In Broadcast - February 2020 - 45

45

www.inbroadcast.com | Vol: 10 - Issue 2 | February 2020

InFocus

Camera System Developments
subscribing them to the network. It
takes a process that was arduous and
time-consuming, and shrinks it by 90
percent.
"It works across all devices, including
third-party devices, and can also work
across a hybrid network if you still
have some SDI devices.
It really completes
'IP made easy', along
with our own GV Fabric
COTS switch. We are
now by far the leader
in open standardsbased IP, with over 70
installs globally."
Additions to JVC's live production
suite are the KM-IP6000, which
supports six camera inputs, and the
KM-IP4100 supporting four camera
inputs, both models featuring HD-SDI,
IP and NDI inputs. Future additions
include support for the SRT protocol
and multicam synchronisation.
A pair of IP-enabled remote-control
panels can be added for controlling
camera recorders over IP for studio
production and on-location work for
live streaming. These products can
be used to operate equipment in the
studio, as well as to remotely control
multiple camera recorders. The RMLP250S supports one camera input
and the RM-LP250M supports up to
three camera inputs.
The GY-HC900 HD memory card
camera is the first iteration of JVC's
Connected Cam series of recorders.
This includes Progressive Auto FTP
for the transmission of recorded video
to the FTP server at predetermined
time intervals and recording in Apple
ProRes 422 format.
6K the new 4K
The move to 6K resolutions is logical
given that greater resolutions provides
the ability to pan and zoom into the
image and, after the picture has been
through a deBayer process, you end up
with a higher quality 4K final image.

GV Orbit offers SMPTE 2110 IP connectivity

Sony's PXW-FX9 XDCAM 6K
full-frame sensor camera

cont'd...

94% in width and 96% in height of
the imaging area, allowing responsive
tracking - even with fast-moving
subjects and while maintaining
shallow depth of field.
The FX9 also offers
a
continuously
variable
Electronic
Variable ND Filter
which enables instant
exposure
level
changes depending on
the filming environment,
such as moving from an inside
space to outdoors or while filming in
changing natural light conditions.
Blackmagic Design's 6K, S35-sized
sensor version of its BMPCC camera
also allows users to fit the vast range
of EF lenses directly to it without the
need for a converter. With a higher
resolution sensor this extra size is
needed, but for filmmakers the other
benefits are obvious, such as shallower
depth of field.
The BMPCC 6K retains most of the
same performance specifications as
the 4K. A dual native ISO sensor that
goes up to ISO25600 is the same, as
is the 13-stop dynamic range rating. It
can record up to 50fps using the full
6K resolution. This can be increased
to 60fps by windowing the sensor to
a 2.4:1 aspect ratio, or reducing the
resolution to 5.7K with a 17:9 aspect.
4K resolutions can be recorded up
to 60fps with no windowing. It's now
possible to record true anamorphic
footage, using anamorphic lenses, at
3.7K resolution at up to 60fps.
The Lumix S1H is another full-frame

That may explain the trend toward
beyond 4K cameras for high end
documentary and cine work.
Canon's latest addition to its Cinema
EOS System line up, the EOS C500
Mark II features a 5.9K resolution via
a full-frame sensor recording to the
CFExpress card format. The camera
features a new DIGIC DV 7 processor,
and it supports 5.9K internal recording
to Cinema RAW Light at up to 60p,
as well as 4K 4:2:2 10-bit XF-AVC
compressed format. The lens mount
is user interchangeable between EF
Cinema Lock and PL Mount. Canon
claims that the new camera is capable
of over 15 stops of dynamic range,
putting it firmly within ARRI Alexa and
Sony VENICE type territory.
Sony's PXW-FX9 XDCAM model
boasts a 6K full-frame sensor and
Fast Hybrid Auto Focus system.
The FX9 inherits colour science and
a Dual Base ISO from the VENICE
digital motion picture camera,
making it an option for
documentaries, music videos,
drama productions and event
shooting.
It will be able to record 16bit raw video via its Exmor
R sensor. Dual base ISO also
features on the camera at 800
and 4000 ISO. Unlike other 6K
cameras, the FX9 uses the extra
resolution to oversample
for 4K final recording
rather than as a feature
in itself. The shallow
depth of field requires
precise focus control
which is where the Fast
Hybrid AF system comes
into play. This boasts
a 561-point phasedetection AF sensor
covering approximately Blackmagic Design 6K S35 Pocket Cinema Camera

