In Broadcast - August 2018 - 52

52

www.inbroadcast.com | Vol: 8 - Issue 7 | August 2018

InFocus

Thriller Shot on Sony VENICE

Sony's VENICE full-frame camera has been chosen to shoot its first European feature film...

P

olish thriller Fisheye, directed
by Michał Szcześniak and shot
by Cinematographer Paweł Dyllus, is
being shot with Sony's VENICE camera
system.
"After a consultation with Paweł
Dyllus, we made the decision to be
the first in Europe to shoot with this
camera. The storyline of Fisheye
strongly fits the VENICE's ability to
combine spherical and anamorphic
lenses, which intensified the film's
impression
on
its
audience,"
commented Ewa Szwarc, Producer,
KOSMOS Production. "We have also
been incredibly pleased that our postproduction abilities have increased
during the editing process."
"We suggested using Genesis G35
lenses and anamorphic Cooke S6i
lenses for Sony VENICE and bought two
licenses, Full Frame and Anamorphic,
as not only do we know that operators
like to mix formats, but we also wanted
to guarantee the greatest possible
shooting possibilities," added Marcin
Mikołajczyk, Technical Director, ATM
System Sp. z o.o.
Cinematographer
Pawel
Dyllus
said: "I was particularly interested in
shooting in full-frame and anamorphic
formats. As we are currently still
in production, I have had sight of
the initial colour correction and I
can confidently say that, thanks to

VENICE's amazing resolution and
unbelievable image plasticity, we have
captured some incredible visuals."
"The camera's operability is
also very good, allowing us to
streamline our workflow. It
switches on in just a few
seconds, giving it a clear
advantage over other
cameras in this market
segment.
Additionally,
its built-in ND filters
with gradation of 0.3
are excellent, and the
duplicated control panel
on both sides of the camera is welldesigned and comfortable. While it
is not a light camera, it is very wellbalanced and delivers impeccable
images," said Dyllus.
"Together
with
the
VENICE
camera, and in addition to the new
RAW recorder, Sony introduced a
new X-OCN recording format that
transforms how we are saving RAW

Sony's VENICE offers a
full-frame camera system

data;" added Mikołajczyk. "As a
result, files with full information
about variables, temperature, and
camera parameters were able to
be compressed and stored, using
approximately half of the space
traditionally required - saving time
and disk space needed for production,

Polish thriller Fisheye is due for release in 2019

resulting in a faster work
pace."
Still in production, Fisheye is a
thriller about a young woman who is
kidnapped and must solve a mystery of
the past to free herself.
The film found itself within the
prestigious New Horizons' Polish Days
Goes to Cannes programme: "The
first fragments of the film presented
in Cannes were very well received. I
cannot reveal the details surrounding
the production yet, however, the
choice of the Sony VENICE camera
was influenced by professional
consultation from our technological
partner ATM System," said Szwarc.

Sony boosts VENICE system capabilities
S

ony recently announced new
updates and developments for
its VENICE camera system, including
version 2 firmware.
These included a new VENICE
Extension System designed for
expanded flexibility and enhanced
ergonomics. Also announced was
planned high frame rate support for
the VENICE system.

The Version 2 firmware adds new
features and capabilities specifically
requested by production professionals
to deliver more recording capability,
customisable looks, exposure tools
and greater lens freedom. Highlights
include:
*	 Dual base ISO - With 15+ stops
of exposure latitude, VENICE will
support high Base ISO of 2500 in

A Sony VENICE
Extension system
was previewed at
Cine Gear (LA)

addition to existing ISO of 500, taking
full advantage of Sony's unique sensor
for superb low light performance with
exceptional dynamic range from +6
stops to -9 stops as measured at 18%
middle gray.
*	 Select FPS (off speed) - in
individual frame increments, from 1 to
60.
*	 Additional Imager modes - V2.0
newly adds several Imager Modes,
25p in 6K Full-Frame, 25p in 4K 4:3
Anamorphic, 6K 17:9, 1.85:1 and 4K 6:5
Anamorphic imager modes.
*	 User up-loadable 3D LUTs - users
can customise their own looks and
save them directly into the camera.
*	 Wired LAN remote control users can remotely control and change
key functions, including camera
settings, FPS, shutter, EI, iris (Sony

E-mount lens), rec start/stop, and
built-in optical ND filters.
*	 E-mount - users can remove the
PL mount and use a wide assortment
of native E-mount lenses.
At Cine Gear 2018, Sony showed the
VENICE Extension System, a full-frame
tethered extension system that allows
the camera body to detach from the
actual image sensor block with no
degradation in image quality up to
20 feet apart. These are the result of
Sony's long-standing collaboration
with James Cameron's Lightstorm
Entertainment.
Sony also announced details of a
planned optional upgrade to support
high frame rate - targeting speeds up
to 60fps in 6K, up to 90fps in 4K, and
up to 120fps in 2K. These are slated for
release in the spring of 2019.


http://www.inbroadcast.com https://pro.sony/en_GB/products/digital-cinema-cameras/venice https://pro.sony/en_GB/products/digital-cinema-cameras/venice https://pro.sony/en_GB/products/digital-cinema-cameras/venice

Table of Contents for the Digital Edition of In Broadcast - August 2018

Contents
In Broadcast - August 2018 - Intro
In Broadcast - August 2018 - Cover1
In Broadcast - August 2018 - Cover2
In Broadcast - August 2018 - Contents
In Broadcast - August 2018 - 4
In Broadcast - August 2018 - 5
In Broadcast - August 2018 - 6
In Broadcast - August 2018 - 7
In Broadcast - August 2018 - 8
In Broadcast - August 2018 - 9
In Broadcast - August 2018 - 10
In Broadcast - August 2018 - 11
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In Broadcast - August 2018 - 14
In Broadcast - August 2018 - 15
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In Broadcast - August 2018 - 18
In Broadcast - August 2018 - 19
In Broadcast - August 2018 - 20
In Broadcast - August 2018 - 21
In Broadcast - August 2018 - 22
In Broadcast - August 2018 - 23
In Broadcast - August 2018 - 24
In Broadcast - August 2018 - 25
In Broadcast - August 2018 - 26
In Broadcast - August 2018 - 27
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In Broadcast - August 2018 - 31
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In Broadcast - August 2018 - 35
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In Broadcast - August 2018 - 37
In Broadcast - August 2018 - 38
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In Broadcast - August 2018 - 43
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In Broadcast - August 2018 - 60
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In Broadcast - August 2018 - 62
In Broadcast - August 2018 - 63
In Broadcast - August 2018 - 64
In Broadcast - August 2018 - Cover4
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