In Broadcast - December 2020 - 73

73

www.inbroadcast.com | Vol: 10 - Issue 12 | InReview 2020

Cinema Turns to Broadcast Workflows
for Production During COVID-19 cont'd...
work another way. " Already familiar
with trending technologies in live
streaming, Ciaccio turned to Teradek
products to ensure he could provide
a near real-time camera feed over
the internet to everyone involved. " I
knew that we needed something that
could live-stream to our on-set crew,
our virtual collaborators, to Margo,
and to our studio executives as well, "
Ciaccio notes. " Of all of the products
we researched, Teradek had the
lowest latency and was the easiest
to integrate - by far - so we knew
that there would be almost no delay
in communication on any end of the
production. "
For on-set monitoring, Bolt 3000
wireless video transmitters were
mounted to Arri Alexa A and B
cameras, so crewmembers could
spread-out and see each camera feed
at multiple video village monitors
across each stage. For those working
off-site, camera image was fed into
CUBE encoders to stream camera feeds
over the internet, so crewmembers
and remote collaborators could

monitor filming on their personal
computers or smart devices via
Teradek's VUER and CORE apps.
Multiple witness cameras were also
set-up on both stages with audio, so
those off-site could understand on-set
activity and communicate logistics with
the crew. From across the US, Sawaya
monitored everything through CORE.
With director Hannah Bang present to
direct in-person, she could connect the
actors with Sawaya via video chat. " For
interactivity with the set, especially
with talent, Margo needed minimal
latency, " explains Ciaccio. " We set her

up with CORE on her iPad. She could
monitor the 'through-the-lens' feed
and view the witness cameras to better
understand crew interaction between
takes. Margo would communicate
with Hannah and say, 'Okay, camera
tilt up. Camera pan right. Actor, move
left.' We used MacBook Pros, iPads
and iPhones to ensure faithful image
reproduction. It worked really well,
and the image quality was excellent. "
Even under unfavorable filming
conditions,
crewmember
spirits
remained high on and off set, and
despite all setbacks, production was

InTech
able to wrap. Having successfully
introduced recent grads to an entirely
new process of filmmaking, Brillhart
explains, " The long term goal in our
professional community is for what
we call 'virtual production' today to
be normalized as part of standard
production practices in the future.
Computing, programming, networking,
and pipeline development are the
new ingredients in our ecosystem
that are making room for new
combinations of skill sets to exist
in this art form. It will be exciting
to see how students apply their
abilities with these newly available
tools they have access to early on
in their careers. " Asked whether or
not the project was worth the effort:
" Absolutely, " Ciaccio responds. " We
would have never been able to test
out all of these technical workflows,
had we not been confronted with
the challenge of absolute necessity.
Not only did our crew learn new
storytelling possibilities with virtual
production, but we also discovered
new collaborative possibilities through
live streaming with Teradek products. "
The Ripple Effect will see festival play
sometime in 2021.


http://www.inbroadcast.com https://teradek.com https://www.idx-europe.co.uk/products/cue-h90

In Broadcast - December 2020

Table of Contents for the Digital Edition of In Broadcast - December 2020

Contents
In Broadcast - December 2020 - Intro
In Broadcast - December 2020 - Cover1
In Broadcast - December 2020 - Cover2
In Broadcast - December 2020 - Contents
In Broadcast - December 2020 - 4
In Broadcast - December 2020 - 5
In Broadcast - December 2020 - 6
In Broadcast - December 2020 - 7
In Broadcast - December 2020 - 8
In Broadcast - December 2020 - 9
In Broadcast - December 2020 - 10
In Broadcast - December 2020 - 11
In Broadcast - December 2020 - 12
In Broadcast - December 2020 - 13
In Broadcast - December 2020 - 14
In Broadcast - December 2020 - 15
In Broadcast - December 2020 - 16
In Broadcast - December 2020 - 17
In Broadcast - December 2020 - 18
In Broadcast - December 2020 - 19
In Broadcast - December 2020 - 20
In Broadcast - December 2020 - 21
In Broadcast - December 2020 - 22
In Broadcast - December 2020 - 23
In Broadcast - December 2020 - 24
In Broadcast - December 2020 - 25
In Broadcast - December 2020 - 26
In Broadcast - December 2020 - 27
In Broadcast - December 2020 - 28
In Broadcast - December 2020 - 29
In Broadcast - December 2020 - 30
In Broadcast - December 2020 - 31
In Broadcast - December 2020 - 32
In Broadcast - December 2020 - 33
In Broadcast - December 2020 - 34
In Broadcast - December 2020 - 35
In Broadcast - December 2020 - 36
In Broadcast - December 2020 - 37
In Broadcast - December 2020 - 38
In Broadcast - December 2020 - 39
In Broadcast - December 2020 - 40
In Broadcast - December 2020 - 41
In Broadcast - December 2020 - 42
In Broadcast - December 2020 - 43
In Broadcast - December 2020 - 44
In Broadcast - December 2020 - 45
In Broadcast - December 2020 - 46
In Broadcast - December 2020 - 47
In Broadcast - December 2020 - 48
In Broadcast - December 2020 - 49
In Broadcast - December 2020 - 50
In Broadcast - December 2020 - 51
In Broadcast - December 2020 - 52
In Broadcast - December 2020 - 53
In Broadcast - December 2020 - 54
In Broadcast - December 2020 - 55
In Broadcast - December 2020 - 56
In Broadcast - December 2020 - 57
In Broadcast - December 2020 - 58
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In Broadcast - December 2020 - 60
In Broadcast - December 2020 - 61
In Broadcast - December 2020 - 62
In Broadcast - December 2020 - 63
In Broadcast - December 2020 - 64
In Broadcast - December 2020 - 65
In Broadcast - December 2020 - 66
In Broadcast - December 2020 - 67
In Broadcast - December 2020 - 68
In Broadcast - December 2020 - 69
In Broadcast - December 2020 - 70
In Broadcast - December 2020 - 71
In Broadcast - December 2020 - 72
In Broadcast - December 2020 - 73
In Broadcast - December 2020 - Cover3
In Broadcast - December 2020 - Cover4
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