mirrorless camera capable of 6K
internal video. Panasonic has teamed
with Atomos to enable RAW recording
over HDMI from the S1H to the Atomos
Ninja V 4K HDR monitor-recorder.
"Our advancements in screen
technology now allows creators to
accurately monitor RAW video in realtime as it would be viewed in the home
or cinema for perfect preservation
of creative intent," explained Jeromy
Young, Atomos CEO. "Our pristine
custom Atomos HDR screens are
second to none in colour accuracy
and representation of brightness from
RAW signals."
A note about the Komodo which
is likely the next product from RED
Digital Cinema. Specs are thin on
the ground but it would appear to
feature a 6K S35 sensor in a compact
form factor recording to CFAST cards
perhaps targeting the Canon C300,
Sony FS7 and BMDPCC market. It will
likely have a Canon RF mount making
the Komodo adaptable to EF, PL, LPL,
Nikon mounts but there's no definitive
on price tag or release.
Specialist volumetric camera
Volumetric video capture is gaining
increased attention with benefits
including blending live action actors
into CG backgrounds. IO Industries
Volucam
(which
premiered
in
September) is intended to simplify
studio configuration and reduces
the delay in processing. It does this
by allowing direct data transfer to
the rendering farm's storage while
recording is in progress. The internal
storage buffers raw video while the
camera's 10GigE fibre optic port
simultaneously transfers buffered
video to the rendering farm's
storage via a 10GigE switch, so
a cluster of PCs are no longer
needed. The reduction in
hardware and cabling results in a
studio that's easier to configure,
operate and support.
The camera is initially available with
options for 1TB or 2TB of physical
internal storage. A lossless
compression engine in the
camera can be optionally
enabled
to
extend
recording times. The
series will also feature
models with a variety
of Sony IMX global
shutter CMOS image
sensors with selectable
frame rates.


http://www.inbroadcast.com https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9 https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9 https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9 https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9 https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9 https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9 https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9 https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9 https://www.blackmagicdesign.com/uk/products/blackmagicpocketcinemacamera https://www.blackmagicdesign.com/uk/products/blackmagicpocketcinemacamera https://www.grassvalley.com/products/gv_orbit/ https://www.blackmagicdesign.com/uk/products/blackmagicpocketcinemacamera https://www.blackmagicdesign.com/uk/products/blackmagicpocketcinemacamera https://www.blackmagicdesign.com/uk/products/blackmagicpocketcinemacamera https://www.blackmagicdesign.com/uk/products/blackmagicpocketcinemacamera

In Broadcast - February 2020

Table of Contents for the Digital Edition of In Broadcast - February 2020

Contents
In Broadcast - February 2020 - Intro
In Broadcast - February 2020 - Cover1
In Broadcast - February 2020 - Cover2
In Broadcast - February 2020 - Contents
In Broadcast - February 2020 - 4
In Broadcast - February 2020 - 5
In Broadcast - February 2020 - 6
In Broadcast - February 2020 - 7
In Broadcast - February 2020 - 8
In Broadcast - February 2020 - 9
In Broadcast - February 2020 - 10
In Broadcast - February 2020 - 11
In Broadcast - February 2020 - 12
In Broadcast - February 2020 - 13
In Broadcast - February 2020 - 14
In Broadcast - February 2020 - 15
In Broadcast - February 2020 - 16
In Broadcast - February 2020 - 17
In Broadcast - February 2020 - 18
In Broadcast - February 2020 - 19
In Broadcast - February 2020 - 20
In Broadcast - February 2020 - 21
In Broadcast - February 2020 - 22
In Broadcast - February 2020 - 23
In Broadcast - February 2020 - 24
In Broadcast - February 2020 - 25
In Broadcast - February 2020 - 26
In Broadcast - February 2020 - 27
In Broadcast - February 2020 - 28
In Broadcast - February 2020 - 29
In Broadcast - February 2020 - 30
In Broadcast - February 2020 - 31
In Broadcast - February 2020 - 32
In Broadcast - February 2020 - 33
In Broadcast - February 2020 - 34
In Broadcast - February 2020 - 35
In Broadcast - February 2020 - 36
In Broadcast - February 2020 - 37
In Broadcast - February 2020 - 38
In Broadcast - February 2020 - 39
In Broadcast - February 2020 - 40
In Broadcast - February 2020 - 41
In Broadcast - February 2020 - 42
In Broadcast - February 2020 - 43
In Broadcast - February 2020 - 44
In Broadcast - February 2020 - 45
In Broadcast - February 2020 - 46
In Broadcast - February 2020 - 47
In Broadcast - February 2020 - 48
In Broadcast - February 2020 - 49
In Broadcast - February 2020 - 50
In Broadcast - February 2020 - 51
In Broadcast - February 2020 - 52
In Broadcast - February 2020 - Cover3
In Broadcast - February 2020 - Cover4
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