In Broadcast - May 2018 - 48

48

www.inbroadcast.com | Vol: 8 - Issue 5 | May 2018

InForm

GLOOKAST Creates Shared Storage
Intelligent Media Hub With Launch Of
glooport media|flex
G

LOOKAST, an innovator in MXF
workflow solutions for broadcast,
drama production and business
continuity, has announced the launch
of glooport media|flex for NEXIS, a
shared storage intelligence layer fully
integrated with Avid NEXIS to create a
flexible media hub.
As an Avid Alliance partner, GLOOKAST
has maintained a strong collaborative
relationship with Avid for several
years, enabling the company to
deliver a host of benefits to Avid
users, including improved workflows
and significant time and cost savings,
resulting in increased efficacy. The
latest development as a result of this,
is the launch of the new glooport
media|flex for NEXIS.
The new media|flex for NEXIS is
based on the same technology and
distributed services of the glooport

family, but optimised for use with Avid
NEXIS. It is the first shared storage
intelligence layer that addresses
most of the common workflow and
operational issues experienced in
the absence of an asset management
platform, as well as the challenges
associated with the increasing
dynamism of production and postproduction
workflows.
Designed
specifically for Avid NEXIS, media|flex
can be installed using a single server
and allows for multiple simultaneous
jobs.
With glooport media|flex, the workflow
possibilities are endless, and include
transcode into a mezzanine codec
while ingesting, park into a nearline,
retrieve only what you need,
ingest simultaneously in OPAtom and OP1a (allowing
editing in both Media

Composer and Premiere), outgest from
parked content and transcode while
distributing to multiple platforms.
"Historically, small and mid-size
content producers had to choose
between limited functionality or
the investment and complexity of
a MAM-based infrastructure", said
Guilherme Silva, Co-founder and CEO

at GLOOKAST, "media|flex for NEXIS
provides content producers with tools
to enable optimised workflows with
unprecedented efficiency".
Established in 2009, GLOOKAST is
redefining MXF-based broadcast,
drama production, and business
continuity workflows.
Gloobox and glooport family of
products were developed from
ground up with key capabilities
to address news, sports, archive,
disaster recovery, and post-production
workflows.
With a set of modular and highly
customisable tools, GLOOKAST makes
implementation of true multi-format,
multi-resolution workflows a reality.
GLOOKAST products are widely used
by broadcasters, content producers,
universities, and post-production
facilities in the USA, Latin America
and Europe.

Guilherme Silva, CEO

ChyronHego Presents Virtualised
NAB Production
A

t NAB, ChyronHego presented the
first-ever fully software-based
studio production to be broadcast live
from a trade show floor.
Showcasing the company's range of
live production software products, the
ChyronHego Live Studio Show ran in
a completely virtualised environment
and was broadcast in two parallel
production workflows: as a traditional
ground-based SDI production and
running in a private datacentre
powered by Cisco.
"Nothing speaks 'proof of concept'
louder than a real-world, working
production, and that's why we're so
excited about our Live Studio Show,"
said Jesper Gawell, Chief Marketing
Officer, ChyronHego. "Not only are
we showcasing everything producers
need for an end-to-end, all-software
production, but we've put together
a truly compelling lineup of editorial
content that will be of great value to
NAB attendees."
The ChyronHego Live Studio Show

offers a dynamic, real-world example
of the CAMIO Universe for News
Production - the company's allsoftware ecosystem that drives
template-based,
producer-driven
workflows using IT-based technologies.
ChyronHego's
Live
Compositor
platform, a scalable and intuitive
software solution for multicamera
productions, was served up real-time
graphics and clips from the LyricX 3.2
graphics creation and playout solution
and PRIME 3.0 graphics platform. In
addition, the production showcased
next-generation
virtual sets based on
ChyronHego's augmented
reality
graphics
and
robotics systems, driven by
the fully integrated Unreal
Engine from Epic Games.
"With the CAMIO Universe,
we've reinvented news
production by placing
the
industry's
most
powerful software tools

at news producers' fingertips - giving
them everything they need to tell
stories in highly compelling ways, as
cost-effectively as possible," Gawell
commented.
"Tools such as Live Compositor make
these end-to-end, producer-driven
workflows even more versatile,
flexible, and cost-effective."
The three-camera Live Studio Show
was broadcast throughout the 2018
NAB Show and featured a carefully
curated lineup of interviews, panel
discussions, and special presentations
by ChyronHego staff, partners, and
customers.
Scheduled presenters including Major

