In Broadcast - IBC 2015 - 90
90
www.inbroadcast.com | IBC2015 InShow Guide | 11-15 September
Workflow Focus For
Phantom Flex4K
Vision Research has been focusing on overall workflow
enhancements to the Phantom Flex4K platform, increasing the
camera's potential for both high-speed and sync-sound recording...
T
he Flex4K has already been on
countless TV and motion picture
productions, and is usually considered
a specialty camera for slow motion
effects.
Commercials,
music
videos,
multimedia ad campaigns, special
effects in movies and live event
broadcast have all benefited from the
camera's high frame rate capabilities
and exceptional image quality.
In the cinema industry, Phantom
cameras have always employed a raw
workflow. The Flex4K does this by
saving
cine
raw files to
high-speed
CineMag
IV
storage media.
Raw has its
advantages,
however the
one
major
drawback
is
the large size
Flex4K gains
4K Apple
ProRes 422
HQ and audio
capabilities
of the data - particularly when talking
about 4K high-speed recording. For
example, at 1000 fps it only takes
five seconds to capture 50 GB of raw
data. Now with the option to record
to the CineMag IV in 4K Apple ProRes
422 HQ, footage can be downloaded
in an industry-standard format, and
the size of that footage is reduced
approximately 2.5x when compared
to raw and 10x when compared to an
interpolated uncompressed format.
The other major new feature - for
the first time in a high-speed camera
- is the addition of in-camera audio
recording for sync-sound frame rates
and above. The camera can accept two
channels of AES/EBU audio, and when
enabled, the footage downloaded
will automatically include a separate,
matching .wav file to be lined up with
the footage in post.
Combine in-camera audio and
ProRes recording to make it more cost
effective for the Flex4K to be used on
projects that need an all-around 4K
professional cinema camera capable of
24 all the way up to 1,000 frames per
second.
The Flex4K is also well suited for
sports broadcast applications, for
super slow motion replays, and Belgian
company i-Movix offers various fully
integrated solutions including the
popular X10 UHD.
If you are visiting IBC, be sure to visit
the Vision Research booth 11.B42 for a
hands-on look at Phantom cameras.
All new functionality including
ProRes and Audio recording, including
the off-camera workflow will be
announced in more detail and on
display at the show.
Vision Research will also be
showing the handheld, compact Miro
LC320S camera, screening exciting
new footage and displaying various
software solutions.
Also stop by the nearby i-Movix
booth to see how Phantom cameras
are integrated for live sports broadcast
productions.
For more information visit:
www.visionresearch.com
Twitter: @PhantomFlex4K
http://www.inbroadcast.com
http://www.visionresearch.com
http://www.visionresearch.com/
https://twitter.com/phantomhispeed
https://www.facebook.com/visionresearch?_rdr=p
https://www.linkedin.com/company/vision-research
Table of Contents for the Digital Edition of In Broadcast - IBC 2015
In Broadcast - IBC 2015 - Cover1
In Broadcast - IBC 2015 - Cover2
In Broadcast - IBC 2015 - 3
In Broadcast - IBC 2015 - 4
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In Broadcast - IBC 2015 - 102
In Broadcast - IBC 2015 - Cover3
In Broadcast - IBC 2015 - Cover4
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201912
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