In Broadcast - April 2018 - 38

38

www.inbroadcast.com | Vol: 8 - Issue 4 | April 2018

InForm

APT Mobile SureStreamer
Delivering Robust IP Audio Remotes
W

orldCast
Systems
has
announced the launch of a new
solution to improve the quality and
reliability of IP audio remotes for NAB
2018.
The APT Mobile SureStreamer,
designed by WorldCast Systems'
APT Codec division, can be used to
maximise the uptime and broadcast
quality of existing hardware or
software audio codecs over 3G/4G
networks. Such networks are more
readily available and affordable
than traditional options for remotes
such as ISDN but they often fail to
deliver the quality and reliability that
broadcasters previously enjoyed.
The APT Mobile SureStreamer
employs SureStream technology,
the industry-leading approach to
redundant streaming widely used in
Studio-Transmitter links worldwide
and applies it to remote and outside
broadcast
applications.
With
SureStream on-board, the Mobile
SureStreamer can deliver enhanced

multi-path streaming over two or more
redundant networks to achieve the
reliability and broadcast audio quality
more traditionally associated with T1
and ISDN connections. The system
ensures that no glitches or audio
drop-outs are heard even when
using the most unreliable of IP
connections.
Supplied in a protective,
lightweight portable case,
the Mobile SureStreamer
features four universal
Ethernet ports allowing
connection
to
any
type
of
network
access including the
two 3G/4G modems
supplied. It will work
with hardware codecs
or
app-based
software
codecs on your phone to provide a
direct connection to any SureStreamenabled decoder or to the rack-mount
SureStreamer in your studio.
The APT Mobile SureStreamer can be

APT Mobile SureStreamer

fully pre-configured in the studio so
non-technical personnel and talent in
the field can connect immediately on
start-up.
Commenting on the launch of this

new solution, APT Product Manager,
Hartmut Förster said: "We have
continued to develop and refine
SureStream over several years
and submit it to regular tests on
the most unreliable of internet
connections to ensure it remains
the 'golden standard' for audio
over IP connections. Now, with
the launch of the Mobile
SureStreamer
we
can
offer the same level of
performance to those
broadcasting on the
go."
For those working
in other fields
outside
Radio,
the
APT
Mobile
SureStreamer
can
also be deployed to protect UDP
video and live media streams using
SureStream.
The APT Mobile SureStreamer will be
available for demo on the WorldCast
Systems' Booth at NAB.

ENCO And Broadcast Pix
Empower Workflows
T

wo of the industry's most creative
innovators have formed a fully
integrated yet affordable TV newsroom
workflow that for the first time brings
all the functionality higher-end stations
require to broadcasters of any scale.
ENCO, a leader in automated
broadcast and production workflows,
and Broadcast Pix, the pioneer of
integrated production and control
systems, have come together to deliver
a flexible, cost-effective newsroom
production and playout solution that
supports the MOS (Media Object
Server) protocol, and interfaces with
Newsroom Computer Systems (NRCS).
ENCO and Broadcast Pix, which have
previously teamed to empower
automated production for Visual
Radio, are globally renowned for their
leadership in price-to-performance
balance.
Both companies excel in providing
customers with technically advanced
solutions that drive new business
models, while reducing labour and

equipment costs in the broadcast
workflow.
At NAB, ENCO and Broadcast Pix will
highlight their new TV Newsroom
workflow at their respective booths,
along with a previously-introduced
integrated solution for Visual Radio.
The TV Newsroom workflow integrates
ENCO's MOM (Media Operations
Manager) automated video playout
with Broadcast Pix IP-based integrated
production switchers, providing all
the functionality higher-end stations
require while remaining affordable
and accessible to all customers.
Direct integration with MOM ensures
that Broadcast Pix customers benefit
from the automated playout, MOSgateway capabilities, and Newsroom
Computer System (NRCS) features
inherent in ENCO's automated
solutions.
This allows journalists and news
producers to access MOM asset
libraries directly from within the
NRCS user interface, and incorporate

