In Broadcast - March 2018 - 42

42

www.inbroadcast.com | Vol: 8 - Issue 3 | March 2018

InForm

Tedial To Introduce Smart LIVE
T

edial is to introduce Smart LIVE
at NAB 2018, its comprehensive
live event support tool and a major
breakthrough in sports production.
Smart LIVE leverages Artificial
Intelligence (AI) tools to increase
the number of highlights created
automatically,
thus
reducing
production costs and boosting
revenues for production companies.
What makes Smart LIVE unique
in the industry? Before any action
happens, Smart LIVE ingests a
LIVE data feed and automatically
creates an event inside its metadata
engine.
Simultaneously
Smart
LIVE automatically creates the
corresponding log sheets, the player
grids and a schedule of the event.
All these preparations are linked
and organised by collections, so an
entire season of sports events can be
prepared automatically in advance.
During events, live data is ingested,
and the system can be configured
to automatically create clips based
on actions, keywords or logged
occurrences. Smart LIVE automatically
pushes content to AI engines;

video
and
audio
recognition can be
leveraged to generate
additional
locator
data and annotate
the media proxies.
And the system can
automatically publish
clips or push content to
social media platforms.
Jerome Wauthoz, VP
of Products for Tedial
said: "We couldn't
be more excited to
bring
broadcasters,
rights holders, clubs,
federations, or any organisation
involved in live production a
ground-breaking paradigm that will
dramatically transform the way they
automate clips and deliver content
across numerous platforms, including
social media. By tightly integrating
with AI tools, Smart LIVE can generate
an increased number of highlights
during or after an event, and deliver
to a very targeted audience increasing
the potential for significant growth in
fan engagement."

Smart LIVE's powerful metadata
engine can easily be configured to
create an automatic metadata ingest
process addressing demanding and
complex sport workflows. Smart LIVE
dramatically increases the utility of the
MAM GUI interface, bringing the MAM
much closer to LIVE production than
ever before.
Smart LIVE is compatible with PAM
providers such as SAM or EVS. It
can then manage the media lifecycle or media movements between

RUSHWORKS' Uniquely
Simple Solutions
R

USHWORKS will demonstrate a
line-up of 'Keep It Super Simple'
solutions at NAB, combining powerful
but simple to use feature sets and
functionality that insure high-quality
production for TV, radio and Internet -
on a budget that virtually anyone can
afford.
RUSHWORKS President Rush Beesley
said that RUSHWORKS is the "very
definition of different, with unique
technology that empowers a single
operator to create sophisticated multicamera video productions with no
compromise in technical or production
value."
He added that the gear was "so userfriendly that even non-techies can
operate it".
The line-up of new, upgraded and
enhanced products are:
A-LIST Streamster: Recognising the
increase in demand for OTT content
management
and
distribution,
RUSHWORKS has created an "IP only"

configuration of its industry-leading
A-LIST Broadcast Automation System.
The tiny form factor supports URL
and NDI input and output, making this
scheduling and playback engine the
technology of choice for Internet TV
stations.
3n1 Multi-Function Video Camera:
RUSHWORKS now offers a camera
with three functions in one
form factor: an HD-SDI PTZ
with 20x or 30x lens, a
wide angle HD-SDI camera,
and the ability to auto-track
single targets. With exceptional lowlight capability, it's ideal for houses
of worship, presenters, teachers,
performances, and similar venues.
PTX Universal PanTilt Heads:
These unique pan and tilt heads,
available in two sizes, provide a new
dimension of production functionality
and versatility. Using VISCA and DMX
controllers with your favourite camera
or camcorder, remotely control most

RUSHWORKS
3N1 HD-PTZ

camera operations with cameras from
various manufacturers.
RUSHDOLLY for PTZ & PTX
Production: RUSHDOLLY is a tiny
but versatile track dolly designed
to interface with PTZ and PTX
cameras for creating scripted, multi-

different sites, thanks
to Tedial's awardwinning AST storage
management system,
or simply manage
historical
sport
archives.
Esther Mesas, CSO/
CMO
for
Tedial,
added:
"Another
Smart LIVE benefit for
customers, that can't
be minimised, is the
substantial financial
gain. Thanks to the
Tedial Evolution automatic
highlight
engine and AI integration, preparation
time and production costs are reduced
with more highlights being created
with the same or less staff. And
more content published means more
revenues for these customers."
At NAB, Tedial will demonstrate
Smart LIVE's automatic highlight
creation feature, its integration with
AI engines, speech to text integration
annotating incoming live media, and
the automated publish feature with
TELLYO, a Tedial technology partner.

