In Broadcast - September 2019 - 26

26

www.inbroadcast.com | Vol: 9 - Issue 8 | September 2019

InForm

IBC2019 Preview - Part II
Contributing Editor David Kirk takes a second look at some
of the latest equipment that will be on show at IBC2019...

T

he Chinese, or more accurately
Japanese, whispers being heard in
the run-up to IBC this year suggest that
8K is on course to become a seriously
interesting alternative to 4K as the
broadcast industry gears for the 2020
Tokyo Olympics. 8K Hi-Vision has been
a crowd puller in both the NAB and
IBC future technology zones for more
years than it is polite to mention but
8K products are now starting to appear
at sub-stratospheric prices. Key points
to watch are the price of consumer 8K
displays and the ongoing development
of 8K compression codecs.
Aaton will demonstrate new
firmware for its CantarX3 and
CantarMini audio recorders including
digital gain and limiting for all
digital inputs, also on the mixdown.
The firmware includes several
improvements and is the first step
of release which will be issued at
the end of the year. Also on show
will be Aaton's new Melody2 dualtransformer-inputs analogue audio
preamplifier with low noise and
extended bandwidth (up to 100
kHz), digital output on AES42 and
compatibility with the CantarX3 and
CantarMini. The preamplifier settings
are controlled remotely by the Cantar
interface. Compact form factor and low
weight are claimed make it suitable to
use on a boom.
Anevia will exhibit Dynamic Ad
Insertion for its NEA-CDN end-to-end
video-delivery system. The company
has already deployed Dynamic
Ad Insertion with five customers
using Anevia's OTT video-delivery
infrastructure. Anevia now offers a
complete server-side system that
is claimed to be able to defeat ad
blockers. This can also be used to
prepare ads offline by using the
resources made available during low
traffic peaks.
Blackmagic Design's UltraStudio 4K
Mini is a new capture and playback
interface for Thunderbolt 3 computers
with 12G-SDI, HDMI, analogue video
and audio connections. It is intended
for use in editing, colour grading, live
broadcast graphics, archiving from
traditional broadcast decks and live
internet streaming. It can perform
8-bit and 10-bit high dynamic range

capture in all formats up to 4K DCI at
60p, and 12-bit high dynamic range
capture in all formats up to 4K DCI at
30p. It's small enough to fit in a rack
or be used on a desktop. A built in SD
card reader allows instant access to
camera media card.
Bridge Technologies' Widglets API
HTML5 video monitor is designed
for use with the company's VB440
IP network probe. It allows video
monitoring to be embedded within
any HTML code - making it available to
anyone connected via a web browser.
The VB440 IP probe supports interface
speeds of up to 100 gigabits per
second.
Cobalt Digital will show a new 9992DEC series of HEVC/AVC/MPEG-2
decoders for openGear frames. Like
the company's 9992-ENC series of
encoders, the 9992-DEC is based on
pay-as-you-go licensing. It supports
up to 4K resolution and offers audio
decoding capabilities. The series also
includes the 9992-2DEC dual-channel
decoder as well as the 9992-DEC-4KHEVC with single-channel 4K or dualchannel 2K and support for H.265.
CyanView describes its Cy-Stem as
an IP-based universal camera control
system. It comprises a universal
RCP control panel and a series of
hardware modules that address four
key areas in broadcast production:
control and matching of mini and
specialty cameras, wireless or remote
production with ENG and small
camcorders and colour correction.
Hiltron will show a new addition
to its HMAM family of motorised
antenna pedestals. The
HMAM-PM is a polar
mount system which
comes as a complete
package with a 1.8 or
2.4 metre diameter
offset satellite dish
Hiltron HMAM-PM
pole-mounted motorised
satellite antenna

