In Broadcast - CABSAT 2017 - 24

24

www.inbroadcast.com | CABSAT InShow Guide | 21 - 23 March 2017

Ikegami Pioneering
Technology
Ikegami has always prided itself on the
innovations that drive its products, for the past
70 years the company has led the way in image
capture for the broadcast industry

A

t CABSAT this year, Ikegami is
showcasing its revolutionary 2/3inch 8K camera. While the world is still
talking about 4K, Ikegami is pioneering
8K and the technology that enables
content creators to upscale from 4K
to 8K.
Vision Processor
As well as its 8K demonstration,
Ikegami's newest camera, the UHK430 is on display. At the heart of the
UHK-430 is Ikegami's fifth generation
high-speed video processing engine,
the AXII, reducing power consumption
and delivering a wide range of
features. The AXII also provides
the processing for Ikegami's newly
developed transfer characteristic,
which delivers high contrast for a
wider dynamic range (HDR).
The most impressive feature in
Ikegami's latest camera is its ultrawide bandwidth fibre transmission,
achieving
the
world's
first
transmission of an uncompressed 4K
signal. Signals include uncompressed
RGB 4:4:4 video, four lines of return
lines, two lines of QTV video, four
channels for audio and gigabit
Ethernet trunk. The availability of
uncompressed RGB signals at the
CCU results in super high-quality
signals for chromakey being created.
The benefit of the multiple signals
supported by the UHK-430 is that
it also makes communication with
various IP-based products possible.
With regards to IP, Ikegami remains
agnostic, supporting all standards
including AIMS and SMPTE. This
enables Ikegami to stay flexible and
support workflows from companies
that have made assertive decisions
to implement the standards of one
specific alliance.

CCU-430 camera control unit

For 2017, Ikegami has introduced a
series of accessories and capabilities
to its current range, which are on
display in their prototype form at the
exhibition.
The UHK-430 will debut its unique
two-piece
construction,
allowing
users to easily swap in an optional
adaptor or sensor unit, such as an
extension adaptor for a more flexible
working piece. In this mode, the head
can be operated up to 50 metres
from the camera body as well as a
built-in 40Gbps optical transceiver,
which enables full bandwidth of
4K resolution signal transmission
between camera and CCU, allowing
easy deployment on support devices
such as long-reach camera poles.
Camera Controller
The CCU-430 is the camera control
unit for the UHK-430 camera,
connected together using fibre cable
to transmit video, audio and control
signals as well as supplying the power
to the camera when hybrid fibre/
copper cable is used. The CCU-430
is another example of Ikegami's
recognition of a content creator's
need to be flexible, working for both
4K and HD workflows; it supports
smooth and easy migration from HD to
4K production. As well as four 3G-SDI
standard 4K outputs, the CCU-430
now comes with an optional 12G-SDI
output to support greater resolution,
frame rates and colour fidelity.

The UHK-430 camera

production suites, master control
rooms and playout centres. It employs
an LED-illuminated 31.1 inch pixel LCD
panel with full 4096x2160 resolution
and 10-bit processing depth. The
HQLM-3120W monitor also boasts a
wide viewing angle allowing critical
content evaluation within horizontal
or vertical viewing angles of up to 178
degrees.
Debuts
On show for the first time is the
new HDK-97A2 16-bit full digital 3G
progressive-scan dockable HDTV
camera system. Featuring a 2/3-inch
3CCD 2.3 megapixel progressive
sensor, newly developed "AXII" 38-bit
FPGA digital signal processor, and 16
axes of colour correction.
Also on show is the BS-98, the new
half-rack size base station. Providing
rack-mountable fibre transmission
units for UnicamHD series cameras,
high quality 4K ultra HD and
3G /HD-SDI output are supplied
simultaneously
when
connected
with a UnicamHD camera, such as
the UHK-430. The BS-98 is equipped
with a built-in 4K SR CONV video
processor to provide a high quality
4K (3840 x 2160) live output, allowing
not only upscaling from HD signal
but also Super Resolution with image

12G-SDI Monitor
Ikegami has also made upgrades to
its HQLM-3120W, which now includes
a 12G-SDI input. The newest monitor in
Ikegami's portfolio is designed for use
as a full 4K master reference monitor
in television production studios, post-

