In Broadcast - IBC 2015 - 76


76

www.inbroadcast.com | IBC2015 InShow Guide | 11-15 September

JPEG 2000 & HFR:
The Perfect Match

Combining the power of JPEG 2000 and the efficiency of High Frame Rate (HFR), Image Matters is
introducing its new system for playing HFR content on a true HFR (at up to 240 frame per second)
flat screen - the Kolibri (designed by Mikrom)...
Faster Pixels For Immersive Video
HFR is currently at the heart of the
evolution of advanced video. A more
immersive and stunningly sharp image
is probably the essential result of HFR.
By increasing the number of frames
per second (fps), it sharpens the image
even in fast movement like action
scenes, sport and gorgeous panoramic
landscape views. The scenes seem
more real to the viewer as the
movements are more fluid and more
accurate. Moreover, thanks to HFR,
the content and the displays can reveal
the full potential of their ultimate
resolution, in HD, UHD, 4K and 8K.
By going faster, video and
imagination reach the frontier of
immersion in virtual reality.

" During courtship the
hummingbird (colibri
in French) beats its
wingtips at up to 200
times per second..."

Image Matters' IM-NEST powering a Kolibri HFR Display

Combining HFR with 3D, brings
the three-dimensional immersive
effect to the next level. No more
visible artefacts, no more temporal
mismatches, only realistic video all
around the viewer.
Better Pixels: JPEG 2000
JPEG 2000 is a well know frame by
frame encoding codec largely deployed
in cinema, post-production and
contribution. It offers pristine image
quality.
By using the codec in the HFR
context, Image Matters exploits an
additional advantage of JPEG 2000:

the intra-frame coding. In other words,
the compression engine encodes
each frame independently. It allows
a perfect master of the sequence of
frames to play, enabling loop, slowmotion, and new kinds of temporal
special effects only accessible on HFR
content.
HFR: The Future Of High-End Video
To provide the expected WOW effect,
the UHD standard plans for up to
120fps (and per eye for 3D Content).
It is time to experiment with this new
tool and develop a convenient image
grammar, one enabling the audience

Why Did They Shoot Video Using The HFR Format?

Director of Photography:
"As Director of Photography, I
want to grab the ultimate picture
quality through high frame rate,
high resolution and deep colours.
High Frame Rate provides full
flexibility at post-production to
prepare stunning movies. With HFR,
I can freely manage motion blur,
focusing the viewer attention to the
right spot while immersing him in a
razor sharp picture."

Broadcaster:
"As a broadcaster, it is important
to engage my viewer in emotions. I
want the spectator to be part of his
favourite team victory! By doubling
the number of images, each moment
actually becomes the field around
him, providing him with a wonderful
immersive experience."

Medical Research
"As a critical surgery physician,
I want to share my know-how with
my colleagues and students. It is
wonderful to interactively display
them in 3D - to see what I see
with so much picture details and
fidelity they could feel as if they
are operating themselves. The HFR
makes the 3D experience much
more gentle and hugely reduces
eyestrain."

to naturally adopt and enjoy the new
image quality provided by high frame
rate video.
Therefore
Image
Matters
is
introducing the IM-NEST, its new
system to encode, playback and
display HFR content.
The IM-NEST combines the storage
capability of multiple SSD with the
processing power of the IM-XL board
allowing it to playback HD content at
240fps.
The JPEG 2000 decoder is
simultaneously decoding four HDp60
signals allowing the Kolibri screen
to truly receive one stream of HD at
240fps. The IM-XL board delivers the
HFR content to the Kolibri through four
3G-SDI signals at 60fps.
The new Kolibri is a 55-inch Full
HD LCD Display with unique features
especially addressing High Frame Rate
video experiences.
From a quad 3G-SDI video input,
four video frames played by the
Image Matters NEST server, are
captured
simultaneously
for
multiplexing into a single video stream
to the panel. Various frame rates are
supported on the video input ports.
Frame repetition is used if the
aggregated frame rate of the video
inputs is below the operational range
of the LCD panel. Three programmable
one-dimensional colour Look-Up Table
(LUT) can be used for enhancements of
the colour space displayed on this true
10b panel.
Remote control of Kolibri is established through Ethernet connection to
the built-in processor mainboard operating under Linux OS.


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