In Broadcast - June 2018 - 28

28

www.inbroadcast.com | Vol: 8 - Issue 6 | June 2018

InAPAC

Vitec Group to Showcase
Award-Winning Solutions
With the IP revolution, media companies are rethinking their approach to virtually every
aspect of production, says Dave Dougall, VP of sales, EMEA and Asia, Vitec Group...

P

rompting systems are one example
- but until now, prompting has
relied on USB, video, and serial cables to
connect the controller to the prompting
engine and deliver prompting output
to the monitor. An IP-based operation,
however, requires prompting that
can take maximum advantage of IP's
connectivity, flexibility, ease of use, and
cost efficiencies.
Prompting
At Vitec Group, we understand that
fully IP-enabled prompting should
fit seamlessly into networked and
geographically dispersed IP production
facilities, creating endless opportunities
for broadcast operations to collaborate
across geographies and allocate
resources cost-effectively. Vitec Group
brand Autoscript has made this vision a
reality with Intelligent Prompting, the
industry's first teleprompting system
designed around an IP-enabled workflow
that can also accommodate video
workflows.
At BroadcastAsia 2018, we'll be
showcasing new products in the
IPS range for Intelligent Prompting
- including EVO-IPS, the world's
first all-IP prompting monitor, and
WinPlus-IPS software, a simple-butpowerful prompting application for
smaller productions. The combination
of WinPlus-IPS and EVO-IPS packages
the power of Intelligent Prompting in
a cost-effective, easy-to-install, and
easy-to-use solution that's perfect for
smaller IP-based studios as well as
corporate, educational, and government
productions.
As the world's first IP-only prompt
monitor, the EVO-IPS offers a simple and

Gemini is an agile
2x1 LED soft light

because the power supply is built-in. The
production-friendly soft panel can also
deliver full-intensity, mobile-powered
operation under battery only; an ideal
complement is the Anton/Bauer CINE
VCLX battery. Users can operate every
function of Gemini with its intuitive onboard controls and user interface with
multiple control options.

flowtech 75 is lightweight
and easy to transport

flexible workflow, connecting directly
to the user's choice of WinPlus-IP
or WinPlus-IPS software over an IP
network and displaying smooth scroll
prompter video without the need for
an additional scroll engine. Connecting
over an IP network to a single controller,
WinPlus-IPS employs many of the
features of WinPlus-IP, Autoscript's
premier prompting software - including
a modern, customisable user interface,
super-smooth scroll preview, and live
script editing. Users can
connect any number of
EVO-IPS monitors and XBoxIP scroll engines.
Lighting
But prompting isn't our only
focus at BroadcastAsia 2018.
The Vitec Group will also present the
new Gemini from Litepanels, the most
accurate and agile 2x1 LED soft light in
the industry. Gemini eliminates the need
for colour correction by offering fullspectrum white light that's perfect for
lighting talent and rendering exceptional
colour. Lighting professionals can "go
bold" by lighting with any colour
in the 360-degree colour wheel
and popular gels within Gemini's
colour modes. Plus, Gemini's latest
firmware upgrade allows for a
variety of cinematic effects such as
emergency lights, fire, TV, and hue
bursts that are fully customisable
and that can be easily saved to
presets.
Gemini's
versatile,
ballast-free,
lightweight design allows the light to be
rigged more easily, requiring less cabling

Support
Also at BroadcastAsia 2018, Vitec
Group brands Sachtler and Vinten will
demonstrate flowtech, a truly gamechanging tripod for accelerating camera
operators' workflows on any type of
broadcast, film, or video project. Fresh
from winning an impressive array of
awards at the 2018 NAB Show, including
a prestigious IABM BaM Award, flowtech
is an all-new carbon fibre technology
with the world's fastest-deploying legs,
unique quick-release brakes, and easily
adjustable levers for quick and easy
setup in any type of remote production
environment. At BroadcastAsia 2018,
Sachtler and Vinten will showcase

