In Broadcast - NABSHOW 2016 - 32


32

www.inbroadcast.com | NAB SHOW 16-21 April 2016 | InShow Guide

This Year at NAB, Sachtler's Video 18
Will be Showing Off a Major Update
The bestseller will feature greater load-bearing capacity in time for NAB 2016...

F

or decades, the rugged Video
18 head remained a staple in
camera kits of successful EFP and
EB cameramen around the globe.
Now, just in time for NAB 2016, this
bestseller will receive a refresh that
will give owners more load-bearing
capacity.
With 4kg more payload than the
Video 18 S1, the head will now offer
a total payload of 20kg at 125mm
centre of gravity. Because of this
improvement, the Video 18 S2 is
now the only head in its class that
can operate at -40 to +60 degrees
centigrade without any influence on
its smooth operation.
As a cinematographer, filmmaker,
producer, and audio recording
engineer, Clinton Harn has not only
shot for two-time Academy Award
Winner and Director, Malcolm Clark,
but has also worked as an AC and
camera operator for Rodney Charters,
ASC who's known for shows like 24,
Dallas, and Shameless.

"The more you can carry on the
tripod, the easier it is to function with
both the heaviest and the lightest
payload. With certain competitors,
their tripods can carry a heavier
payload, but then the minute you
try to adjust your parameters to
accommodate a lighter one, it feels
incredibly stiff and cocky," mentioned
Clinton. "But this tripod just has more
control and drag, so while it can
accommodate a heavier payload, you
can still go down to the minimum drag
setting and put a small DSLR camera
on there with no issues. And
that's the big difference
between
Sachtler
and a lot of other
competitors."
As
the
Sachtler
workhorse, the Video 18
has a rich heritage with
thousands of heads in
the field, and decades
of robust performance
in the most extreme

news and documentary
environments around the
world. Every microscopic
feature of the Video 18 S2
has been heightened for
the tough, daily challenges
of news and documentary
film crews, whether it's
thrown into the back of a
news truck every day or
burrowed into mud and
sand.
And while the Video 18 S2 is
optimised in every product detail, it
still maintains classic
Sachtler features like
temperature resistance,
the Touch & Go plate, the
parking position for spare
camera screws, and the
illuminated spirit level.
"These tripods are built to
last a lifetime," continued
Video 18 S2 has 4kg
more payload than
the Video 18 S1

The new model is both comfortable
and highly reliable

Clinton. "When you combine longevity
and
future-proof
technology,
dependability is written all over it.
For me, Sachtler simply has those
qualities and so much more."
Thanks to the excellent damping
mechanism,
the
innovative
Speedbalance technology for swift
weight compensation, and now the
wider load range, the Video 18 S2 is
not only comfortable to use, but -
above all - remains highly reliable.

JoeCo's New BlueBox Range
to be Shown at NAB
BlueBox BBWR24MP provides an audio OB van
in a backpack...

F

or many years the JoeCo BlackBox
range
of
Live
Acquisition
Recorders has been the go-to recorder
for large scale multichannel audio
recordings. Renowned for their
reliability, ease of use and compact
size, JoeCo Recorders have been
used to capture audio at live sporting
events such as the FIFA World Cup in
Brazil and professional motor racing
worldwide; live music performances
and tours for the likes of Coldplay and
George Michael; alongside reality TV
series ranging from I'm a Celebrity...
Get Me Out of Here! and Big Brother, to
the Great British Bake Off.
The new BlueBox BBWR24MP
builds on this enviable reputation by
adding a multichannel workstation
interface facility. The 24-channel live
audio acquisition solution delivers
all the standard BlackBox Recorder
functionality, featuring 24 high-quality
microphone preamps operating at

up to 24bit/96kHz, integrated into
the recorder's compact 1U housing.
However, the workstation interface
can be used in the field to provide
a simultaneous backup recording
onto a laptop, allowing one disk to be
dispatched to the post facility whilst
a backup copy can be kept by the
sound recordist, without requiring any
copying time.
Designed with the broadcast
engineer and sound location recordist
in mind, the BBWR24MP offers a
range of connection options including
individually
switchable
mic/line
inputs and balanced outputs. Full
synchronisation to video, timecode,
and word clock is provided as
standard. Microphones can either be
connected to the unit via tails from
the rear D-Sub connectors, or via an
optional 2U breakout panel with XLR
connectors.
Local audio is recorded directly to

The BlueBox
BBWR24MP
features a
multichannel
workstation
interface facility

an external USB2/3 drive in Broadcast
WAV format for instant ingest into
post-production. The BBWR24MP can
create a simultaneous stereo mixdown
alongside the multi-channel ISO tracks
- full support for iXML data is included.
The BBWR24MP can use a 12V power
source, and unused channels and
features can be disabled to preserve
battery life on location.
The unit is fully controllable via
JoeCoRemote for iPad or via the
host computer with level, mic/line,
phantom power, hi-pass filter, soft
limiter, and phase reverse adjustable
for every channel including highresolution meters.
The BlueBox Workstation interface
is compatible with both Mac OSX using

Core Audio, and Windows PC lowlatency drivers, and can be used with
any workstation software on these
platforms. The BlueBox can also be
used in a studio situation where highquality multichannel audio interfaces
are needed, again providing backup
recordings of the live input to guard
against workstation problems and
crashes.
"We're delighted to be releasing our
new BBWR24MP," said JoeCo's Joe
Bull. "Customers have been seeking
a more compact complete solution
to their multi-track audio recording
needs, and the BBWR24MP will fill this
gap in the market admirably."
Please visit www.joeco.co.uk for
further information.


http://www.inbroadcast.com http://www.vitecgroup.com http://www.joeco.co.uk/ http://www.joeco.co.uk

Table of Contents for the Digital Edition of In Broadcast - NABSHOW 2016

In Broadcast - NABSHOW 2016 - Intro
In Broadcast - NABSHOW 2016 - Cover1
In Broadcast - NABSHOW 2016 - Cover2
In Broadcast - NABSHOW 2016 - 3
In Broadcast - NABSHOW 2016 - 4
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In Broadcast - NABSHOW 2016 - Cover3
In Broadcast - NABSHOW 2016 - Cover4
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110506
https://www.nxtbookmedia.com