In Broadcast - BroadcastAsia 2015 - 17


17

www.inbroadcast.com | BroadcastAsia | CommunicAsia | InShow Guide | 2-5 June 2015

Egripment Support Systems
Unveils the New 225 G-Track
Generic Track System
New generic track system supports virtual reality and live application versatility...

E

gripment
Support
Systems,
manufacturer
of
high-end
camera support systems and remote
broadcast solutions for the film and
broadcast industries, is introducing
the new intelligent 225 G-Track Generic
Track System. Featuring leading
innovations that are paramount for
live applications, as well as virtual and
augmented reality (VR/AR) studios,
the G-Track is a multi-faceted system
that will greatly benefit a variety of
productions.
"The new 225 G-Track Generic Track
System is a welcomed addition to the
renowned line of Egripment products,"
says Richard Villhaber, Vice President
and Sales Director for Egripment. "The
entire 225 system is dynamic, allowing
the base to be manually controlled
for direct control by an operator,
completely
computer-controlled,

and fully automated for repetitive
precision and accuracy."
What's more, the base can be
mounted in a variety of positions,
such as on the floor or inverted from
the ceiling, and also with a straight or
curved track. This allows diversity in
utilisation, and fulfills the production
needs that were once only envisioned
by users. It also consists of a small
G-Track dolly with Egripment's already
well-known smooth track wheels on a
narrow, high speed steel track - with
sections available in several different
lengths - and has a maximum speed
of 35 mph/56 km. The dolly is a motordriven unit positioned at the end of the
track, with a subtle appearance but
dynamic design.
Egripment creates products that
are forward thinking and which
have working compatibility with

the company's past, present, and
future products. The 225-G Generic
Track System works seamlessly
with Egripment's Remote Broadcast
products, Egripment's TDT Encoded
Camera Crane and Dolly, and
Encoded StarCam Studio System,
and a variety of remote heads, which
can be installed with or without a
riser or column. With this complete
modular system, users have a very
sophisticated multi-axis studio system,
suitable for the highest quality VR/
AR and studio automation, at their
control.
About Egripment
Founded in 1976, Egripment has
a long reputation of manufacturing
a wide range of camera support
and remote broadcast solutions, for
sale or rental, to TV productions,

The base can
be mounted
in different
positions,
including from
the ceiling

concerts, and sporting events across
the globe. With a product line that
includes cranes, remote heads, dollies,
and tracking systems for cinema,
modern-size/small cameras, and ENG/
broadcast cameras, Egripment is
the only manufacturer that can offer
adequate supply and service for events
requiring large quantities of special
camera support equipment.
More information can be found at
www.egripment.com


http://www.inbroadcast.com http://egripment.com/products/remote-systems/generic-track-system/ http://www.egripment.com http://egripment.com http://www.broadcast-asia.com/ptm/showcat/exhdetail.asp?exhid=BCA685754 http://egripment.com/home/

Table of Contents for the Digital Edition of In Broadcast - BroadcastAsia 2015

In Broadcast - BroadcastAsia 2015 - Cover1
In Broadcast - BroadcastAsia 2015 - Cover2
In Broadcast - BroadcastAsia 2015 - 3
In Broadcast - BroadcastAsia 2015 - 4
In Broadcast - BroadcastAsia 2015 - 5
In Broadcast - BroadcastAsia 2015 - 6
In Broadcast - BroadcastAsia 2015 - 7
In Broadcast - BroadcastAsia 2015 - 8
In Broadcast - BroadcastAsia 2015 - 9
In Broadcast - BroadcastAsia 2015 - 10
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In Broadcast - BroadcastAsia 2015 - 12
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In Broadcast - BroadcastAsia 2015 - 16
In Broadcast - BroadcastAsia 2015 - 17
In Broadcast - BroadcastAsia 2015 - 18
In Broadcast - BroadcastAsia 2015 - 19
In Broadcast - BroadcastAsia 2015 - 20
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In Broadcast - BroadcastAsia 2015 - 22
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In Broadcast - BroadcastAsia 2015 - 26
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In Broadcast - BroadcastAsia 2015 - 60
In Broadcast - BroadcastAsia 2015 - 61
In Broadcast - BroadcastAsia 2015 - 62
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In Broadcast - BroadcastAsia 2015 - Cover4
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