In Broadcast - BroadcastAsia 2015 - 32


32

www.inbroadcast.com | BroadcastAsia | CommunicAsia | InShow Guide | 2-5 June 2015

DPA Launches the Ultimate
Broadcast Interview Microphone
DPA's latest microphone is taking the d:facto in a new direction...

A

s every television reporter
knows, recording broadcast
quality interviews in adverse weather
conditions can be a real challenge,
especially when the wind is doing its
best to drown out the sound. With this in
mind, DPA Microphones has introduced
the d:facto Interview Microphone,
which was unveiled at NAB Show 2015.
Launched three years ago, DPA's
d:facto range is targeted at voice
applications, and has already won
numerous awards. The original d:facto
Vocal Microphone is now a firm
favourite with artists such as Stevie
Wonder, Sting, Ellie Goulding, and
Paloma Faith, who love its ability to
deliver an extremely natural sound. It
has also proved popular with top FOH
engineers who appreciate how much
easier it makes their workload thanks
to its clarity, superior gain before
feedback, and extreme SPL handling.
The d:facto Interview Microphone
takes the range in a new direction
by delivering a high-end, handheld

reporter's microphone, that offers
exceptional
voice
clarity
and
linearity. It also offers low handling
and wind noise that is far superior
to other solutions on the market,
making it ideal for both outdoor and
studio interview settings. Key to the
success of this microphone is its
omnidirectional 2006V capsule, which
is based on DPA's original 2006, but
with sensitivity adjusted down 12 dB
to accommodate typical interview mic
and wireless handle sensitivities.
"We have altered the capsule's
sensitivity so that it is 12 dB less than
its basis," says DPA Product Specialist,
Mikkel Nymand. "This, plus the fact
that the capsule is omnidirectional,
makes it more suited to broadcast
interview situations where freedom of
use is more important than pointing
precision. We have also lowered
handling noise by incorporating a
rubber suspension mount, which is
built into the d:facto head. Finally, the
d:facto Interview has the lowest mic

generated wind noise
of any interview mics
on the market, straight
out of the box, with no
additional foam or fur
needed."
When paired with
DPA's d:fine In-Ear
Broadcast
Headset
Microphone, the DPA
d:facto
Interview
Microphone can be
used in the studio
by a show host for guest interviews
and audience commentary, while
maintaining a connection to backstage
producers or off-site colleagues via the
d:fine's in-ear monitor and mic. The
d:facto Interview is also ideal for solo
use for on-the-street interviews in ENG
applications.
As with other microphones in the
d:facto range, the d:facto Interview
incorporates a modular design which
means the same microphone head
can be employed for both wired and

The d:facto Interview Microphone offers
low handling and wind noise that is
superior to other available solutions

wireless use. By using DPA's state of
the art adapters, broadcasters can
integrate seamlessly with wireless
systems from all major manufacturers
incuding Sony, Lectrosonics, Shure,
Wisycom, and Sennheiser.
To see how the d:facto Interview
Microphone compares to its rivals in
terms of handling and wind noise,
please see https://www.youtube.
com/watch?v=u9MRGeyiC6I


http://www.inbroadcast.com http://www.dpamicrophones.com/en https://www.youtube.com/watch?v=u9MRGeyiC6I https://www.youtube.com/watch?v=u9MRGeyiC6I https://www.youtube.com/watch?v=u9MRGeyiC6I http://www.occfiber.com/main/index.php http://www.occfiber.com

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In Broadcast - BroadcastAsia 2015 - Cover1
In Broadcast - BroadcastAsia 2015 - Cover2
In Broadcast - BroadcastAsia 2015 - 3
In Broadcast - BroadcastAsia 2015 - 4
In Broadcast - BroadcastAsia 2015 - 5
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In Broadcast - BroadcastAsia 2015 - Cover4
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