In Broadcast - March 2021 - 30

30

www.inbroadcast.com | Vol: 11 - Issue 3 | March 2021

InTech

Prime & Zoom Lenses

Fujifilm's Premista Series

black levels, cinematic flare,
attractive bokeh and virtually no
distortion or breathing. The new 19-45
weighs little more than many highend large format prime lenses while
providing a focal length range to suit
most close-up shooting "

box lens, the HP12x7.6ERD portable
lens, the HP7.5x8.5SM box lens and
the HP11x22.5SM box lens. The 8K PL
Mount series includes the SK3x12SM
portable lens, the SK7.5x19.7SM
portable lens, and the SK20x35ESM
box lens.

Fujifilm has also introduced two new
8K broadcast zoom lenses. The Fujinon
HP66X15.2ESM (HP66X15.2) box lens
is claimed to have the world's longest
8K focal length (1,000 mm) while also
featuring the world's highest zoom
magnification of 66x. The Fujinon
HP12X7.6ERD (HP12X7.6) is a portable
lens with a focal range of 7.6 to 91
mm and an 8K angle of view of 93.3
degrees. The HP66X15.2 and HP12X7.6
lenses have bayonet mounts targeting
three 1.25 inch sensors. In
addition to using aspherical
and fluorite elements to control
various types of aberration,
both lenses have a nine-blade
aperture and are equipped with
16-bit encoders. The HP66X15.2
also features optical image
stabilisation. " With four times the
resolution of 4K video, recording in
8K requires lenses with exceptionally
advanced
optical
performance, "
says Yuji Igarashi, General Manager,
Electronic Imaging Division & Optical
Devices Division. " Fujifilm has taken
the advanced optical technology
it has fostered over many years to
new heights to develop lenses that
not only meet but exceed those
demands. " Fujinon's 8K series now
comprises seven lenses designed
for two camera formats. The 8K 1.25
inch three sensor Bayonet-Mount
series includes the HP66x15.2ESM

IB(E Optics is a designer,
manufacturer and service provider
of customized optics. The company
has collaborated with various lens
manufacturers, notably Tribe7 on the
development and manufacture of the
Blackwing7 lenses and Arri Rental on
the development and manufacture
of the Prime DNA, Prime 65S, and
Prime 65 lenses for the Alexa 65. IB(E
Optics Raptor lens series is designed

Fujinon's HP66X15.2ESM

Fujinon's
HP12x7.6ERD-S9

Zeiss Supreme Prime Radiance lenses

cont'd...
for use with large
format
sensors.
The Raptor Macro
set is available in
four focal lengths:
60, 100, 150 and
180 mm. They feature
The Irix 15 mm
T2.6 cine lens
full frame (24 x 36) coverage, 1:1
magnification, T2.9 stop and cine- has introduced a new series of zoom
grade construction. Also available is lenses with PL- mount and LPLthe Velociter x0.8 optical converter mount options including Cooke /i
which reduces the focal length of and Arri LDS-2 metadata interfaces.
the Raptor Macro lenses by 0.8x. At The Macrolux 114 is available with
the same time it increases the lens strengths +0.5, +1 and +2. These fit
speed by almost one stop. The Raptor lenses with a 114 mm front diameter
and are stackable. Step down rings to
100mm/T2.9 becomes a 80mm T2.3.
Irix describes its new 15 mm T2.6 either 110 mm or 95 mm have been
Cine lens as having 8K ready optics designed to make the diopters usable
and an ultra wide angle field of on these front diameters.
view.
Designed for use
with Full Frame 35, Super
35 and Super 16 sensors it
is available with Canon RF,
Canon EF, Sony E, Nikon Z,
Leica L, Olympus/Panasonic
MFT and Arri PL mounts. All
of the Irix Cine lenses except
the Irix 11mm T4.3 have a
Magnetic Mount System
(MMS) that is compatible with
Irix Edge MMS filters and the IB(E Optics Raptor Macro Set
Irix MMS lens hood.
Zeiss' Supreme Prime Radiance
Laowa's T2.9 Zero-D Cine lens
12mm lens allows cinematographers compact lenses are designed for
to fill the Vista Vision sensors on Red cinematographers requiring consistent
Digital's Monstro and the sensor on the and controlled flares while maintaining
Arri Alexa LF (44.7 mm) as well as full contrast and avoiding transmission
frame sensors (43.14 mm). The lens' loss. They come as a seven-lens set:
17 mm equivalent field of view 21, 25, 29, 35, 50, 85 and 100 mm, all
is also claimed to be ideal T1.5. " Although being slightly warmer
for Super 35 sized cameras. than regular Supreme Primes, they
It measures 87mm long, pair very well with them, " comments
weighs 675g and comes in Carl Zeiss Vision UK Director Luke
three versions: PL, EF and Tait. " That's why we deliberately went
E mount. Shims with different without the extreme focal lengths on
thicknesses are also included so both ends of the range that the regular
Supremes offer. Just mix and match as
users can perform flange calibration.
Leitz (Ernst Leitz Wetzlar GmbH) you see fit. "


http://www.inbroadcast.com https://www.fujifilm.com/products/optical_devices/tv_cine/cine/premista/ https://www.fujifilm.com/news/n210121_01.html https://www.zeiss.co.uk/consumer-products/cinematography/supreme-prime-radiance-lenses.html

In Broadcast - March 2021

Table of Contents for the Digital Edition of In Broadcast - March 2021

Contents
In Broadcast - March 2021 - Intro
In Broadcast - March 2021 - Cover1
In Broadcast - March 2021 - Cover2
In Broadcast - March 2021 - Contents
In Broadcast - March 2021 - 4
In Broadcast - March 2021 - 5
In Broadcast - March 2021 - 6
In Broadcast - March 2021 - 7
In Broadcast - March 2021 - 8
In Broadcast - March 2021 - 9
In Broadcast - March 2021 - 10
In Broadcast - March 2021 - 11
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In Broadcast - March 2021 - 18
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In Broadcast - March 2021 - 20
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In Broadcast - March 2021 - 43
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