In Broadcast - June 2018 - 30

30

www.inbroadcast.com | Vol: 8 - Issue 6 | June 2018

InAPAC

Ikegami APAC to Exhibit Latest
Products in Singapore
Ikegami will exhibit its newest technology and systems on
the Ikegami APAC stand, 4R4-01, at BroadcastAsia 2018...

D

emonstrations will include the
first APAC showing of the new
HDK-99 3G-capable portable camera
and the HQLM-3125X 4K/HD production
monitor.
Portable Applications
Debuted at NAB Show 2018, the
HDK-99 succeeds Ikegami's HDK-95C
as the elite offering in the Unicam HD
series. A docking-style camera for
portable and studio applications, it
employs three 2.6-megapixel highperformance CMOS image sensors
delivering high picture quality in HDR
at Full HD 1920 x 1080 resolution.
HLG mode maintains the high contrast
required for HDR and conforms to the
ITU-R BT.2100 international standard.
Signal-to-noise ratio is >62 dB and
sensitivity is a high F11 (59.94 Hz).
The sensors natively support 1080i
/59.94,
1080i/50,
720p/59.94,
720p/50, 1080p/29.97, 1080p/25 and
1080p/23.98. 1080p/59.94, 1080p/50,
1080i/119.88, and 1080i/100 3G HDTV
formats are also supported. Integral
to the HDK-99 is the AXII processor
which allows fast and precise colour
matching for live multi-camera
applications.
A Lens Aberration Correction
function minimises resolution
loss and coloured edging
caused mainly by optical
chromatic aberration. Quick EZ
Focus Assist provides distinct
enhancement to the viewfinder
signal, enabling the camera
operator to make critical focus
HDK-99 is suited for portable
and studio applications

adjustments. Area size, area colour,
edge colour and display time on the
viewfinder are all adjustable from
the camera menu.
Picture Perfect Monitoring
Ikegami's new HQLM-3125X
HDR broadcast production monitor
employs a 4,096×2,160 pixel 10-bit
resolution LED-backlit LCD panel with
a 1,000,000:1 contrast ratio. Fully
compliant with BT.2020 wide colour
gamut, it incorporates single-channel
3G-SDI × 5, 3G/HD-SDI and HDMI
inputs as standard features. Squaredivision and two-sample interleave
sources can be connected to the
monitor via 3G-SDI × 4.
A dual-channel 12G-SDI input is also
available for other 4K equipment.
Viewing angle for critical image
evaluation is a wide 178 degrees
(horizontal/vertical). In addition to its
picture monitoring role, the HQLM3125X can operate as a waveform
monitor and vectorscope. It can also
display vertical-interval timecode,
eight channel SDI-embedded audio
level and closed-caption subtitles.

HQLM-3125X complies with BT.2020 WCG

The HDK-73 features include
full digital signal processing

HDR Productions
The Ikegami HDK-73 is a dockable
to the camera head without need
multi-role high-definition camera
for external cables. External devices
designed for SDR and HDR broadcast
such as wireless transmission or a
production. It is available as a
solid-state recorder can be attached
complete system including CCU,
for standalone operation, making the
connecting fibre, viewfinder and
camera suitable for live sports, news
remote control.
gathering or field production.
Image capture is to 2/3-inch
2.6-megapixel CMOS sensors, each
Other highlights
capable of capturing Full HD 1920
Also featuring on the Ikegami APAC
x 1080 resolution images with a
stand will be the company's UHK-430
dynamic range of 600% in normal
3-CMOS UHD camera and HC-HD300
mode and an extremely wide 1200% in
docking-style studio/field camera;
HLG mode, high sensitivity (F13 at 50
Ikegami's HQLM-3120W 31-inch 4K
Hz) and high signal-to-noise ratio. The
master reference monitor and HLMsensors natively support 1080i/59.94
2460WR multi-format 21-inch video
and 1080i/50, as well as 720p/59.94
monitor; the HLM-1760WR 17-inch
and 720p/50 scan formats. Major
video monitor and HLM-960WR multifeatures include full digital signal
format 9-inch video monitor.
processing,
advanced
digital
The Ikegami PF-531A ultra-low
detail correction with independent
latency HD/SD digital microwave
horizontal and vertical correction
link and iHTR optical multiplex fibre
of red, green and blue signals, and
transmission link will also be on
optional anti-moiré filtering.
display.
Hybrid log gamma
processing
is
operator-selectable
for
HDR
picture
origination, enabling
high-contrast
scenes
to be televised with full
picture detail across the
entire brightness range
from highlights, midrange to shaded areas.
The HDK-73's dockable
structure allows studio
configuration with fibre
base stations as well as
self-contained operation
with a camera adapter
for wireless or onsite
recording applications.
PF-531A ultra-low
latency HD/SD digital
A fibre adapter can
microwave link pair
be attached directly


