobile Media Application for
delivering IPTV and VOD
to Android and iOS devices;
*	 Media Video Player for delivering
IPTV and VOD to Thin Client,
PC and Mac;
*	 Super low latency HD & brand
new 4K IP Video Encoders;
*	 Digital Signage with Touchscreen
capability.
Tripleplay's Director for the Middle
East, Amer Alzaiem says: "We are
thrilled to be attending CABSAT
to give people in this region an
exclusive look at some of the exciting
features that will be available with
the Caveman 1.0 software release.
It provides us the perfect platform
to discuss Tripleplay's capabilities
from a broadcasting perspective,
especially when it comes to our
Enterprise Video Solution.

"Not only is Tripleplay a global
leader in IP Video but also the leading
single platform for IPTV and digital
signage with all solutions available for
delegates to see."
Tripleplay's
Group
Marketing
Manager, James Keen adds: "Our IPTV
platform is second to none in terms of
deliverability, cost effectiveness and
flexibility.
In fact, we're the world's only
platform able to deliver encrypted high
definition video to virtual desktops in
Citrix environments, encrypted video
to mobile and PC clients and also in
digital signage deployments with

Archive Asset Management (AAM) and Transfer Technology
safeguard cultural heritage...
V digitising and archiving
specialist NOA GmbH is exhibiting
at the show.
"Our presence at CABSAT 2018
coincides with some important largescale projects in the region that
will be completed this year. We'll
be showing our cutting-edge and
easy-to-use archiving innovations,"
says Christophe Kummer, Managing
Partner of NOA.
Many
institutions,
including
broadcasters and media library
agencies have come to realise
transferring archive media can be
a time consuming and resource
hungry task. Tape machines capable
of playing legacy tape formats are
becoming obsolete as manufacturers
decommission
their
production
lines and stop providing spares.
Replacement heads and parts are
difficult to come by and the race is on
to transfer media to secure archives

before replaying of tapes becomes
impossible.
The massive volume of tape material
and film stored is becoming apparent
as institutions comprehend the task
ahead, especially when they consider
their storage vaults. However,
transferring from tape is only half the
story as many assets were recorded
before proper metadata annotation
was introduced and in many cases
the existing information describing
archived content is disjointed and
minimal at best.
In response to these
needs and in collaboration
with broadcasters, NOA
has developed tools to
automate and simplify the
process of digitisation,
storage
and
retrieval
of media content as
well
as
appropriate
metadata annotation and

Samsung system-on-chip screens.
"We are constantly evolving and
innovating and setting the bar higher
for our competition and keeping our
clients ahead of the curve."
Tripleplay's solutions have been
deployed across the globe for
enterprise clients such as SABC,
Mediacorp,
BBC
Worldwide,
at sports stadia and arenas
including Twickenham, Daytona
International Speedway and
Etihad Stadium, and for
hotels,
hospitals
and
universities.
www.tripleplay.tv

The Valai Portal

NOA Shows Future Proof
Archiving Innovations
A

Tripleplay market leading single platform

management. Sustainable long-term
preservation of media content is
guaranteed and continuous checks for
transfer integrity during digitisation
ensure that only the highest possible
quality of audio and video content is
going into the archive.
The mediARC™ system includes
the three fundamental areas of an
archive project: metadata (description
of the media content); media storage
and conversion; and workflows
(controlling, creating and processing
information).

Open Archival Information System
(OASIS), a framework designed
to future-proof archives, is at the
core of NOA's database design.
Part of its application is the use of
open source resources, especially
concerning video encoding, to
ensure that archival content remains
accessible for decades to come; high
performance open source video
codec FFV1 provides mathematically
lossless intra-frame compression with
competitive bit rates while ensuring
longevity of archival content.
Integration
of
QC
processes
and metadata edit validation into
production workflows is another core
feature. Both mediARC™ and jobDB™
provide a highly flexible workflow
engine which is used for all basic
input/output tasks around the archive,
including ingestion and exporting.
Therein, workflows can be adjusted
manually to create individual sets of
specialised workflows.
NOA's systems easily
scale to meet the needs
of broadcasters as their
libraries
and
archives
expand, either in your own
datacentre or Cloud.
www.noa-archive.com
Resource hungry:
archive asset management


http://www.inbroadcast.com http://www.tripleplay.tv http://www.noa-archive.com

Table of Contents for the Digital Edition of In Broadcast - CABSAT 2018

In Broadcast - CABSAT 2018 - Intro
In Broadcast - CABSAT 2018 - Cover1
In Broadcast - CABSAT 2018 - Cover2
In Broadcast - CABSAT 2018 - 3
In Broadcast - CABSAT 2018 - 4
In Broadcast - CABSAT 2018 - 5
In Broadcast - CABSAT 2018 - 6
In Broadcast - CABSAT 2018 - 7
In Broadcast - CABSAT 2018 - 8
In Broadcast - CABSAT 2018 - 9
In Broadcast - CABSAT 2018 - 10
In Broadcast - CABSAT 2018 - 11
In Broadcast - CABSAT 2018 - 12
In Broadcast - CABSAT 2018 - 13
In Broadcast - CABSAT 2018 - 14
In Broadcast - CABSAT 2018 - 15
In Broadcast - CABSAT 2018 - 16
In Broadcast - CABSAT 2018 - 17
In Broadcast - CABSAT 2018 - 18
In Broadcast - CABSAT 2018 - 19
In Broadcast - CABSAT 2018 - 20
In Broadcast - CABSAT 2018 - 21
In Broadcast - CABSAT 2018 - 22
In Broadcast - CABSAT 2018 - 23
In Broadcast - CABSAT 2018 - 24
In Broadcast - CABSAT 2018 - 25
In Broadcast - CABSAT 2018 - 26
In Broadcast - CABSAT 2018 - 27
In Broadcast - CABSAT 2018 - 28
In Broadcast - CABSAT 2018 - 29
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In Broadcast - CABSAT 2018 - 31
In Broadcast - CABSAT 2018 - 32
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In Broadcast - CABSAT 2018 - 36
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In Broadcast - CABSAT 2018 - 39
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In Broadcast - CABSAT 2018 - 51
In Broadcast - CABSAT 2018 - 52
In Broadcast - CABSAT 2018 - 53
In Broadcast - CABSAT 2018 - 54
In Broadcast - CABSAT 2018 - Cover3
In Broadcast - CABSAT 2018 - Cover4
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