In Broadcast - August 2019 - 50

50

www.inbroadcast.com | Vol: 9 - Issue 7 | August 2019

InStudio

VMB Deploys LaON GENIE
Intercom System
V

isual Media Broadcast (VMB)
has become the first user of the
new LaON GENIE intercom system in
Europe.
GENIE is the industry's first
converged digital intercom system,
reshaping the traditional concept of
intercom systems.
Distributed in Spain exclusively
by Broadcast Solutions, the GENIE
intercom system supplied to VMB
comprises a base station, several
repeaters, 16 beltpacks and various
accessories, and will improve VMB's
production capabilities.
Visual
Media
Broadcast
was
established nine years ago in Madrid,
and has since become a leading
strategic partner for TV networks,
production companies, advertising
and market research companies, as
well as universities and educational
institutions across Spain. Among the
first television shows Visual Media
Broadcast will produce using its
new LaON GENIE system, is the third

season of a very popular children's
entertainment show broadcasted by
Spain's biggest Pay-TV station.
Along with the VMB placement,
Broadcast Solutions is experiencing
a large demand for LaON intercom
systems. Recently, Grupo ESA Sports
has invested in an LT750 LaON system
for use in all its sports productions in
the north of Spain. During productions
ESA Sports splits the system into
groups (of up to five), to secure
communication from the master
control to all the moving cameras
in a stadium/venue. In this way, a
single repeater ensures broad signal
coverage to connect with all wireless
beltpacks.
With GENIE, six remote antennas,
60 speaker stations (1RU panels with
gooseneck mics and eight direct talk
buttons), 60 Ethernet beltpacks (wired
beltpacks with four direct talk buttons)
or 60 repeaters can all be connected to
a base station using PoE and offering
128 wireless beltpack connections at

the same time. Operating at 7.2kHz,
GENIE's offers excellent audio quality,
and the system excels with a latency of
just 23ms.
LaON's digital wireless intercom
system operates in the 5GHz
UNII band, providing exceptional
connection quality while avoiding
interference.

URSA Broadcast Archery Bullseye
T

he Italian Archery Federation, or
the Federazione Italiana di Tiro
con L'Arco (FITArco), has been filming
its competitions and matches for
some time now but recently upgraded
its capabilities with URSA Broadcast
cameras from Blackmagic Design.
FITArco's Events Manager Ardingo
Scarzella says that a 2013 theft of
all the equipment, while frustrating,
allowed the move to digital equipment:
"We took it as an opportunity to
venture into digital with our first ATEM
Television Studio. Since then we have
continued to expand our offering and
in 2015 invested in a van built around
an ATEM 1 M/E switcher and Smart
Videohub matrix."
In addition to producing big screen
content at various venues, and live
streaming matches to its online
platform, Scarzella says from the mid2000s they were increasingly being
asked to provide dubs for television
broadcasting. "It was natural to
continue using a brand we already
knew and trusted to cater for this.
Plus, as broadcasters' expectations
on quality increased, we were not

only able to keep up - we
were able to exceed those
benchmarks."
With
a
recent
investment in the URSA
Broadcast camera chains,
FITArco has seen its
archery coverage taken by
mainstream broadcasters
such as Eurosport and Rai
Sport.
"The image quality,
at that price point, to
me is second to none,"
says
Scarzella.
"It's
that, combined with our
detailed knowledge of the
sport, that translates into
the perfect package for
television."
This expertise allows the
FITArco production team
to play an active role in
every phase of the events,
meaning they can directly
move things in the competition fields
to recognise the best use of the space.
They also have direct control over any
timings, which, according to Scarzella,

at a time. Scarzella says:
"Graphics,
pre-recorded
content and slow-motion
replays are fundamental
for us to fill the dead
times."
"For replays, we use
VMix, which transmits to
a Blackmagic Mini Monitor
and Mini Recorder, while
slow motion is controlled
using
a
JLCooper
SlomoMini
USB.
For
graphics such as scores,
times and statistics, we use
Italian Archery Federation digital production van a Caspar system with fill
and key output through an
UltraStudio I/O box."
An optimised workflow,
very often sees only the
live director inside the OB
van using a tablet, which
allows the director to
manage the ATEM macros,
and an Elgato Streamdeck
often results in more coordinated and to control graphics overlays, while an
compelling productions.
x-keys keypad allows the user to start
Though fast, archery matches and end broadcasting and recording
regularly pause for a couple of minutes from the onboard Mac Pro.


http://www.inbroadcast.com http://www.broadcast-solutions.de http://www.broadcast-solutions.de http://www.blackmagicdesign.com

In Broadcast - August 2019

Table of Contents for the Digital Edition of In Broadcast - August 2019

Contents
In Broadcast - August 2019 - Intro
In Broadcast - August 2019 - Cover1
In Broadcast - August 2019 - Cover2
In Broadcast - August 2019 - Contents
In Broadcast - August 2019 - 4
In Broadcast - August 2019 - 5
In Broadcast - August 2019 - 6
In Broadcast - August 2019 - 7
In Broadcast - August 2019 - 8
In Broadcast - August 2019 - 9
In Broadcast - August 2019 - 10
In Broadcast - August 2019 - 11
In Broadcast - August 2019 - 12
In Broadcast - August 2019 - 13
In Broadcast - August 2019 - 14
In Broadcast - August 2019 - 15
In Broadcast - August 2019 - 16
In Broadcast - August 2019 - 17
In Broadcast - August 2019 - 18
In Broadcast - August 2019 - 19
In Broadcast - August 2019 - 20
In Broadcast - August 2019 - 21
In Broadcast - August 2019 - 22
In Broadcast - August 2019 - 23
In Broadcast - August 2019 - 24
In Broadcast - August 2019 - 25
In Broadcast - August 2019 - 26
In Broadcast - August 2019 - 27
In Broadcast - August 2019 - 28
In Broadcast - August 2019 - 29
In Broadcast - August 2019 - 30
In Broadcast - August 2019 - 31
In Broadcast - August 2019 - 32
In Broadcast - August 2019 - 33
In Broadcast - August 2019 - 34
In Broadcast - August 2019 - 35
In Broadcast - August 2019 - 36
In Broadcast - August 2019 - 37
In Broadcast - August 2019 - 38
In Broadcast - August 2019 - 39
In Broadcast - August 2019 - 40
In Broadcast - August 2019 - 41
In Broadcast - August 2019 - 42
In Broadcast - August 2019 - 43
In Broadcast - August 2019 - 44
In Broadcast - August 2019 - 45
In Broadcast - August 2019 - 46
In Broadcast - August 2019 - 47
In Broadcast - August 2019 - 48
In Broadcast - August 2019 - 49
In Broadcast - August 2019 - 50
In Broadcast - August 2019 - 51
In Broadcast - August 2019 - 52
In Broadcast - August 2019 - 53
In Broadcast - August 2019 - 54
In Broadcast - August 2019 - 55
In Broadcast - August 2019 - 56
In Broadcast - August 2019 - 57
In Broadcast - August 2019 - 58
In Broadcast - August 2019 - 59
In Broadcast - August 2019 - 60
In Broadcast - August 2019 - 61
In Broadcast - August 2019 - 62
In Broadcast - August 2019 - Cover3
In Broadcast - August 2019 - Cover4
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202102
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202101
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201809
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201707
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201608
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
https://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
https://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
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