dimensional moves that integrate all
motion axes into shots. It is equally at
home on the floor or suspended, can
creep or maintain a walking pace in
the studio or on location, with simple
software for preset creation and
speed-defined transitions.
VDEPO Video Deposition Recording
System: VDEPO meets the needs of
those specialising in the production
of on-location video depositions.
Lightweight and small, it's optimised
for quick setup and noiseless touchscreen operation. It has four inputs,
supports PiP, a graphic and video File
Browser with search and playback,
and ISO recording of all
inputs as well as the
switched programme.
VDESK
Radio/TV
Production System:
Radio/TV
integrates
RUSHWORKS' 3n1 multifunction PTZ camera with
its TALK-TAKE automated video
switching based on voice activation.
The combination provides excellent
coverage for the host and the guests
with totally "hands off" switching. This
means no additional workload on the
producer, and low cost to provide good
return on investment.


http://www.inbroadcast.com http://www.tedial.com/blog/tag/smart-live/ http://www.rushworks.tv/solutions.htm

Table of Contents for the Digital Edition of In Broadcast - March 2018

Contents
In Broadcast - March 2018 - Intro
In Broadcast - March 2018 - Cover1
In Broadcast - March 2018 - Cover2
In Broadcast - March 2018 - Contents
In Broadcast - March 2018 - 4
In Broadcast - March 2018 - 5
In Broadcast - March 2018 - 6
In Broadcast - March 2018 - 7
In Broadcast - March 2018 - 8
In Broadcast - March 2018 - 9
In Broadcast - March 2018 - 10
In Broadcast - March 2018 - 11
In Broadcast - March 2018 - 12
In Broadcast - March 2018 - 13
In Broadcast - March 2018 - 14
In Broadcast - March 2018 - 15
In Broadcast - March 2018 - 16
In Broadcast - March 2018 - 17
In Broadcast - March 2018 - 18
In Broadcast - March 2018 - 19
In Broadcast - March 2018 - 20
In Broadcast - March 2018 - 21
In Broadcast - March 2018 - 22
In Broadcast - March 2018 - 23
In Broadcast - March 2018 - 24
In Broadcast - March 2018 - 25
In Broadcast - March 2018 - 26
In Broadcast - March 2018 - 27
In Broadcast - March 2018 - 28
In Broadcast - March 2018 - 29
In Broadcast - March 2018 - 30
In Broadcast - March 2018 - 31
In Broadcast - March 2018 - 32
In Broadcast - March 2018 - 33
In Broadcast - March 2018 - 34
In Broadcast - March 2018 - 35
In Broadcast - March 2018 - 36
In Broadcast - March 2018 - 37
In Broadcast - March 2018 - 38
In Broadcast - March 2018 - 39
In Broadcast - March 2018 - 40
In Broadcast - March 2018 - 41
In Broadcast - March 2018 - 42
In Broadcast - March 2018 - 43
In Broadcast - March 2018 - 44
In Broadcast - March 2018 - 45
In Broadcast - March 2018 - 46
In Broadcast - March 2018 - 47
In Broadcast - March 2018 - 48
In Broadcast - March 2018 - 49
In Broadcast - March 2018 - 50
In Broadcast - March 2018 - 51
In Broadcast - March 2018 - 52
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In Broadcast - March 2018 - 54
In Broadcast - March 2018 - 55
In Broadcast - March 2018 - 56
In Broadcast - March 2018 - 57
In Broadcast - March 2018 - 58
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In Broadcast - March 2018 - 60
In Broadcast - March 2018 - 61
In Broadcast - March 2018 - 62
In Broadcast - March 2018 - 63
In Broadcast - March 2018 - 64
In Broadcast - March 2018 - 65
In Broadcast - March 2018 - 66
In Broadcast - March 2018 - 67
In Broadcast - March 2018 - 68
In Broadcast - March 2018 - Cover3
In Broadcast - March 2018 - Cover4
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