In Broadcast - March 2020 - 26

26

www.inbroadcast.com | Vol: 10 - Issue 3 | March 2020

InMedia

Gravity Media Wraps 2000th REMI
Production In North America
T

he Pac-12 Networks broadcast of
the USC Trojans 65-56 win over the
Washington State Cougars marked the
2000th REMote Integration production
that Gravity Media has successfully
completed in North America.
This impressive number includes 'At
Home' centralised productions that
were undertaken under the Proshow
Broadcast (acquired by Gravity
Media in July 2018) and Gearhouse
Broadcast (renamed to Gravity Media
in November 2019) brands, and date
back to April 2013.
The leading global provider of
complex live broadcast facilities and
production services to content owners,
creators and distributors, has remotely
covered a range of live sporting events
in this time, including college football,
men's and women's college basketball
and Olympic sports such as swimming,
diving, field hockey, lacrosse and
soccer. The majority of these REMIs
have been delivered for Pac-12
Networks and ESPN, utilising Gravity

Gravity Media Milestone: REMI production of Pac-12 basketball match

Media's fleet of modern mobile units
that have been designed and built for
an 'at home' style of production.
"Gravity Media has been providing
the tech and know-how for REMIs
week in, week out for the past seven
years and we are proud to deliver a

production workflow to our customers
that allows for the enhancement of
their broadcasts while generating
cost savings and other benefits,"
said Michael Harabin, President,
Gravity Media - USA. "The potential
for creating quality programming

at an attractive price has never
been greater, and we now have over
2000 proof points that showcase its
consistent effectiveness and our ability
to deliver."
The benefits of this remote approach
are obvious, with REMIs offering a
cost-efficient modern workflow that is
operationally flexible and durable. By
centralising the control room, video
switching, audio mixing, graphics,
replays and show production can all
be done 'At Home' in the broadcast
centre. This means that smaller, more
affordable purpose-built mobile units
can be used at the venue. Only video
and audio acquisition hardware such
as engineered cameras, microphones
and announcer headsets, as well as
comms hardware, a transmission
interface and engineering support are
required on site.
Late last year Gravity Media Group
transitioned its renowned broadcast
and production houses Gearhouse
Broadcast
(including
Proshow
Broadcast), Hyperactive Broadcast,
Input Media and Chief Entertainment
into a single brand: Gravity Media.

GatesAir Strengthens Global Sales Team
G

atesAir has announced three
key sales team appointments
in the CALA (Caribbean and Latin
America), EMEA (Europe, Middle East
and Africa) and Asia-Pacific (APAC)
regions, reinforcing its commitment to
customer intimacy worldwide.
"GatesAir's
main
international
initiative has been to establish a
stronger global presence, and that
strategy included hiring experienced
resources with a regional presence
that would bring us closer to our
customers," said Rich Redmond,
President and Managing Director,
International, GatesAir. "With a
stronger global foundation now
in place, we continue to invest
in the right talent with the
appropriate skillsets that will
help broadcasters navigate
challenging digital transitions,
and develop new business
opportunities for over-the-air
content delivery."
CALA: Antonio Satta joins
GatesAir's CALA team as Sales
Director, Brazil. Reporting
to
Felipe
Luna,

GatesAir's Managing Director, CALA
region, Satta brings nearly 15 years
of broadcast and telecommunications
experience to his new role. He has
been with Screen Service Broadcasting
Technologies for the past 11 years,
most of which were spent in Brazil as
Managing Director. His experience
navigating the complex Brazilian
market, long-term in-country business
relationships, and knowledge of the
international transmission market
position Satta for success in growing
GatesAir's market share.
In addition to direct end customer

l-r: Oscar Hu,

Antonio Satta
and Matt Smith

relationships, Satta will work closely
with Foccus Digital, GatesAir's longtime Brazilian partner.
EMEA: Matt Smith joins GatesAir's
EMEA team as Regional Sales Director,
covering a diverse geography across
western Europe, the Nordics and
southern Africa. Reporting to Andy
McClelland,
GatesAir's
Managing
Director, EMEA, Smith brings more
than 15 years of industry experience
to GatesAir. He held roles of increasing
responsibility over his years at Envivio
and Harmonic, where he most recently
served as Director, Key Accounts for

the UK and Ireland. Over his career,
Smith has developed an extensive
global network of strong industry
relationships
with
broadcasters
and other TV service providers that
he looks forward to leveraging at
GatesAir.
APAC: Oscar Hu joins GatesAir's
APAC team as Regional Sales
Manager, Southeast Asia, Reporting
to Jacky Yee, GatesAir's Head of
Sales, APAC, Hu will focus on raising
GatesAir's visibility and market share
across most of Southeast Asia (and
parts of East Asia and Micronesia),
including Cambodia, Indonesia, Japan,
Philippines, Singapore, Thailand
and Vietnam. Hu brings nearly
15 years of broadcast industry
experience to his new position,
and most recently served
as Sales Manager for Digital
Broadcast Asia Pacific. Oscar has
spent much of his career focused
on
over-the-air
broadcast,
and has been active in DVB-T2
and
DVB-S
product
and
standards
development.


http://www.inbroadcast.com http://www.gravitymedia.com http://www.gatesair.com http://www.gatesair.com

In Broadcast - March 2020

Table of Contents for the Digital Edition of In Broadcast - March 2020

Content
In Broadcast - March 2020 - Intro
In Broadcast - March 2020 - Cover1
In Broadcast - March 2020 - Cover2
In Broadcast - March 2020 - Content
In Broadcast - March 2020 - 4
In Broadcast - March 2020 - 5
In Broadcast - March 2020 - 6
In Broadcast - March 2020 - 7
In Broadcast - March 2020 - 8
In Broadcast - March 2020 - 9
In Broadcast - March 2020 - 10
In Broadcast - March 2020 - 11
In Broadcast - March 2020 - 12
In Broadcast - March 2020 - 13
In Broadcast - March 2020 - 14
In Broadcast - March 2020 - 15
In Broadcast - March 2020 - 16
In Broadcast - March 2020 - 17
In Broadcast - March 2020 - 18
In Broadcast - March 2020 - 19
In Broadcast - March 2020 - 20
In Broadcast - March 2020 - 21
In Broadcast - March 2020 - 22
In Broadcast - March 2020 - 23
In Broadcast - March 2020 - 24
In Broadcast - March 2020 - 25
In Broadcast - March 2020 - 26
In Broadcast - March 2020 - 27
In Broadcast - March 2020 - 28
In Broadcast - March 2020 - 29
In Broadcast - March 2020 - 30
In Broadcast - March 2020 - 31
In Broadcast - March 2020 - 32
In Broadcast - March 2020 - 33
In Broadcast - March 2020 - 34
In Broadcast - March 2020 - 35
In Broadcast - March 2020 - 36
In Broadcast - March 2020 - 37
In Broadcast - March 2020 - 38
In Broadcast - March 2020 - 39
In Broadcast - March 2020 - 40
In Broadcast - March 2020 - 41
In Broadcast - March 2020 - 42
In Broadcast - March 2020 - 43
In Broadcast - March 2020 - 44
In Broadcast - March 2020 - 45
In Broadcast - March 2020 - 46
In Broadcast - March 2020 - 47
In Broadcast - March 2020 - 48
In Broadcast - March 2020 - 49
In Broadcast - March 2020 - 50
In Broadcast - March 2020 - 51
In Broadcast - March 2020 - 52
In Broadcast - March 2020 - Cover3
In Broadcast - March 2020 - Cover4
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202102
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202101
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
https://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
https://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2015
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https://www.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2015
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