In Broadcast - December 2019 - 36

36

www.inbroadcast.com | Vol: 9 - Issue 11 | December 2019

InMedia

Wirecast Fuels American
Football in Germany
B

erlin-based Fourgreen TV creates
adrenalin-fuelled live streams
over Facebook Live via Wirecast,
bringing all the game action, reaction
and player interviews.
"Without Wirecast, we can't do
our job. We took a long time in
selecting our live streaming platform
- we evaluated multiple options - but
Wirecast's flexible license model,
its multi-user operating system and
the inherent stability of the platform
on both Mac and Windows made
the decision straightforward," so
said Michael Reischer, Founder and
Producer at Fourgreen TV in Berlin,
Germany.

Fourgreen
TV
differentiates
itself from traditional TV and video
production
companies,
focusing
on live streaming and VR projects.
With a combination of professional
studio equipment and Telestream's
live video production and streaming
platform, Reischer's team offer clients
professional quality live streams across
a diversity of social media networks at
an affordable cost.
"Focusing on social media and
Internet TV formats, we produce
high-quality live streams and 3D
Tours," explained Reischer. "We help
our clients establish their new media
profile, adding value to their fan base
communications
without
breaking the bank."
Amongst
its
clients,
Fourgreen TV works in the
local German leagues of
American Football (GFL).
Together
with
German
sports writer, Chris Höb,
Michael Reischer has founded
SCOUTREPORT - The American
Focus is on high-quality live streams and 3D tours

Football Magazine! From
production
studios
in
Berlin, they produce live
shows, record interviews
with players and team
coaches and live stream
GFL games.
"We
provide
live
streaming services to
sports teams that otherwise would
not appear on broadcast TV, enabling
their fans to stay in touch with their
teams and players over social media,"
explained Reischer. "Wirecast is
the bedrock of our live streaming
workflow. It helps us create a really
efficient workflow with easy to use
settings. Wirecast is a professional
production tool with some really great
features such as multiple layers for
editing, combined with drag and drop
within those layers. Its stability and
flexibility within a live production
environment make it a powerful option
and its competitive pricing opens up a
large market of potential customers for
this service."

Fourgreen TV streams on Facebook Live

Wirecast is the industry's only crossplatform, all-in-one live streaming
production software that enables
capture, live production and encoding
of live streams for broadcast to
multiple servers and platforms
simultaneously.
Wirecast's built-in encoding engine
allows users to stream high-quality
H.264 video and AAC audio over
RTMP/S, RTP and Windows Media
protocols for maximum flexibility.
Users can stream directly to 30-built-in
destinations including Facebook Live,
YouTube Live, Microsoft Azure, Akamai,
DaCast, Wowza, as well as to record a
version for later use.

Digital Nirvana Enhances MonitorIQ
D

igital Nirvana, a provider of
leading-edge media-monitoring
and metadata generation services, has
announced new enhancements within
MonitorIQ 6.1, the company's nextgeneration broadcast monitoring and
compliance logging platform.
A new Digital Program Monitoring
application in MonitorIQ 6.1 gives users
exceptional visibility into SCTE 35/104
messages for more effective resolution
of digital programme insertion
(DPI) issues and better control over
advertising insertions in a variety of
streaming environments.
"MonitorIQ 6.1 incorporates powerful
new features and capabilities that take
compliance monitoring and advertising
optimisation to a new level," said
Russell Wise, Senior Vice President of
Sales and Marketing for Digital Nirvana.
"The platform's new Digital Program
Monitoring
application
simplifies
the monitoring of content and SCTE
104/35-based metadata to ensure DPI
messages were inserted correctly.
We monitor the presence of markers
that allow the ad to be inserted,
which provides our users better