MOM elements like
graphics,
audio
and video into
scripts. Rundowns
are automatically
synchronised with
the MOM system,
which can then play
out assets.
MOM
customers MOM in Monitor
also benefit from the NewBlueNTX
proprietary motion graphics, titling
and visual effects capability that
Broadcast Pix has integrated across its
BPswitch product line.
The new TV Newsroom workflow
solution marks an evolution in the
ENCO and Broadcast Pix professional
relationship. The two companies
previously collaborated to simplify
control of Broadcast Pix video switcher
sources in automated workflows for TV
and Visual Radio.
The latter is particularly interesting to
radio broadcasters seeking a way to
engage streaming audiences through

a dynamic multimedia experience
delivered over web and social media
platforms. When fully integrated,
Visual Radio combines ENCO's DAD
radio automation and Presenter
Management for radio playout, with
multi-camera
studio
production
capabilities developed by Broadcast
Pix.
By leveraging both companies'
respective
technologies,
Visual
Radio offers built-in intelligence
that eliminates some of the more
complex tasks traditionally associated
with high-end, studio-based video
production.


http://www.inbroadcast.com https://www.worldcastsystems.com/fr/c57p104/transport-sur-ip-securise/apt-mobile-surestreamer http://www.enco.com/

Table of Contents for the Digital Edition of In Broadcast - April 2018

Contents
In Broadcast - April 2018 - Intro
In Broadcast - April 2018 - Cover1
In Broadcast - April 2018 - Cover2
In Broadcast - April 2018 - Contents
In Broadcast - April 2018 - 4
In Broadcast - April 2018 - 5
In Broadcast - April 2018 - 6
In Broadcast - April 2018 - 7
In Broadcast - April 2018 - 8
In Broadcast - April 2018 - 9
In Broadcast - April 2018 - 10
In Broadcast - April 2018 - 11
In Broadcast - April 2018 - 12
In Broadcast - April 2018 - 13
In Broadcast - April 2018 - 14
In Broadcast - April 2018 - 15
In Broadcast - April 2018 - 16
In Broadcast - April 2018 - 17
In Broadcast - April 2018 - 18
In Broadcast - April 2018 - 19
In Broadcast - April 2018 - 20
In Broadcast - April 2018 - 21
In Broadcast - April 2018 - 22
In Broadcast - April 2018 - 23
In Broadcast - April 2018 - 24
In Broadcast - April 2018 - 25
In Broadcast - April 2018 - 26
In Broadcast - April 2018 - 27
In Broadcast - April 2018 - 28
In Broadcast - April 2018 - 29
In Broadcast - April 2018 - 30
In Broadcast - April 2018 - 31
In Broadcast - April 2018 - 32
In Broadcast - April 2018 - 33
In Broadcast - April 2018 - 34
In Broadcast - April 2018 - 35
In Broadcast - April 2018 - 36
In Broadcast - April 2018 - 37
In Broadcast - April 2018 - 38
In Broadcast - April 2018 - 39
In Broadcast - April 2018 - 40
In Broadcast - April 2018 - 41
In Broadcast - April 2018 - 42
In Broadcast - April 2018 - 43
In Broadcast - April 2018 - 44
In Broadcast - April 2018 - 45
In Broadcast - April 2018 - 46
In Broadcast - April 2018 - 47
In Broadcast - April 2018 - 48
In Broadcast - April 2018 - 49
In Broadcast - April 2018 - 50
In Broadcast - April 2018 - 51
In Broadcast - April 2018 - 52
In Broadcast - April 2018 - 53
In Broadcast - April 2018 - 54
In Broadcast - April 2018 - 55
In Broadcast - April 2018 - 56
In Broadcast - April 2018 - 57
In Broadcast - April 2018 - 58
In Broadcast - April 2018 - 59
In Broadcast - April 2018 - 60
In Broadcast - April 2018 - 61
In Broadcast - April 2018 - 62
In Broadcast - April 2018 - 63
In Broadcast - April 2018 - 64
In Broadcast - April 2018 - 65
In Broadcast - April 2018 - Cover3
In Broadcast - April 2018 - Cover4
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