In Broadcast - August 2020 - 19

19

www.inbroadcast.com | Vol: 10 - Issue 8 | August 2020

Scene Change Chooses FUJINON
UA107 4K Lenses
S

cene Change is one of Australia's
leading AV hire and production
companies. They provide AV for events
and conferences also operating inhouse in a number of Australia's best
venues. Recently the company had
a requirement for new, high quality
4K lenses and for that they turned
to FUJIFILM and chose the FUJINON
UA107.
Scene Change Director John Dinh
explained: "Most of our work is via
event professionals who enjoy the
quality, reliability and continuity
we can deliver. We do video, audio,
lighting, staging and other event
technical services. That's our
specialty and we focus on what we
do really well so when we choose a
piece of kit, especially a lens, it has
to be the best available."
Scene Change's business is
built around new technology,
without having to fit in with legacy
gear. By Dinh's own admission
they, "choose only the very best
equipment possible as the crew
need the best kit to do their jobs

and because our professional clients
demand that level of quality too."
He added: "We were starting to shoot
in rooms where our standard lenses
didn't have the zoom range, we were
also working on shows where 77x box
lenses were part of the technical spec
and looking at pricing it made more
business sense to futureproof and go
with the FUJINON 107s. That lens also
gave us a lot of flexibility with the focal
length."
The UA107's flexibility was a key
selling point for Dinh, amongst others,
as he continued: "It not only gives
us the flexibility on camera positions

The UA107's long zoom range is essential

InAPAC
InAPAC

FUJINON UA107 in use by Scene Change

and shots, but is a compact package
that just works. We also needed to
futureproof as at some stage we would
move in to a 4K environment and
the lens as everyone knows, the
lens you use is one of the key
components to the 4K chain."
Since acquiring the UA107s Dinh
has had a great deal of positive
feedback as he explained: "Clients
love the image quality and the
tightness of shot we can get with
the UA107 lenses. Also some
of the medical work that we do
requires the highest level of clarity

and sharpness which the UA107 lens
delivers flawlessly."
Scene
Change
typically
use
the UA107 lenses in a corporate
environment where the camera
position is usually at the back of the
room.
Part of John Dinh's decision to buy
the UA107s was the role of the team
at FUJIFILM Australia played: "We've
had a really good relationship with the
team at FUJIFILM Australia and knew if
we purchased the UA107s the service
and support we would get would be
excellent."

VTV Launches Dedicated 4K Studio
A

s a national broadcaster, Vietnam
Television (VTV) enjoys a lion's
share of viewers with its seven national
channels and two regional channels.
VTV is readily available via digital
terrestrial satellite and cable TV.
"VTV may have a government
mandate to inform and educate but we
are also here to provide our viewers
with a wide range of programmes
to cover our wide viewership base,"
Mr Nguyen Van Chung, Director of
VTV-Technical and Production Centre
explained.
With a population of over 96 million
people, Vietnam has a TV penetration
rate of over 85%.
Demonstrating its commitment
to 4K, VTV built a dedicated studio
exclusively for 4K productions at its
HQ in the 2nd quarter of 2020. Called
Studio 7, it is the first 4K TV studio
for VTV and features an impressive
array of Sony 4K solutions covering
everything from 4K/HD/HDR camera
systems to multi-format switchers to
servers.
"Studio 7 marks an important
milestone for VTV. It's our first 4K

