In Broadcast - June 2018 - 44

44

www.inbroadcast.com | Vol: 8 - Issue 6 | June 2018

InAPAC

FUJINON Enhances
4K HDR Zoom Series

The FUJINON 4K HDR Zoom Series has been enhanced with the
addition of two new 46x zoom lenses...

F

eaturing a newly-designed OSTECH image stabiliser, this provides
the most advanced image stabilisation
for a lens in this class and makes the
new UA46x zooms ideal for sports,
wildlife, and documentary production.
Versions of each lens will be available
for studio, wildlife, remote-control and
gyro-stabilised productions.
The Digital Full Servo Drive Unit has
been enhanced with a fresh design,
and now features 16-bit encoding
for highly accurate local or remote
operation of the zoom, focus or
iris. The drive unit offers a "Virtual
Connector," which outputs the lens'
positional data.
The two new lenses feature
4K Ultra HD and HDR optical
performance
throughout
the
entire zoom range. The UA46x9.5B
features a 46x zoom ratio and a wide
angle from 9.5-437mm (19-874mm

w/2x) with an F2.0 aperture. The
"Tele" version UA46x13.5B lens also
features a 46x zoom ratio and a
telephoto reach from 13.5-621mm (271242mm w/2x) with an F2.8 aperture.
The lenses employ the latest High
Transmittance Electron Beam Coating
(HT-EBC), resulting in richer colours
and improved blue response and
transmittance. They both achieve 4K
UHD optical performance from centre
to corner throughout the zoom range
while suppressing image distortion,
due to a multi-group zoom system.

Other zooms in this line up include
the UA14x4.5, UA18x5.5, UA24x7.9,
UA13x4.5, UA22x8, UA27x6.5, UA80x9
and UA107x8 lenses.
Also throughout BroadcastAsia 2018,
the new FUJIFILM X-H1 camera will be
showcased alongside FUJINON MKX1855mmT.29 and MKX50-135mmT2.9
cinema lenses for X Mount, providing
the ideal compact combination
for video reproduction and still
photography.
The X-H1 is the first camera in the X
Series line to feature in-body image
stabilisation
and
produces
uncompromised image quality
and precision when combined
with compensating mechanisms.
The camera also delivers new
features to support movie
production, including ETERNA, a
The X-H1 can be
paired with the new film simulation mode that is
new MKX lenses ideal for shooting movies.

The UA46x9.5B
features 46x
zoom ratio

The X-H1 boasts many functional and
performance improvements to video
image quality, including the 1080/120p
high-speed video mode (1/2, 1/4 and
1/5 speed slow motion) for recording
slow-motion footage; F-log SD card
recording which aids smooth workflow;
a DCI 4K shooting mode (4096×2160);
a 400% dynamic range setting
(approximately 12 stops); 200 Mbps
high bit rate recording; a high-sound
quality internal microphone (24 bit/48
kHz); and verbal timecodes.
The X Mount FUJINON MKX1855mmT2.9 and MKX50-135mmT2.9
cinema lenses are compatible with
all FUJIFILM X Series interchangeable
system cameras and offer a
lightweight and compact design with
the same optical performance and
operability as larger cinema lenses in
their class.

ARRI Highlights
Latest Equipment

ARRI is excited to bring the latest products to BroadcastAsia
2018 including the ALEXA large-format camera system and
the ARRI SkyPanel S360-C...

A

RRI will introduce a complete
ALEXA large-format camera
system. Based on an enlarged 4K
version of the ALEXA sensor, the system
comprises the ALEXA LF camera, ARRI
Signature Prime lenses, LPL lens mount
and PL-to-LPL adapter.
The system offers full
compatibility with existing
lenses, accessories and
workflows.
It
records
native
4K,
recording
formats including ProRes,
uncompressed
and
unencrypted ARRIRAW up
to 150fps.
Accompanying the ALEXA
LF camera are 16 largeformat ARRI Signature
Prime
lenses,
ranging
from 12mm to 280mm