Digital Nirvana offers
enhanced ad insertion

control in existing and new streaming
environments. Thanks to these and
other enhancements in MonitorIQ 6.1,
broadcasters are better prepared than
ever to identify, resolve, and document
critical issues and, in turn, meet their
regulatory, compliance, licensing, and
advertising requirements."
The Digital Program Monitoring
application within MonitorIQ 6.1
enables the monitoring, logging, and
frame-accurate display of content

along with SCTE 35/104-based
metadata to determine if DPI messages
were conveyed properly.
Fully detailed, human-readable SCTE
35/104 message information provides
the user with all the information
necessary to take a deep dive into
any SCTE 35/104 issues, and even
download specific triggers. Within
the application's Viewer page, users
can compare two different points in
the video delivery chain for the same

channel and thereby ensure SCTE
messages are not getting dropped
during
any
conversion/encoding
process. Flagging issues, for example,
with advertising or promotions is faster
and easier.
Advanced DPI monitoring capabilities
make MonitorIQ 6.1 a 'best-of-breed'
solution for broadcast monitoring and
compliance logging.
Building upon the success of
MonitorIQ6.0, version 6.1 is now
monitoring operations in the top seven
US broadcast networks.
The platform also integrates tightly
with Digital Nirvana's Media Services
Portal, a suite of smart, self-service
tools that gives broadcasters access to
AI-based cloud microservices for closed
caption generation, caption quality
assessment, caption realignment, and
video intelligence for objects, ads,
logos, and facial recognition.
MonitorIQ 6.1 also is hailed as the
first compliance logger to combine
cloud services and cloud storage with
on-premises compliance recording and
the first to run in on-premises, cloud,
and hybrid environments.


http://www.inbroadcast.com http://www.telestream.com http://www.telestream.com http://www.telestream.com http://www.digital-nirvana.com

In Broadcast - December 2019

Table of Contents for the Digital Edition of In Broadcast - December 2019

Contents
In Broadcast - December 2019 - Intro
In Broadcast - December 2019 - Cover1
In Broadcast - December 2019 - Cover2
In Broadcast - December 2019 - Contents
In Broadcast - December 2019 - 4
In Broadcast - December 2019 - 5
In Broadcast - December 2019 - 6
In Broadcast - December 2019 - 7
In Broadcast - December 2019 - 8
In Broadcast - December 2019 - 9
In Broadcast - December 2019 - 10
In Broadcast - December 2019 - 11
In Broadcast - December 2019 - 12
In Broadcast - December 2019 - 13
In Broadcast - December 2019 - 14
In Broadcast - December 2019 - 15
In Broadcast - December 2019 - 16
In Broadcast - December 2019 - 17
In Broadcast - December 2019 - 18
In Broadcast - December 2019 - 19
In Broadcast - December 2019 - 20
In Broadcast - December 2019 - 21
In Broadcast - December 2019 - 22
In Broadcast - December 2019 - 23
In Broadcast - December 2019 - 24
In Broadcast - December 2019 - 25
In Broadcast - December 2019 - 26
In Broadcast - December 2019 - 27
In Broadcast - December 2019 - 28
In Broadcast - December 2019 - 29
In Broadcast - December 2019 - 30
In Broadcast - December 2019 - 31
In Broadcast - December 2019 - 32
In Broadcast - December 2019 - 33
In Broadcast - December 2019 - 34
In Broadcast - December 2019 - 35
In Broadcast - December 2019 - 36
In Broadcast - December 2019 - 37
In Broadcast - December 2019 - 38
In Broadcast - December 2019 - 39
In Broadcast - December 2019 - 40
In Broadcast - December 2019 - 41
In Broadcast - December 2019 - 42
In Broadcast - December 2019 - 43
In Broadcast - December 2019 - 44
In Broadcast - December 2019 - 45
In Broadcast - December 2019 - 46
In Broadcast - December 2019 - 47
In Broadcast - December 2019 - 48
In Broadcast - December 2019 - 49
In Broadcast - December 2019 - 50
In Broadcast - December 2019 - 51
In Broadcast - December 2019 - 52
In Broadcast - December 2019 - 53
In Broadcast - December 2019 - 54
In Broadcast - December 2019 - 55
In Broadcast - December 2019 - 56
In Broadcast - December 2019 - 57
In Broadcast - December 2019 - 58
In Broadcast - December 2019 - 59
In Broadcast - December 2019 - 60
In Broadcast - December 2019 - 61
In Broadcast - December 2019 - 62
In Broadcast - December 2019 - 63
In Broadcast - December 2019 - 64
In Broadcast - December 2019 - Cover3
In Broadcast - December 2019 - Cover4
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
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