Ikegami HQLM-3120W
monitor offers 12G-SDI input

enhancement in the Ultra HD band, a
new technology to reconstruct high
resolution signals that is not possible
in conventional HD processing.
Demonstrations of the PF-531A
ultra low-latency HD/SD digital
microwave link will also take place.
The PF-531A is the latest high
performance microwave link system
from Ikegami based on the ARIB
standard, employing OFDM & QAM
modulation. The PF-531A is suitable
for various applications, such as ENG
and sports coverage, and point-topoint applications. In addition, the
RF head units achieve IPX level-4
for weatherproof and realise a semisealed structure.
As a result, the PF-531A is
engineered to operate in tropical
weather conditions such as hot and
high humidity environments or strong
winds accompanied by rain showers
and wind storms which are common in
the Middle East region.
Ikegami's impressive line of 8K,
4K and HDR products, showcase
the company's continued mission
to provide its customers with the
most flexible and efficient pieces of
technology to best serve their needs.
Visit the stand to learn more about
Ikegami's latest range of products.
www.ikegami.co.uk


http://www.inbroadcast.com http://www.ikegami.co.uk http://www.ikegami.co.uk

Table of Contents for the Digital Edition of In Broadcast - CABSAT 2017

In Broadcast - CABSAT 2017 - Intro
In Broadcast - CABSAT 2017 - Cover1
In Broadcast - CABSAT 2017 - Cover2
In Broadcast - CABSAT 2017 - 3
In Broadcast - CABSAT 2017 - 4
In Broadcast - CABSAT 2017 - 5
In Broadcast - CABSAT 2017 - 6
In Broadcast - CABSAT 2017 - 7
In Broadcast - CABSAT 2017 - 8
In Broadcast - CABSAT 2017 - 9
In Broadcast - CABSAT 2017 - 10
In Broadcast - CABSAT 2017 - 11
In Broadcast - CABSAT 2017 - 12
In Broadcast - CABSAT 2017 - 13
In Broadcast - CABSAT 2017 - 14
In Broadcast - CABSAT 2017 - 15
In Broadcast - CABSAT 2017 - 16
In Broadcast - CABSAT 2017 - 17
In Broadcast - CABSAT 2017 - 18
In Broadcast - CABSAT 2017 - 19
In Broadcast - CABSAT 2017 - 20
In Broadcast - CABSAT 2017 - 21
In Broadcast - CABSAT 2017 - 22
In Broadcast - CABSAT 2017 - 23
In Broadcast - CABSAT 2017 - 24
In Broadcast - CABSAT 2017 - 25
In Broadcast - CABSAT 2017 - 26
In Broadcast - CABSAT 2017 - 27
In Broadcast - CABSAT 2017 - 28
In Broadcast - CABSAT 2017 - 29
In Broadcast - CABSAT 2017 - 30
In Broadcast - CABSAT 2017 - 31
In Broadcast - CABSAT 2017 - 32
In Broadcast - CABSAT 2017 - 33
In Broadcast - CABSAT 2017 - 34
In Broadcast - CABSAT 2017 - 35
In Broadcast - CABSAT 2017 - 36
In Broadcast - CABSAT 2017 - 37
In Broadcast - CABSAT 2017 - 38
In Broadcast - CABSAT 2017 - 39
In Broadcast - CABSAT 2017 - 40
In Broadcast - CABSAT 2017 - 41
In Broadcast - CABSAT 2017 - 42
In Broadcast - CABSAT 2017 - 43
In Broadcast - CABSAT 2017 - 44
In Broadcast - CABSAT 2017 - 45
In Broadcast - CABSAT 2017 - 46
In Broadcast - CABSAT 2017 - 47
In Broadcast - CABSAT 2017 - 48
In Broadcast - CABSAT 2017 - 49
In Broadcast - CABSAT 2017 - 50
In Broadcast - CABSAT 2017 - 51
In Broadcast - CABSAT 2017 - 52
In Broadcast - CABSAT 2017 - 53
In Broadcast - CABSAT 2017 - 54
In Broadcast - CABSAT 2017 - 55
In Broadcast - CABSAT 2017 - 56
In Broadcast - CABSAT 2017 - 57
In Broadcast - CABSAT 2017 - 58
In Broadcast - CABSAT 2017 - 59
In Broadcast - CABSAT 2017 - 60
In Broadcast - CABSAT 2017 - 61
In Broadcast - CABSAT 2017 - 62
In Broadcast - CABSAT 2017 - 63
In Broadcast - CABSAT 2017 - 64
In Broadcast - CABSAT 2017 - 65
In Broadcast - CABSAT 2017 - 66
In Broadcast - CABSAT 2017 - Cover3
In Broadcast - CABSAT 2017 - Cover4
In Broadcast - CABSAT 2017 - S1
In Broadcast - CABSAT 2017 - S2
In Broadcast - CABSAT 2017 - S3
In Broadcast - CABSAT 2017 - S4
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