Blackmagic UltraStudio 4K Mini

antenna. Designed as a cost optimised
and quickly installable solution for
professional receive-only downlinks,
it is intended for use in satellite
monitoring, programme acquisition,
SNG downlinks or automated backup
at cable headends and teleports. Two
versions of the HMAM-PM are being
introduced: one basic and one with
a fully integrated de-ice system for
the reflector and feed arm. Features
include a 17-bit optical absolute
encoder and the ability to acquire
any position within a 90° orbit arc
in less than 30 seconds. The entire
system is built to withstand standard
atmospheric pollutants and to
operate from zero to 95% humidity
over a temperature range of 35°C
(optionally 55°C) down to -25°C. The
HMAM-PM can be built, if so required,
to withstand pollutants such as salt
encountered in coastal and industrial
areas.
Ikegami will exhibit its HQLM-3125X
31-inch 4K-UHD master-grade monitor
with a 4,096 × 2,160 pixel 10-bit
resolution and high brightness (1,000
candela per square metre). The panel
employs double-LCD-layer technology
to achieve a 1,000,000:1 contrast
ratio with true black reproduction. A
layer of light-modulating cells allows
pixel-by-pixel control of backlight
intensity, reducing light leakage and
black floating. Compliant with BT.2020
wide colour gamut, the monitor
incorporates single-channel 12G-SDI
x 2, 3G-SDI × 5, 3G/HD-SDI and HDMI
inputs as standard features. Viewing
angle for critical image
evaluation is a wide 178
degrees
(horizontal/
vertical). 1D and 3D
LUTs are supported.
The HQLM-3125X can
be controlled remotely
via Ethernet, RS-485 or
locally from the front
panel.

Lawo's AES67 Stream Monitor
displays information for up to 16 userdefinable audio streams, each of which
can contain multiple audio channels.
The main display presents audio levels
and alarm indications for all monitored
streams; selecting an individual stream
display allows users to access detailed
stream information.
Leader
Electronics'
LV5900
HD/4K/8K is a multi-standard
waveform monitor designed for
content producers, broadcasters and
equipment manufacturers progressing
into the Super Hi-Vision standard.
Housed in a half-rack-width by 4U
high portable unit with a 1920 x 1080
pixel resolution 9-inch front-panel
monitor, the LV54900 is compatible
with the SMPTE ST2082-12 standard
which receives 8K images via 12G-SDI
quad link. Measurement capabilities
include video signal waveform display,
vector display, picture display, eye
pattern display, five-bar display, CIE
chromaticity display, freeze error
detection, black error detection
and gamut error detection. HDR
support is provided for HLG, Dolby
PQ, S-Log3, C-Log, Log-C and OOTF.
In the LV54900's Cinezone display,
the brightness of the HDR area is
displayed by rendering the SDR area
in monochrome and the HDR area in a
brightness-dependent colour.

Leader LV5900 HD/4K/8K
multi-standard waveform monitor

Matrox Video will demonstrate its
M264 family of H.264 hardware codec
cards. These are capable of supporting
up to four 4K60p streams of XAVC
Intra and XAVC Long encoding/
decoding from a single-slot card.
On-Hertz describes its Artisto
software audio engine as a complete
solution for automating any workflow
involving sound. It can be configured


http://www.inbroadcast.com http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201908/index.php#/26 http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201908/index.php#/26 https://www.blackmagicdesign.com/uk/products/ultrastudio https://www.blackmagicdesign.com/uk/products/ultrastudio http://www.leader.co.jp/en http://www.hiltron.de http://www.hiltron.de

In Broadcast - September 2019

Table of Contents for the Digital Edition of In Broadcast - September 2019

Contents
In Broadcast - September 2019 - Intro
In Broadcast - September 2019 - Cover1
In Broadcast - September 2019 - Cover2
In Broadcast - September 2019 - Contents
In Broadcast - September 2019 - 4
In Broadcast - September 2019 - 5
In Broadcast - September 2019 - 6
In Broadcast - September 2019 - 7
In Broadcast - September 2019 - 8
In Broadcast - September 2019 - 9
In Broadcast - September 2019 - 10
In Broadcast - September 2019 - 11
In Broadcast - September 2019 - 12
In Broadcast - September 2019 - 13
In Broadcast - September 2019 - 14
In Broadcast - September 2019 - 15
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In Broadcast - September 2019 - 18
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In Broadcast - September 2019 - 26
In Broadcast - September 2019 - 27
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In Broadcast - September 2019 - 31
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In Broadcast - September 2019 - 65
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In Broadcast - September 2019 - 67
In Broadcast - September 2019 - 68
In Broadcast - September 2019 - Cover3
In Broadcast - September 2019 - Cover4
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