In Broadcast - February 2020 - 40

40

www.inbroadcast.com | Vol: 10 - Issue 2 | February 2020

InMedia

Tracking Skiing's Strongest Athletes
Across Saalbach's Summits
E

very January, the world's best Angermüller. "The race
cross-country skiers head to lasts for several hours from
Saalbach Hinterglemm to tackle daytime into the night, so
Austria's biggest and toughest touring you're not only working to
race. This year, 1,200 competitors from track competitors across
24 countries took on the Mountain tricky terrain, but you
Attack challenge, a series of events can also have to adjust
including a marathon 'vertical race', to
changing
lighting
with a course up and over three and weather conditions
mountain summits across the Austrian constantly."
Alps.
To
best
track
the
It's not only the athletes that face a endurance
skiers,
tough endeavour. Keeping spectators Mediahaus' solution is to
up to date with the competitors as take to the slopes as well, Two URSA Broadcast cameras with Fujinon B4
they race is the responsibility of but with a slightly less lenses followed the action
live
production
specialist, Nine other cameras were
exhausting method. "We mount
deployed across the course
Mediahaus.
two URSA Broadcast, paired
"As well as a giant screen in
with Fujinon B4 broadcast
the race finish area, there's a
lenses, on skidoos, which
livestream running on a mobile
escort the race leaders up the
provider's
IPTV
platform,
mountains, right up to the
and some broadcasters will
summit," Wolfgang explains.
take shorter live clips and
"The compact format of the
highlight packages for their
cameras is a huge advantage.
sports programming," begins
It helps to keep things
Mediahaus' CEO, Wolfgang
lightweight, which in turn

ensures we are fully mobile and can
keep up with the pace."
As well as the skidoo, a further
nine cameras are deployed
across the course, including
four mountain top/checkpoint
positions and two unmanned
units at the finish line. A
mixture of IP and Mobile
Viewpoint 4G connections, as
well as SMPTE 311M hybrid
fibre, transmit signals to an OB
van at the bottom of the final
downhill. The program mix
is cut live on an ATEM 4 M/E
Broadcast Studio 4K and ATEM
2 M/E Broadcast Panel.
"Our main challenge is keeping the
delay to a minimum, even when we're
cutting to signals being transmitted
from altitudes of more than 2,000
metres. We need to be able to show
spectators every twist, and turn of the
race, with as little delay as possible,"
continues
Wolfgang.
"Employing
a Blackmagic solution means for
acquisition and control means we have
a delay of less than ten frames from
glass to screen."

StreamGuys Partner with Agile Broadcast
P

ioneering SaaS-based streaming
and podcast solutions provider
StreamGuys has forged a new
partnership with respected Australian
systems integrator Agile Broadcast.
Agile will serve as StreamGuys'
exclusive representative in Australia
and New Zealand, giving radio
broadcasters in the region a trusted,
local sales and support resource for
StreamGuys' innovative, efficient and
revenue-enhancing offerings.
Founded in 2008, Agile Broadcast
is focused on providing specialist
technical solutions to the radio
broadcast industry. With extensive
industry experience, deep technical
knowledge of station operations
and a passion for their field, Agile
goes beyond just product sales by
serving their clients in all areas
of radio broadcast engineering from consultancy and installations
to ongoing operational support,
maintenance
and
continual
improvement.
Agile
will
offer
its
clients
StreamGuys' comprehensive suite of
cloud-based services and solutions for

producing, managing and delivering
live and on-demand streaming media
and podcasts. Ian Thomson, Director
of Sales and Business Development at
Agile Broadcast, notes that in addition
to
StreamGuys'
high-availability
streaming services and robust delivery
network, the company's simple yet
powerful tools offer highly-desirable
functionality for radio enterprises.
"SGrecast is a fantastic SaaS
solution that creates new revenue
opportunities, allowing clients to
not only easily rebroadcast content
that has already been streamed and

