In Broadcast - March 2018 - 10

10

www.inbroadcast.com | Vol: 8 - Issue 3 | March 2018

InNews
Ross Video Graphite
Workflow Solution
CAN / GBR: Ross Video launched a
new solution bundle at BVE that is
pitched at smaller productions.
Ross' Graphite combines a
Carbonite production switcher with
XPression graphics, two channels
of clip server, and a brand new
28-channel RAVE audio engine.
Ross claims high reliability because
the Carbonite switcher functions
are built on a separate PCIe card
and directly powered by the
system, making it immune to any
possible computer sub-system
reboots, crashes or updates.

Sony VENICE
Euro Delivery
C

amera rental service Ludwig
Kameraverleih is the first company
in Europe to receive Sony VENICE
cameras.

Together with Martin Kreitl, CEO of
BandPro, Sony's Product Manager
for Cinematography Sebastian Leske
handed over the first VENICE digital

QUALES Receives
AS-11 DPP Cert
GBR: EditShare's QUALES Automatic Quality Control and file verification solution has earned AS-11 UK
DPP Certification.
Adding AS-11 UK DPP compliance
to QUALES AQC's list of supported
global delivery standards ensures
productions adhere to key UK file
delivery guidelines as set by a conglomerate of UK broadcasters.
QUALES will now verify that media
files comply with the DPP AS-11
standard, which was developed in
conjunction with the US Advanced
Media
Workflow
Association
(AMWA).

Argosy Adds
BarnMini range
GBR / NOR: Argosy has added the
BarnMini range of fibre converters
from Barnfind Technologies to its
inventory.
Argosy Managing Director Chris
Smeeton described the BarnMini
range as the "Swiss army knife of
converters."
The BarnMini range is based on a
compact device, which provides
very high quality conversion,
particularly between fibre and
copper cables.
Additional functionality can be
implemented by the use of SFPs
which meet the widely recognised
MSA standard.

motion picture cameras in Europe
to Ludwig Kameraverleih Branch
Manager Günter Neuhaus.
"In the end, it was a mix of very
great customer experiences, especially
with the F55 and F65 cameras, the
reliability of the products, the German
Sony team, as well as our belief that
Sony will continue to offer us the best
products in the future," said Neuhaus.
"We want and have to make our
customers satisfied and happy. At
Ludwig, we are certain that we will
be able to fulfil that promise with
the next generation of the acclaimed
CineAlta family, the two VENICE digital
camera systems with Full-Frame
sensors. That's the reason why we
didn't hesitate to place the order even before we fully knew what was
coming."
VENICE is Sony's first digital camera
with a Full-Frame sensor, and the
latest addition to the CineAlta camera
systems. It supports 24 x 36mm FullFrame image capture.
Pictured left-right:
Günter Neuhaus (Ludwig Camera Rental)
Sebastian Leske (Sony) and
Martin Kreitl (Band Pro)

Terry Tew Boosts
DPA CORE Investment
T

erry Tew Light & Sound Hire, the
UK's largest supplier of RF audio
equipment to the broadcast market,
has embraced DPA's new CORE
technology by switching all of its DPA
headsets over to CORE d:fine 4066
capsules.
"We've always been very happy with
the sound DPA headset microphones
deliver but the new CORE technology
takes them to a new level of audio
quality," said company founder
Terry Tew. "The dynamic range is
significantly improved and there is
less general distortion at all levels.

The microphones may not look any
different, but they certainly sound
much clearer and more open across
the entire audio spectrum."
To pass this benefit onto its
broadcast customers, Terry Tew
Light & Sound Hire has doubled its
investment in DPA's groundbreaking
CORE headsets by increasing its hire
stock from 60 to 120 units. These
have already been used on a variety of
high profile television shows, bringing
audience interactivity to new levels.
"The difference is so marked that
I don't think it will be long before

DPA's CORE technology becomes
the standard against which all other
headsets are measured," Tew added.
"This is a key reason why we have
doubled our investment in these
products."

DPA CORE for Terry Tew


http://www.inbroadcast.com https://pro.sony/en_GB/?sonyref=www.sony.co.uk/pro/press/pr-sony-unveils-venice-camera-system https://www.dpamicrophones.com/news/terry-tew-strengthens-its-investment-in-dpas-core http://www.mediagenix.sg http://www.mediagenix.sg

Table of Contents for the Digital Edition of In Broadcast - March 2018

Contents
In Broadcast - March 2018 - Intro
In Broadcast - March 2018 - Cover1
In Broadcast - March 2018 - Cover2
In Broadcast - March 2018 - Contents
In Broadcast - March 2018 - 4
In Broadcast - March 2018 - 5
In Broadcast - March 2018 - 6
In Broadcast - March 2018 - 7
In Broadcast - March 2018 - 8
In Broadcast - March 2018 - 9
In Broadcast - March 2018 - 10
In Broadcast - March 2018 - 11
In Broadcast - March 2018 - 12
In Broadcast - March 2018 - 13
In Broadcast - March 2018 - 14
In Broadcast - March 2018 - 15
In Broadcast - March 2018 - 16
In Broadcast - March 2018 - 17
In Broadcast - March 2018 - 18
In Broadcast - March 2018 - 19
In Broadcast - March 2018 - 20
In Broadcast - March 2018 - 21
In Broadcast - March 2018 - 22
In Broadcast - March 2018 - 23
In Broadcast - March 2018 - 24
In Broadcast - March 2018 - 25
In Broadcast - March 2018 - 26
In Broadcast - March 2018 - 27
In Broadcast - March 2018 - 28
In Broadcast - March 2018 - 29
In Broadcast - March 2018 - 30
In Broadcast - March 2018 - 31
In Broadcast - March 2018 - 32
In Broadcast - March 2018 - 33
In Broadcast - March 2018 - 34
In Broadcast - March 2018 - 35
In Broadcast - March 2018 - 36
In Broadcast - March 2018 - 37
In Broadcast - March 2018 - 38
In Broadcast - March 2018 - 39
In Broadcast - March 2018 - 40
In Broadcast - March 2018 - 41
In Broadcast - March 2018 - 42
In Broadcast - March 2018 - 43
In Broadcast - March 2018 - 44
In Broadcast - March 2018 - 45
In Broadcast - March 2018 - 46
In Broadcast - March 2018 - 47
In Broadcast - March 2018 - 48
In Broadcast - March 2018 - 49
In Broadcast - March 2018 - 50
In Broadcast - March 2018 - 51
In Broadcast - March 2018 - 52
In Broadcast - March 2018 - 53
In Broadcast - March 2018 - 54
In Broadcast - March 2018 - 55
In Broadcast - March 2018 - 56
In Broadcast - March 2018 - 57
In Broadcast - March 2018 - 58
In Broadcast - March 2018 - 59
In Broadcast - March 2018 - 60
In Broadcast - March 2018 - 61
In Broadcast - March 2018 - 62
In Broadcast - March 2018 - 63
In Broadcast - March 2018 - 64
In Broadcast - March 2018 - 65
In Broadcast - March 2018 - 66
In Broadcast - March 2018 - 67
In Broadcast - March 2018 - 68
In Broadcast - March 2018 - Cover3
In Broadcast - March 2018 - Cover4
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