http://www.inbroadcast.com http://www.ikegami.de/hdk-73.html http://www.ikegami.de/monitors.html https://www.ikegami.co.jp/en/archives/menu4/pf-531a http://www.ikegami.de/hdk-99.html

Table of Contents for the Digital Edition of In Broadcast - June 2018

Contents
In Broadcast - June 2018 - Intro
In Broadcast - June 2018 - Cover1
In Broadcast - June 2018 - Cover2
In Broadcast - June 2018 - Contents
In Broadcast - June 2018 - 4
In Broadcast - June 2018 - 5
In Broadcast - June 2018 - 6
In Broadcast - June 2018 - 7
In Broadcast - June 2018 - 8
In Broadcast - June 2018 - 9
In Broadcast - June 2018 - 10
In Broadcast - June 2018 - 11
In Broadcast - June 2018 - 12
In Broadcast - June 2018 - 13
In Broadcast - June 2018 - 14
In Broadcast - June 2018 - 15
In Broadcast - June 2018 - 16
In Broadcast - June 2018 - 17
In Broadcast - June 2018 - 18
In Broadcast - June 2018 - 19
In Broadcast - June 2018 - 20
In Broadcast - June 2018 - 21
In Broadcast - June 2018 - 22
In Broadcast - June 2018 - 23
In Broadcast - June 2018 - 24
In Broadcast - June 2018 - 25
In Broadcast - June 2018 - 26
In Broadcast - June 2018 - 27
In Broadcast - June 2018 - 28
In Broadcast - June 2018 - 29
In Broadcast - June 2018 - 30
In Broadcast - June 2018 - 31
In Broadcast - June 2018 - 32
In Broadcast - June 2018 - 33
In Broadcast - June 2018 - 34
In Broadcast - June 2018 - 35
In Broadcast - June 2018 - 36
In Broadcast - June 2018 - 37
In Broadcast - June 2018 - 38
In Broadcast - June 2018 - 39
In Broadcast - June 2018 - 40
In Broadcast - June 2018 - 41
In Broadcast - June 2018 - 42
In Broadcast - June 2018 - 43
In Broadcast - June 2018 - 44
In Broadcast - June 2018 - 45
In Broadcast - June 2018 - 46
In Broadcast - June 2018 - 47
In Broadcast - June 2018 - 48
In Broadcast - June 2018 - 49
In Broadcast - June 2018 - 50
In Broadcast - June 2018 - 51
In Broadcast - June 2018 - 52
In Broadcast - June 2018 - 53
In Broadcast - June 2018 - 54
In Broadcast - June 2018 - 55
In Broadcast - June 2018 - 56
In Broadcast - June 2018 - 57
In Broadcast - June 2018 - 58
In Broadcast - June 2018 - 59
In Broadcast - June 2018 - 60
In Broadcast - June 2018 - 61
In Broadcast - June 2018 - 62
In Broadcast - June 2018 - 63
In Broadcast - June 2018 - 64
In Broadcast - June 2018 - 65
In Broadcast - June 2018 - 66
In Broadcast - June 2018 - 67
In Broadcast - June 2018 - 68
In Broadcast - June 2018 - 69
In Broadcast - June 2018 - 70
In Broadcast - June 2018 - Cover3
In Broadcast - June 2018 - Cover4
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