(L-R) Eduardo Martinez and Tim Labelle

of StreamGuys; Chris Penny and Ian
Thomson of Agile Broadcast

transform it into podcasts, but also
providing extensive tools to publicise
existing media," says Thomson.
"Meanwhile, monitoring and analytics
tools such as SGalerts and SGreports
enable our clients to gain muchneeded information about their
streaming operations and content
usage that can be difficult to get from
other providers."
StreamGuys' portfolio complements
audio encoding and processing
product lines represented by Agile

Broadcast
from
manufacturers
including Digigram, Sound4 and
Wheatstone, enabling the integrator
to offer one-stop shopping for end-toend radio streaming workflows from
production through delivery.
For StreamGuys, the new partnership
strengthens the company's presence in
this key region by offering existing and
prospective customers local expertise
with a keen insight into their unique
business requirements.
"Agile Broadcast has a tremendous
reputation
and
very
strong
relationships with radio organizations
in Australia and New Zealand," adds
Jason Osburn, EVP, StreamGuys.
"Broadcasters in the region can now
have in-depth discussions about
streaming with the same people they
talk to about encoders, consoles and
playout systems, making it easy for
them to unify their traditional and
forward-looking operations. Agile sees
the future of radio being cloud and
service-based, which obviously aligns
with our vision, and we look forward to
working closely with them to bring our
benefits to their customers."


http://www.inbroadcast.com http://www.blackmagicdesign.com http://www.blackmagicdesign.com http://www.streamguys.com http://www.streamguys.com

In Broadcast - February 2020

Table of Contents for the Digital Edition of In Broadcast - February 2020

Contents
In Broadcast - February 2020 - Intro
In Broadcast - February 2020 - Cover1
In Broadcast - February 2020 - Cover2
In Broadcast - February 2020 - Contents
In Broadcast - February 2020 - 4
In Broadcast - February 2020 - 5
In Broadcast - February 2020 - 6
In Broadcast - February 2020 - 7
In Broadcast - February 2020 - 8
In Broadcast - February 2020 - 9
In Broadcast - February 2020 - 10
In Broadcast - February 2020 - 11
In Broadcast - February 2020 - 12
In Broadcast - February 2020 - 13
In Broadcast - February 2020 - 14
In Broadcast - February 2020 - 15
In Broadcast - February 2020 - 16
In Broadcast - February 2020 - 17
In Broadcast - February 2020 - 18
In Broadcast - February 2020 - 19
In Broadcast - February 2020 - 20
In Broadcast - February 2020 - 21
In Broadcast - February 2020 - 22
In Broadcast - February 2020 - 23
In Broadcast - February 2020 - 24
In Broadcast - February 2020 - 25
In Broadcast - February 2020 - 26
In Broadcast - February 2020 - 27
In Broadcast - February 2020 - 28
In Broadcast - February 2020 - 29
In Broadcast - February 2020 - 30
In Broadcast - February 2020 - 31
In Broadcast - February 2020 - 32
In Broadcast - February 2020 - 33
In Broadcast - February 2020 - 34
In Broadcast - February 2020 - 35
In Broadcast - February 2020 - 36
In Broadcast - February 2020 - 37
In Broadcast - February 2020 - 38
In Broadcast - February 2020 - 39
In Broadcast - February 2020 - 40
In Broadcast - February 2020 - 41
In Broadcast - February 2020 - 42
In Broadcast - February 2020 - 43
In Broadcast - February 2020 - 44
In Broadcast - February 2020 - 45
In Broadcast - February 2020 - 46
In Broadcast - February 2020 - 47
In Broadcast - February 2020 - 48
In Broadcast - February 2020 - 49
In Broadcast - February 2020 - 50
In Broadcast - February 2020 - 51
In Broadcast - February 2020 - 52
In Broadcast - February 2020 - Cover3
In Broadcast - February 2020 - Cover4
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