League Baseball Advanced Media,
Miami's WTLV, Nikon, Lawo, and many
more - described their experiences
and integrations with the ChyronHego
solutions.
All segments were streamed to
ChyronHego's Facebook page, and
recorded versions are available for
viewing.
Gawell added: "Our message to our
customers is that fully virtualised
production is not just the wave of the
future, it's a technical reality now. But
even if you're not ready to make that
move yet, we can support you with
a ground-based solution today - and
we'll be on the journey with you once
you begin the migration
to
an
all-virtualised
infrastructure. And with
features like softwarebased control panels, we
democratise production by
making it easy for anyone
to create compelling live
video content."
Fully software-based studio
production from ChyronHego


http://www.inbroadcast.com http://www.glookast.com/ https://chyronhego.com/ https://chyronhego.com/

Table of Contents for the Digital Edition of In Broadcast - May 2018

Contents
In Broadcast - May 2018 - Intro
In Broadcast - May 2018 - Cover1
In Broadcast - May 2018 - Cover2
In Broadcast - May 2018 - Contents
In Broadcast - May 2018 - 4
In Broadcast - May 2018 - 5
In Broadcast - May 2018 - 6
In Broadcast - May 2018 - 7
In Broadcast - May 2018 - 8
In Broadcast - May 2018 - 9
In Broadcast - May 2018 - 10
In Broadcast - May 2018 - 11
In Broadcast - May 2018 - 12
In Broadcast - May 2018 - 13
In Broadcast - May 2018 - 14
In Broadcast - May 2018 - 15
In Broadcast - May 2018 - 16
In Broadcast - May 2018 - 17
In Broadcast - May 2018 - 18
In Broadcast - May 2018 - 19
In Broadcast - May 2018 - 20
In Broadcast - May 2018 - 21
In Broadcast - May 2018 - 22
In Broadcast - May 2018 - 23
In Broadcast - May 2018 - 24
In Broadcast - May 2018 - 25
In Broadcast - May 2018 - 26
In Broadcast - May 2018 - 27
In Broadcast - May 2018 - 28
In Broadcast - May 2018 - 29
In Broadcast - May 2018 - 30
In Broadcast - May 2018 - 31
In Broadcast - May 2018 - 32
In Broadcast - May 2018 - 33
In Broadcast - May 2018 - 34
In Broadcast - May 2018 - 35
In Broadcast - May 2018 - 36
In Broadcast - May 2018 - 37
In Broadcast - May 2018 - 38
In Broadcast - May 2018 - 39
In Broadcast - May 2018 - 40
In Broadcast - May 2018 - 41
In Broadcast - May 2018 - 42
In Broadcast - May 2018 - 43
In Broadcast - May 2018 - 44
In Broadcast - May 2018 - 45
In Broadcast - May 2018 - 46
In Broadcast - May 2018 - 47
In Broadcast - May 2018 - 48
In Broadcast - May 2018 - 49
In Broadcast - May 2018 - 50
In Broadcast - May 2018 - 51
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In Broadcast - May 2018 - 55
In Broadcast - May 2018 - 56
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In Broadcast - May 2018 - 62
In Broadcast - May 2018 - 63
In Broadcast - May 2018 - 64
In Broadcast - May 2018 - 65
In Broadcast - May 2018 - 66
In Broadcast - May 2018 - 67
In Broadcast - May 2018 - Cover3
In Broadcast - May 2018 - Cover4
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