In Broadcast - May 2018 - 45

45

www.inbroadcast.com | Vol: 8 - Issue 5 | May 2018

InForm

ProRes RAW On Atomos Recorders

P

roRes RAW is now available
for Atomos recorders. When
combined with the latest version of
Final Cut Pro, it delivers a powerful new
RAW workflow.
With usability built in, ProRes RAW
combines the flexibility of RAW video
with the performance of ProRes.
Users can import, edit and grade
pristine video with RAW data straight
from a camera sensor without slowing
down an edit. The RAW files provide
maximum flexibility for adjusting
the look of a video, while extending
brightness & shadow detail.
ProRes RAW also preserves the
deepest black to the brightest white

Atomos' Ninja V unit

and every colour imaginable
ProRes RAW range
from a sensor, making it a solid
combination for HDR workflows.
Furthermore, performance is
optimised for macOS, so editors
can play full-quality 4K ProRes
RAW files on MacBook Pro
and iMac systems in real time
without rendering. Final Cut Pro
10.4.1 is required.
Atomos devices are currently
the only monitor/recorders to
offer ProRes RAW, with pristine
recording direct from the
sensor output of Panasonic, Sony and When combined with Final Cut Pro,
Canon cinema cameras.
editors can work natively with ProRes
To benefit from the technology, RAW and ProRes RAW HQ files created
users need to install the free AtomOS by Atomos recorders. The benefits of
9 upgrade on the Atomos Shogun the new RAW end-to-end workflow are
Inferno or Sumo19 monitor/recorders, available immediately.
connect to one of the nine supported At NAB, Atomos introduced its Ninja
cinema cameras available, and begin V - 5.2-inch 4Kp60 HDR daylightrecording in ProRes RAW and ProRes viewable 1000nit monitor/recorder.
RAW HQ. Apple has previously said Its sleek modern design weighs-in at
that ProRes RAW files are smaller than just over 320g (11oz) and it is billed as
ProRes 4444 files and as a result, this perfect for mirrorless cameras, DSLRs
enables editors to make better use of and gaming.
storage while providing an archival The near edge-to-edge high bright
format.
5.2-inch screen has an anti-reflection

finish - allowing users to clearly see
their images even in daylight. The
colour-accurate display with AtomHDR
enables HDR viewing, or the loading of
creative LUTs at the touch of a button.
Ninja V provides critical monitoring
tools including histogram, false colour,
peaking, movable 1-1 and 2-1 pixel
magnification, waveform, RGB parade,
Vector scope, and eight channel audio
level meters.
It records in up to 4Kp60 10-bit video
over HDMI 2.0 in edit-ready Apple
ProRes or Avid DNxHR direct to SSD
drives.


http://www.inbroadcast.com https://www.atomos.com/proresraw https://www.atomos.com/ninjav http://www.cavena.com http://exhibitors.ubmasia.com/ConnecTechAsia2018/en-US/exhibitor/141574/cavena-image-products-ab http://www.cavena.com

Table of Contents for the Digital Edition of In Broadcast - May 2018

Contents
In Broadcast - May 2018 - Intro
In Broadcast - May 2018 - Cover1
In Broadcast - May 2018 - Cover2
In Broadcast - May 2018 - Contents
In Broadcast - May 2018 - 4
In Broadcast - May 2018 - 5
In Broadcast - May 2018 - 6
In Broadcast - May 2018 - 7
In Broadcast - May 2018 - 8
In Broadcast - May 2018 - 9
In Broadcast - May 2018 - 10
In Broadcast - May 2018 - 11
In Broadcast - May 2018 - 12
In Broadcast - May 2018 - 13
In Broadcast - May 2018 - 14
In Broadcast - May 2018 - 15
In Broadcast - May 2018 - 16
In Broadcast - May 2018 - 17
In Broadcast - May 2018 - 18
In Broadcast - May 2018 - 19
In Broadcast - May 2018 - 20
In Broadcast - May 2018 - 21
In Broadcast - May 2018 - 22
In Broadcast - May 2018 - 23
In Broadcast - May 2018 - 24
In Broadcast - May 2018 - 25
In Broadcast - May 2018 - 26
In Broadcast - May 2018 - 27
In Broadcast - May 2018 - 28
In Broadcast - May 2018 - 29
In Broadcast - May 2018 - 30
In Broadcast - May 2018 - 31
In Broadcast - May 2018 - 32
In Broadcast - May 2018 - 33
In Broadcast - May 2018 - 34
In Broadcast - May 2018 - 35
In Broadcast - May 2018 - 36
In Broadcast - May 2018 - 37
In Broadcast - May 2018 - 38
In Broadcast - May 2018 - 39
In Broadcast - May 2018 - 40
In Broadcast - May 2018 - 41
In Broadcast - May 2018 - 42
In Broadcast - May 2018 - 43
In Broadcast - May 2018 - 44
In Broadcast - May 2018 - 45
In Broadcast - May 2018 - 46
In Broadcast - May 2018 - 47
In Broadcast - May 2018 - 48
In Broadcast - May 2018 - 49
In Broadcast - May 2018 - 50
In Broadcast - May 2018 - 51
In Broadcast - May 2018 - 52
In Broadcast - May 2018 - 53
In Broadcast - May 2018 - 54
In Broadcast - May 2018 - 55
In Broadcast - May 2018 - 56
In Broadcast - May 2018 - 57
In Broadcast - May 2018 - 58
In Broadcast - May 2018 - 59
In Broadcast - May 2018 - 60
In Broadcast - May 2018 - 61
In Broadcast - May 2018 - 62
In Broadcast - May 2018 - 63
In Broadcast - May 2018 - 64
In Broadcast - May 2018 - 65
In Broadcast - May 2018 - 66
In Broadcast - May 2018 - 67
In Broadcast - May 2018 - Cover3
In Broadcast - May 2018 - Cover4
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