EVO-IPS is an all-IP
prompting monitor

flowtech technology with the flowtech
75 tripod, compatible with all major
75-millimetre fluid heads.
flowtech offers a set of two-stage
legs with an easy-to-remove midlevel
spreader, rubber feet, and a payload
capacity of 20kg (44lbs). The quickrelease brakes enable legs to be
deployed simultaneously and adjust
automatically to the ground's surface,
saving operators from bending over and
manually adjusting multiple brakes on
each leg.
A unique hinge-lock mechanism allows
users to capture extremely low, groundlevel shots, removing the need for extra
"baby legs." Lightweight and easy to
transport, flowtech 75 can be carried
comfortably on the camera operator's
shoulder, with magnetic locks keeping
the legs stable during transport. Plus,
flowtech now features two optional
accessories - a detachable carry handle
and a compact and lightweight dolly.
Another headlining Vinten solution on
display at BroadcastAsia 2018 will be the
Vinten Vantage, an award-winning pan/
tilt robotic camera head that enables
broadcast-quality video and superior
motion control at the same price point
as a traditional pan-tilt-zoom head.
In a compact and lightweight form
factor, Vantage enables customers to
choose the camera and lens that meet
their requirements, ensuring that they
can match manual camera positions,
work over long distances, and manage
low-light conditions. Vinten will also
showcase an all-new external lens drive
option that significantly increases the
number of lenses that can be used on
Vantage-mounted cameras and delivers
full servo functionality, including virtual
reality tracking, to manual lenses.
'Sought-after brands'
At The Vitec Group, we're proud to
have brought together the world's most
respected, innovative, and sought-after
brands dedicated to enabling the capture
and sharing of exceptional images.
We're looking forward to showing
BroadcastAsia attendees why The Vitec
Group solutions are the preferred choice
of broadcasters, cinematographers, and
photographic professionals.


http://www.inbroadcast.com https://www.sachtler.com/ https://www.autoscript.tv/ http://www.litepanels.com/en-GB/

Table of Contents for the Digital Edition of In Broadcast - June 2018

Contents
In Broadcast - June 2018 - Intro
In Broadcast - June 2018 - Cover1
In Broadcast - June 2018 - Cover2
In Broadcast - June 2018 - Contents
In Broadcast - June 2018 - 4
In Broadcast - June 2018 - 5
In Broadcast - June 2018 - 6
In Broadcast - June 2018 - 7
In Broadcast - June 2018 - 8
In Broadcast - June 2018 - 9
In Broadcast - June 2018 - 10
In Broadcast - June 2018 - 11
In Broadcast - June 2018 - 12
In Broadcast - June 2018 - 13
In Broadcast - June 2018 - 14
In Broadcast - June 2018 - 15
In Broadcast - June 2018 - 16
In Broadcast - June 2018 - 17
In Broadcast - June 2018 - 18
In Broadcast - June 2018 - 19
In Broadcast - June 2018 - 20
In Broadcast - June 2018 - 21
In Broadcast - June 2018 - 22
In Broadcast - June 2018 - 23
In Broadcast - June 2018 - 24
In Broadcast - June 2018 - 25
In Broadcast - June 2018 - 26
In Broadcast - June 2018 - 27
In Broadcast - June 2018 - 28
In Broadcast - June 2018 - 29
In Broadcast - June 2018 - 30
In Broadcast - June 2018 - 31
In Broadcast - June 2018 - 32
In Broadcast - June 2018 - 33
In Broadcast - June 2018 - 34
In Broadcast - June 2018 - 35
In Broadcast - June 2018 - 36
In Broadcast - June 2018 - 37
In Broadcast - June 2018 - 38
In Broadcast - June 2018 - 39
In Broadcast - June 2018 - 40
In Broadcast - June 2018 - 41
In Broadcast - June 2018 - 42
In Broadcast - June 2018 - 43
In Broadcast - June 2018 - 44
In Broadcast - June 2018 - 45
In Broadcast - June 2018 - 46
In Broadcast - June 2018 - 47
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In Broadcast - June 2018 - 49
In Broadcast - June 2018 - 50
In Broadcast - June 2018 - 51
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In Broadcast - June 2018 - 53
In Broadcast - June 2018 - 54
In Broadcast - June 2018 - 55
In Broadcast - June 2018 - 56
In Broadcast - June 2018 - 57
In Broadcast - June 2018 - 58
In Broadcast - June 2018 - 59
In Broadcast - June 2018 - 60
In Broadcast - June 2018 - 61
In Broadcast - June 2018 - 62
In Broadcast - June 2018 - 63
In Broadcast - June 2018 - 64
In Broadcast - June 2018 - 65
In Broadcast - June 2018 - 66
In Broadcast - June 2018 - 67
In Broadcast - June 2018 - 68
In Broadcast - June 2018 - 69
In Broadcast - June 2018 - 70
In Broadcast - June 2018 - Cover3
In Broadcast - June 2018 - Cover4
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