and fitted with the ARRI LPL mount.
The new ALEXA large-format camera
system meets and exceeds modern
production requirements, delivering
unprecedented creative freedom.
The new SkyPanel S360-C has
expanded ARRI's LED soft light

range
with
the
largest
and
brightest
ALEXA LF system is fully compatible
SkyPanel to date.
with existing workflows
With an enormous
aperture and at over
120,000 lumens, the light will
wrap around large objects
The SkyPanel S360-C
ARRI, founded in 1917 in Munich,
is versatile and throw much farther. Not
only is the S360-C powerful,
Germany, is a leading designer and
but it is packed full of
manufacturer of camera and lighting
exciting features, making
systems for the film and broadcast
it one of the most versatile
industry, with a worldwide distribution
LED fixtures on the market.
and service network. The ARRI
Features include full colour
Group consists of five business units:
control, lighting effects on a
Camera Systems, Lighting, Media,
huge aperture, wireless DMX
Rental and Medical. The Academy of
built in, a unique carbon
Motion Picture Arts and Sciences has
fibre yoke, and much more.
recognised ARRI engineers and their
The S360-C is truly a beast of
contributions to the industry with 19
a light.
Scientific and Technical Awards.


http://www.inbroadcast.com http://www.fujifilm.com/products/optical_devices/tv_cine/eng_efp/#4kps http://www.fujifilm.com/news/n180215_02.html https://www.arri.com/largeformat/ http://www.arri.com/lighting/skypanel/

Table of Contents for the Digital Edition of In Broadcast - June 2018

Contents
In Broadcast - June 2018 - Intro
In Broadcast - June 2018 - Cover1
In Broadcast - June 2018 - Cover2
In Broadcast - June 2018 - Contents
In Broadcast - June 2018 - 4
In Broadcast - June 2018 - 5
In Broadcast - June 2018 - 6
In Broadcast - June 2018 - 7
In Broadcast - June 2018 - 8
In Broadcast - June 2018 - 9
In Broadcast - June 2018 - 10
In Broadcast - June 2018 - 11
In Broadcast - June 2018 - 12
In Broadcast - June 2018 - 13
In Broadcast - June 2018 - 14
In Broadcast - June 2018 - 15
In Broadcast - June 2018 - 16
In Broadcast - June 2018 - 17
In Broadcast - June 2018 - 18
In Broadcast - June 2018 - 19
In Broadcast - June 2018 - 20
In Broadcast - June 2018 - 21
In Broadcast - June 2018 - 22
In Broadcast - June 2018 - 23
In Broadcast - June 2018 - 24
In Broadcast - June 2018 - 25
In Broadcast - June 2018 - 26
In Broadcast - June 2018 - 27
In Broadcast - June 2018 - 28
In Broadcast - June 2018 - 29
In Broadcast - June 2018 - 30
In Broadcast - June 2018 - 31
In Broadcast - June 2018 - 32
In Broadcast - June 2018 - 33
In Broadcast - June 2018 - 34
In Broadcast - June 2018 - 35
In Broadcast - June 2018 - 36
In Broadcast - June 2018 - 37
In Broadcast - June 2018 - 38
In Broadcast - June 2018 - 39
In Broadcast - June 2018 - 40
In Broadcast - June 2018 - 41
In Broadcast - June 2018 - 42
In Broadcast - June 2018 - 43
In Broadcast - June 2018 - 44
In Broadcast - June 2018 - 45
In Broadcast - June 2018 - 46
In Broadcast - June 2018 - 47
In Broadcast - June 2018 - 48
In Broadcast - June 2018 - 49
In Broadcast - June 2018 - 50
In Broadcast - June 2018 - 51
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In Broadcast - June 2018 - 54
In Broadcast - June 2018 - 55
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In Broadcast - June 2018 - 66
In Broadcast - June 2018 - 67
In Broadcast - June 2018 - 68
In Broadcast - June 2018 - 69
In Broadcast - June 2018 - 70
In Broadcast - June 2018 - Cover3
In Broadcast - June 2018 - Cover4
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