In Broadcast - May 2018 - 66

66

www.inbroadcast.com | Vol: 8 - Issue 5 | May 2018

InFocus

FUJINON Adds to 4K HDR
Zoom Lenses
The FUJINON 4K HDR lens range from FUJIFILM has been further
enhanced, with a prototype recently showcased at NAB 2018...

T

he additions - the UA46x9.5B and
UA46x13.5B - join the company's
Premier UA Series of UHD 2/3-inch
lenses. A newly designed OS-TECH
image stabiliser provides advanced
image stabilisation and makes the new
UA46x zooms ideal for sports, wildlife,
and documentary production. Versions
of each lens will be available for studio,
wildlife, remote control and gyrostabilised productions.
Also enhanced with a fresh design is
the Digital Full Servo Drive Unit, which
now features 16-bit encoding for highly
accurate local or remote operation of
the zoom, focus or iris. The drive unit
offers a "Virtual Connector," which
outputs the lens' positional data.
The two new lenses feature 4K Ultra
HD and HDR optical performance
throughout the entire zoom range.
The UA46x9.5B features a 46x zoom
ratio and a wide angle from 9.5 to
437mm (19 to 874mm w/2x) with an
F2.0 aperture, while the "Tele" version
UA46x13.5B lens also features a 46x
zoom ratio and a telephoto reach from
13.5 to 621mm (27 to 1242mm w/2x)
with an F2.8 aperture.
The
lenses
employ
High
Transmittance Electron Beam Coating
(HT-EBC), resulting in richer colours
and improved blue response and
transmittance. They both achieve 4K
UHD optical performance from centre
to corner throughout the zoom range
while suppressing image distortion,
due to a multi-group zoom system.
Availability for both the UA46x9.5B
and UA46x13.5B is planned for late
2018.
Lightweight: UA24x7.8

Another NAB highlight included the
UA24x7.8 lens as it made its Vegas
debut. With a total
length of 8.68ins
(220.5mm)
and
4.36lbs (1.98kg)
weight,
the
UA24x7.8 zoom
is the smallest
and lightest 4K
HDR
broadcast
lens. Its compact
body offers a 24x high
magnification zoom, covering
a focal length from the wide angle of
7.8mm to 187mm (374 with the 2x
extender). The portable lens enables
users to shoot high-resolution video
in environments requiring significant
mobility and extended shoulder time,
such as live sports news and reality TV.
"The adoption of HDR by
broadcasters is poised for rapid
acceptance, and it's a trend we are
in a unique position to address,"
said Thomas Fletcher, Director of
Marketing for FUJIFILM Optical Devices
in North America. "Our high-contrast,
high-quality lenses are ideal for HDR.
Given the colour science expertise of
FUJIFILM with its motion picture film
history, the FUJINON lenses are not
only 4K but also produce brilliant,
bright, eye-popping HDR images."
The Premier UA Series of 4K 2/3inch lenses are designed specifically
for UHD broadcast applications. Other
handheld zooms in the line-up include
the UA14x4.5, UA18x5.5, UA13x4.5 and
UA22x8 lenses. The UA27x6.5 studio
lens and field lenses, the UA80x9 and
UA107x8.4, complete the series.
Third-party
providers
introduced solutions for
owners of FUJINON MK
lenses, with additional
camera
mounts
found to be
one of the most
popular accessories.
On display at the FUJIFILM
booth was Duclos Lenses' FZ
mount, which allows the lens
to work with Sony F5 and F55
cameras.

Fujinon UA46x9.5B

M T F
Service's
Micro Four Thirds
mount for the MK
series was also shown
and allows for use on
Panasonic, JVC, and other
manufacturers' cameras. In
addition, the new Duclos 1.7x expander
enables the FUJINON Cabrio and
Premier Series Super 35mm zooms
to be used on the latest larger sensor
cameras, such as Sony's VENICE, RED's
8K Vista Vision, and the ARRI ALEXA
LF. With fast T-stops and exceptional
optical performance, the HK Premier
lenses are PL-mount zooms poised
for both current and emerging digital
cinematography trends.
FUJIFILM's
Electronic
Imaging
Division also featured at NAB2018
and focused on the new FUJIFILM
X-H1 camera and the FUJINON MKX1855mmT2.9 and FUJINON MKX50135mmT2.9 cinema lenses for X Mount.
The X-H1 is the first in the X
Series line to feature in-body
image stabilisation and produces
uncompromised image quality and
precision when combined with
compensating
mechanisms.
The
camera offers features to support
movie production, including ETERNA,
a new film simulation mode that

Duclos 1.7x expander

is ideal for shooting movies. In
addition, the X-H1 delivers functional
and performance improvements to
video image quality, including the
1080/120p high-speed video mode
(1/2, 1/4 and 1/5 speed slow motion)
for recording slow-motion footage;
F-Log SD card recording which aids
smooth workflow; a DCI 4K shooting
mode (4096×2160); a 400% dynamic
range setting (approximately 12 stops);
200 Mbps high bit rate recording;
a
high-sound
quality
internal
microphone (24 bit/48 kHz); and
verbal time codes.
The X Mount FUJINON MKX1855mmT2.9 and FUJINON MKX50135mmT2.9 cinema lenses are
compatible with all FUJIFILM X Series
interchangeable system cameras and
offer a lightweight and compact design
with the same optical performance
and operability as larger cinema
lenses in their class. They cover 18135mm and achieve a constant T2.9
aperture across the zoom range.
With the new lenses, the optical and
mechanical approach employed is
ideal for video shooting, allowing for
elimination of time lag that is usually
experienced with electrical control
systems, suppression of focus shifts
while zooming, and reduction of lens
breathing to ensure continuous sharp
output.


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Table of Contents for the Digital Edition of In Broadcast - May 2018

Contents
In Broadcast - May 2018 - Intro
In Broadcast - May 2018 - Cover1
In Broadcast - May 2018 - Cover2
In Broadcast - May 2018 - Contents
In Broadcast - May 2018 - 4
In Broadcast - May 2018 - 5
In Broadcast - May 2018 - 6
In Broadcast - May 2018 - 7
In Broadcast - May 2018 - 8
In Broadcast - May 2018 - 9
In Broadcast - May 2018 - 10
In Broadcast - May 2018 - 11
In Broadcast - May 2018 - 12
In Broadcast - May 2018 - 13
In Broadcast - May 2018 - 14
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In Broadcast - May 2018 - 18
In Broadcast - May 2018 - 19
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In Broadcast - May 2018 - 22
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In Broadcast - May 2018 - 24
In Broadcast - May 2018 - 25
In Broadcast - May 2018 - 26
In Broadcast - May 2018 - 27
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In Broadcast - May 2018 - 31
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In Broadcast - May 2018 - 63
In Broadcast - May 2018 - 64
In Broadcast - May 2018 - 65
In Broadcast - May 2018 - 66
In Broadcast - May 2018 - 67
In Broadcast - May 2018 - Cover3
In Broadcast - May 2018 - Cover4
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