In Broadcast - February 2018 - 56

56

www.inbroadcast.com | Vol: 8 - Issue 2 | February 2018

InFocus

Cameras And Camcorders cont'd...

Blackmagic URSA Mini Pro

Camcorders
Apple's iPhone has become standard
issue for reporters as a quick and
easy way to create television or radio
news content for fast upload back to
base. Latest in the series
is the iPhone X which
can record 4K at 24,
30 or 60fps, 1080p HD
at 30 or 60fps or 720p at
30fps. It is available with 64 or 256
gigabytes of internal memory. Support
attachments are offered from
various manufacturers, notably
Manfrotto (tripod adapters) and
Røde (audio interfaces).
Arri recently announced a
software update for Alexa SXT
cameras. This provides improved
high-dynamic-range monitoring as
well as more options for false colour
modes, support for SxS PRO+ 128 and
256 GB cards and better integration
with the WCU-4 and the Arri Electronic
Control System.
Blackmagic describes its URSA
Mini Pro as a 4K digital film camera
with broadcast camera features
and controls. It comes with built in
ND filters, a status display and an
interchangeable lens mount that
allows quick exchange between EF
photographic lenses or PL, B4 and F
mount lenses. The camcorder has a
4.6K sensor and is designed to handle
15-stops of dynamic range.

The lower cost URSA Mini 4K model
is rated at 12-stops. Recording is to
C-Fast cards or to SD and UHS-II.

handheld shooting, or
use on gimbals, drones
and
jibs.
Capturing
in 4K, UHD, 2K and
HD and 720p, it offers
up to 59.94/50 fps
operation
for
4K/UHD,
up to 120/100fps for 2K/
HD
(without
cropping),
or 240/200fps (4/3-inch
cropped area) for high-speed
capture. The EVA1 records to
two SD card slots, with the option of
continuous record or simultaneous
dual record. One-shot record
enables single frame video
for stop motion capture.
A neutral density filter
wheel in 2, 4, and 6-stops
is integrated behind
the lens mount. The
infra-red cut filter can
be swung out of the
path to the sensor at
the push of a button.
Photographic effects
and night vision imagery
are possible.

Panasonic
AU-EVA-1

JVC's GY-LS300 is equipped with a
4K Super 35mm CMOS sensor and
accommodates a wide range
of cinema and photographic
lenses and adapters. It
records
on
SDHC/SDXC
media in a variety of image
formats including 4K UHD,
1920x1080 HD with 4:2:2
sampling, SD and proxy
formats. Dual codecs allow you two
copies of a production to be made
simultaneously.
Panasonic's AU-EVA-1 is a lightweight cine-style camcorder with
a 5.7K Super 35 mm sensor for

The Phantom Flex4K high-speed
camera with Super-35mm 4K sensor

Red has introduced a new camcorder
and sensor combination, the
Weapon 8K VV, capturing

Sony's PXW-X70 palm-sized
camcorder

JVC
GY-LS300

Red Monstro 8K at up to 60fps

8K full format motion at up to 60fps.
It produces 35.4 megapixel stills,
and delivers data speeds of up to
300 megabyte per second. Like the
company's DSMC2 cameras, the new
model can record simultaneously in
Redcode raw and Apple ProRes or
Avid DNxHD/HR. The new sensor will
replace the current Red Dragon 8K VV.
Sony's
PXW-X70
palm-sized
camcorder continues to evolve with
the addition of XAVC 4K (QFHD) 100
megabits per second recording at
30p/25p/24p, plus MPEG HD422
and MPEG HD420. The camcorder
also records XAVC HD, AVCHD
and DV with network functions
such as QoS streaming in Network
Client Mode and Ustream direct
streaming. The camcorder has a 14.2
megapixel sensor and 12x
optical zoom. Weight
is less than 1.4kg.
3G-SDI and HDMI
output connectors
are included. Other
features include a
manual lens ring to
control zoom and focus,
a palm grip with large zoom lever,
two SD memory card slots for backup,
simultaneous and relay recording,
and a three-level switchable neutral
density filter.
Vision Research's Phantom Flex4K
is a high-speed camera with a
Super-35mm 4K sensor. It
is capable of shooting
from 15 up to
1,000fps at 4K, and
almost 2,000fps
at 2K/1080p. Files
can be stored as
Cine raw or Apple
ProRes 422 HQ. All
camera parameters can be
set from the built-in menu
on the right side of the camera
body. Basic controls can be found on
both sides.


http://www.inbroadcast.com http://www.red.com/store/products/weapon-brain-with-monstro-8k-vv-sensor https://www.blackmagicdesign.com/products/blackmagicursaminipro https://business.panasonic.co.uk/professional-camera/camcorders/AU-EVA1-cinema-compact-camera http://www.phantomhighspeed.com/Products/Flex4K-Products/Flex4K http://www.phantomhighspeed.com/Products/Flex4K-Products/Flex4K https://www.sony.co.uk/pro/product/broadcast-products-camcorders-xdcam/pxw-x70/overview/?cmp=ppc-bc-51182&aaca=756675303&aaad=45527689171&aake=%2Bsony%20%2Bx70&aama=b&aade=c&gclid=CjwKCAiA78XTBRBiEiwAGv7EKtS0K6ElHZvM2bD1T6YUO45Rh2FUizD_6w16uZOMsbuhNzWLRi7yPhoCd30QAvD_BwE http://pro.jvc.com/prof/attributes/features.jsp?model_id=MDL102318 http://pro.jvc.com/prof/attributes/features.jsp?model_id=MDL102318 https://www.sony.co.uk/pro/product/broadcast-products-camcorders-xdcam/pxw-x70/overview/?cmp=ppc-bc-51182&aaca=756675303&aaad=45527689171&aake=%2Bsony%20%2Bx70&aama=b&aade=c&gclid=CjwKCAiA78XTBRBiEiwAGv7EKtS0K6ElHZvM2bD1T6YUO45Rh2FUizD_6w16uZOMsbuhNzWLRi7yPhoCd30QAvD_BwE

Table of Contents for the Digital Edition of In Broadcast - February 2018

Contents
In Broadcast - February 2018 - Intro
In Broadcast - February 2018 - Cover1
In Broadcast - February 2018 - Cover2
In Broadcast - February 2018 - Contents
In Broadcast - February 2018 - 4
In Broadcast - February 2018 - 5
In Broadcast - February 2018 - 6
In Broadcast - February 2018 - 7
In Broadcast - February 2018 - 8
In Broadcast - February 2018 - 9
In Broadcast - February 2018 - 10
In Broadcast - February 2018 - 11
In Broadcast - February 2018 - 12
In Broadcast - February 2018 - 13
In Broadcast - February 2018 - 14
In Broadcast - February 2018 - 15
In Broadcast - February 2018 - 16
In Broadcast - February 2018 - 17
In Broadcast - February 2018 - 18
In Broadcast - February 2018 - 19
In Broadcast - February 2018 - 20
In Broadcast - February 2018 - 21
In Broadcast - February 2018 - 22
In Broadcast - February 2018 - 23
In Broadcast - February 2018 - 24
In Broadcast - February 2018 - 25
In Broadcast - February 2018 - 26
In Broadcast - February 2018 - 27
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In Broadcast - February 2018 - 30
In Broadcast - February 2018 - 31
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In Broadcast - February 2018 - 66
In Broadcast - February 2018 - 67
In Broadcast - February 2018 - 68
In Broadcast - February 2018 - Cover3
In Broadcast - February 2018 - Cover4
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