In Broadcast - June 2020 - 42

42

www.inbroadcast.com | Vol: 10 - Issue 6 | June 2020

InStudio

Telemetrics Adds AI and Facial
Tracking Improvements
Productions benefit from innovative Automatic Shot Correction technology, with error-free
workflows done cost-effectively, consistently, and with increased production value...

W

hen Telemetrics introduced
its reFrame® Automatic Shot
Correction technology as a key feature
of its RCCP series camera control panel
in 2017, it was clear that the ability
to lock cameras onto the talent and
automatically trim the shot, without
the operator ever having to touch the
controls, would change the industry's
approach to robotic camera control.
Now they could focus on other aspects
of the production while leveraging AI to
help ensure studio operations are more
consistent, creative, and cost-effective.
With its latest RCCP-2A Robotics and
Camera Control Panel, Telemetrics
has continued to improve its control
systems with new artificial intelligence
(AI) and facial recognition algorithms
that allow the RCCP to track several
people
with
multiple
cameras
simultaneously.
"We're layering object-tracking on
top of our facial tracking, so reFrame
becomes more robust," said Michael
Cuomo, Vice President of Telemetrics.
"When a person turns around, we can
still track them because the system
intuitively knows that that face and
body was there before. Other systems
can't do this."
New rules for how the system
behaves have also been added,
enabling the operator to determine
when they want reFrame to track an
object or person and when they don't.
The new improvements have also
facilitated better pan/tilt/zoom and
focus capabilities.

"When a person turns
around, we can still
track them because the
system intuitively knows
that that face and body
was there before.
Other systems
can't do this"
Michael Cuomo

Telemetrics offers reFrame
on its RCCP-2A control panel
with either the optional
Studio (STS) or Legislative
(LGS) software packages.
The innovative technology
ensures that on-screen talent
remains in frame despite
their moving about or
slouching in their seat. With
its AI and facial recognition
algorithms the software can
run a production in a fully
automated mode without
operator intervention.
Also, the functionality
of the control panel's
top row of eight
TeleKeys™ is dynamic, adapting to
the operator's commands as they
define predetermined actions to run
a production in fully automated mode
- with the control panel automatically
switching and adjusting cameras as
required.
RCCP STS Studio Software
The STS bundle, predominantly used
in TV production studios, includes
a Studio View feature that enables
users to work with a 3D display of
their studio environment and quickly
see the location of Telemetrics
robotics and set pieces within that
space. A 3D model of the user's studio
can be imported into the panel to
be processed and integrated with
the software, providing complete
positional awareness of all studio
robotics in order to make the
operator's job a lot easier, and safer.
The STS control panel also features
a selectable Robotics Status display
to show all major robotics parameters
- such as pan/tilt angles, elevation
height, rotational status, lens
information - for any selected
camera, at a glance. Quick access to
custom overlays, stored presets and
built-in intelligence for all robotic
cameras within a system allows
the user to easily select the best
camera angles, and add graphics,
with one button press. The
system also includes the ability to

As with all of Telemetrics
products and systems, by using
the RCCP-2A control panel with
reFrame, productions benefit from
error-free workflows done costeffectively, consistently, and with
increased production value.
For more information on
Telemetrics' camera robotics and
control systems call 201-8489818, fax 201-848-9819, or visit
www.telemetrics.com.

Telemetrics RCCP-2A STS

internally store snapshot thumbnails
for easy shot identification, as well as
a live video preview output.
RCCP LGS Legislative Software
Telemetrics' LGS software bundle is
now used by dozens of governmental
agencies and departments around the
world to cover regular proceedings
and keep the public informed. An
operator with limited production skills
can pick any subject within a large
chamber they want to feature on
camera and store their facial profile
into the system. The operator then
simply pushes an icon for that person
on the control panel's touchscreen
interface and the system automatically
moves the corresponding camera
to that person, focuses and trims
the shot, and inserts the required
title graphic. The LGS software also
includes the Robotics Status display.

Telemetrics
Founded
in
1973,
Telemetrics revolutionised
television camera control
with the development of
Triax control systems and continues
to be a pioneer of innovative robotics
and camera control systems used in
the Studio, Legislative, Military, and
Education markets.
The company began designing,
manufacturing and supporting its own
camera robotics systems in 1979, and
ceiling and floor camera track systems
in 1981. Today, Telemetrics offers the
OmniGlide® Robotic Roving Platform,
the ever-expanding series of Robotic
Camera Control Panels, the S5 line of
Pan/Tilt heads, the Televator® family
of motorised columns, and ceilingor floor-mounted TeleGlide® track
systems.
Telemetrics is committed to making
the most reliable, durable, and
dependable
television
broadcast
robotics ecosystem in the world products that can be built on for
decades, not just years.

Telemetrics RCCP-2A


http://www.inbroadcast.com http://www.telemetrics.com http://www.telemetrics.com http://www.telemetrics.com http://www.telemetrics.com http://www.telemetrics.com http://www.telemetrics.com http://www.telemetrics.com http://www.telemetrics.com

In Broadcast - June 2020

Table of Contents for the Digital Edition of In Broadcast - June 2020

Contents
In Broadcast - June 2020 - Intro
In Broadcast - June 2020 - Cover1
In Broadcast - June 2020 - Cover2
In Broadcast - June 2020 - Contents
In Broadcast - June 2020 - 4
In Broadcast - June 2020 - 5
In Broadcast - June 2020 - 6
In Broadcast - June 2020 - 7
In Broadcast - June 2020 - 8
In Broadcast - June 2020 - 9
In Broadcast - June 2020 - 10
In Broadcast - June 2020 - 11
In Broadcast - June 2020 - 12
In Broadcast - June 2020 - 13
In Broadcast - June 2020 - 14
In Broadcast - June 2020 - 15
In Broadcast - June 2020 - 16
In Broadcast - June 2020 - 17
In Broadcast - June 2020 - 18
In Broadcast - June 2020 - 19
In Broadcast - June 2020 - 20
In Broadcast - June 2020 - 21
In Broadcast - June 2020 - 22
In Broadcast - June 2020 - 23
In Broadcast - June 2020 - 24
In Broadcast - June 2020 - 25
In Broadcast - June 2020 - 26
In Broadcast - June 2020 - 27
In Broadcast - June 2020 - 28
In Broadcast - June 2020 - 29
In Broadcast - June 2020 - 30
In Broadcast - June 2020 - 31
In Broadcast - June 2020 - 32
In Broadcast - June 2020 - 33
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In Broadcast - June 2020 - 40
In Broadcast - June 2020 - 41
In Broadcast - June 2020 - 42
In Broadcast - June 2020 - 43
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In Broadcast - June 2020 - 45
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In Broadcast - June 2020 - 64
In Broadcast - June 2020 - Cover3
In Broadcast - June 2020 - Cover4
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