Studio 7, VTV's first
fully dedicated 4K studio

VTV's OB van plays a vital role

studio and we had to make sure it was
equipped with 4K solutions that will
serve us well, now and in the future,"
Mr Chung added.
Taking centre stage at Studio 7 is
the Sony HDC-3500 system camera.
"The HDC-3500 impressed us with
its picture quality and ease of use. It
also features the world's first 2/3-inch
4K CMOS sensor with global shutter
technology that eliminates the 'jello
effect' and banding noise. The result is
superb images with 4K high resolution,
exceptionally low noise, impressive
sensitivity and high dynamic range,"
said Mr Chung.
Complementing the HDC-3500 is the
XVS-6000 multi-format server. This

highly versatile switcher
gives VTV the added benefit
of SDI and IP Live production
support.
"Studio 7 comes at an opportune
time. VTV is gearing up to produce
more local 4K content especially
dramas and entertainment shows,"
said Mr Chung.
Besides ramping up its 4K
production capabilities VTV also used
the opportunity to upgrade its HD
equipment.
"While 4K is important to VTV we
also do want to compromise on our HD
productions. The new Sony equipment
we've invested in will be used for our
HD studios as well as our OB vans," Mr

Chung highlighted.
The latest HD acquisitions include
the HDC-3100 system camera, the
'Point-of-View' HDCP1 camera as well
as the MVS-6530 production switcher.
VTV is a long-time user of Sony
equipment and the new purchases
reaffirm VTV's trust in Sony's
performance and quality.
"Sony has been our strong partner
from day one and has seen VTV grow.
We are confident our Sony-equipped
Studio 7 will help VTV achieve new
milestones," Mr Chung concluded.


http://www.inbroadcast.com http://www.fujifilm.com.au http://www.fujifilm.com.au https://pro.sony/en_SG/ https://pro.sony/en_SG/

In Broadcast - August 2020

Table of Contents for the Digital Edition of In Broadcast - August 2020

Contents
In Broadcast - August 2020 - Intro
In Broadcast - August 2020 - Cover1
In Broadcast - August 2020 - Cover2
In Broadcast - August 2020 - Contents
In Broadcast - August 2020 - 4
In Broadcast - August 2020 - 5
In Broadcast - August 2020 - 6
In Broadcast - August 2020 - 7
In Broadcast - August 2020 - 8
In Broadcast - August 2020 - 9
In Broadcast - August 2020 - 10
In Broadcast - August 2020 - 11
In Broadcast - August 2020 - 12
In Broadcast - August 2020 - 13
In Broadcast - August 2020 - 14
In Broadcast - August 2020 - 15
In Broadcast - August 2020 - 16
In Broadcast - August 2020 - 17
In Broadcast - August 2020 - 18
In Broadcast - August 2020 - 19
In Broadcast - August 2020 - 20
In Broadcast - August 2020 - 21
In Broadcast - August 2020 - 22
In Broadcast - August 2020 - 23
In Broadcast - August 2020 - 24
In Broadcast - August 2020 - 25
In Broadcast - August 2020 - 26
In Broadcast - August 2020 - 27
In Broadcast - August 2020 - 28
In Broadcast - August 2020 - 29
In Broadcast - August 2020 - 30
In Broadcast - August 2020 - 31
In Broadcast - August 2020 - 32
In Broadcast - August 2020 - 33
In Broadcast - August 2020 - 34
In Broadcast - August 2020 - 35
In Broadcast - August 2020 - 36
In Broadcast - August 2020 - 37
In Broadcast - August 2020 - 38
In Broadcast - August 2020 - 39
In Broadcast - August 2020 - 40
In Broadcast - August 2020 - 41
In Broadcast - August 2020 - 42
In Broadcast - August 2020 - 43
In Broadcast - August 2020 - 44
In Broadcast - August 2020 - 45
In Broadcast - August 2020 - 46
In Broadcast - August 2020 - 47
In Broadcast - August 2020 - 48
In Broadcast - August 2020 - 49
In Broadcast - August 2020 - 50
In Broadcast - August 2020 - 51
In Broadcast - August 2020 - 52
In Broadcast - August 2020 - 53
In Broadcast - August 2020 - 54
In Broadcast - August 2020 - 55
In Broadcast - August 2020 - 56
In Broadcast - August 2020 - 57
In Broadcast - August 2020 - 58
In Broadcast - August 2020 - 59
In Broadcast - August 2020 - 60
In Broadcast - August 2020 - Cover3
In Broadcast - August 2020 - Cover4
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