In Broadcast - February 2018 - 47

47

www.inbroadcast.com | Vol: 8 - Issue 2 | February 2018

BVE 2018 Preview
quality MP4 or
MOV file to an SD
card, USB drive or
network-mapped
drive. In the same
product series, the HDX is a
dual-channel H.264 encoder for
broadcasters who require the
integration of closed captioning
into live or recorded
content.
Captionenhanced H.264 media
can be streamed to a variety of CDNs
or video hosting platforms such as
YouTube Live and Ustream.
NewTek's Tricaster TCI is a softwaredriven video production unit with 16
external inputs of up to 4K UHD 60p.
Its capabilities include switching,
streaming, recording, and delivery,
including file playback, graphics,
and mix effects. The secondary
output can be configured as an
alpha matte source for compositing
using downstream devices. Colour
characteristics and levels for each
input source can be individually
adjusted,
including
brightness,
contrast, hue, and saturation.
Portaprompt's IP prompter is based
on the replacement of the company's

InForm
cont'd...
t

NewTek Tricaster TCI

standard SDI-card-in-monitor with
a new IP card. Wired and wireless
hand and foot controls communicate
via the IP prompting display on the
camera, back to the prompter PC. The
prompting can interface to MOS based
newsroom systems if required. Prompt
and control signals are routed and
assigned through the IP router using
Portaprompt's WinDigi Master PC
software.
Ross Video's Ultrix-FR5 is a routing
platform with integrated multiviewers and frame synchronisers in a
5 rack unit chassis. Using 12G chipsets
throughout, it allows users to switch
anything from 270 Mbit/s to single link
12G UHD signals. It uses a new FPGAbased design allowing customers

o

add software defined
processing
capabilities
such
as multi-viewers and frame
synchronisers by ordering
software licenses.
S n e l l Advanced
Media's
FormatFusion4 software adds HDR
capabilities to the company's Kahuna
production switchers. It handles
SDR and HDR in parallel and
supports the Electrical Optical
Transfer Functions for real-time
control of hybrid log gamma, Sony
S-Log3 and Dolby PQ. FormatFusion4
also includes colour space support
for wide colour gamut (BT709 and
BT2020) in all formats (1080i, 1080p
and UHD).
Studer claims its DIOS to be the
first routing automation software
designed specifically for broadcasters
and media companies. It identifies all
potential input/output pathways and
automatically reroutes data to ensure
a channel stays on the air when the
unexpected occurs. It can transport
IP and baseband data while routing
between Studer and third-party
devices.
Wired Broadcast will exhibit a
new ruggedised IP67 version of its

Mediaport LTE battery portable 4G
bonding router alongside Viprinet's
range of multichannel VPN routers.
Zoom, represented at BVE by HHB,
has introduced the F4 four-channel
mobile audio recorder which supports
all standard drop-frame and non-drop
time code formats, and can jam sync
to time code provided by external
devices. Standard BNC connectors
enable easy integration into any rig.
Limiting can be applied to all four
channels simultaneously with 10dB
of headroom and controls for setting
threshold, attack, and release.

Zoom's F4
four-channel
mobile audio recorder

Registration
Attendance at BVE and its various
seminars is free of charge.
Visitors can register in advance at
www.bvexpo.com or on arrival.


http://www.inbroadcast.com https://www.newtek.com/tricaster/tc1/ https://www.zoom.co.jp/products/field-video-recording/field-recording/f4-multitrack-field-recorder http://www.bvexpo.com http://phantomhighspeed.com https://www.bvexpo.com/exhibitors/vision-research?&azletter=P&searchgroup=libraryentry-exhibitors http://www.phantomhighspeed.com http://phantomhighspeed.com https://twitter.com/phantomhispeed https://www.facebook.com/visionresearch https://www.linkedin.com/company/vision-research/ http://phantomhighspeed.com/whitepapers

Table of Contents for the Digital Edition of In Broadcast - February 2018

Contents
In Broadcast - February 2018 - Intro
In Broadcast - February 2018 - Cover1
In Broadcast - February 2018 - Cover2
In Broadcast - February 2018 - Contents
In Broadcast - February 2018 - 4
In Broadcast - February 2018 - 5
In Broadcast - February 2018 - 6
In Broadcast - February 2018 - 7
In Broadcast - February 2018 - 8
In Broadcast - February 2018 - 9
In Broadcast - February 2018 - 10
In Broadcast - February 2018 - 11
In Broadcast - February 2018 - 12
In Broadcast - February 2018 - 13
In Broadcast - February 2018 - 14
In Broadcast - February 2018 - 15
In Broadcast - February 2018 - 16
In Broadcast - February 2018 - 17
In Broadcast - February 2018 - 18
In Broadcast - February 2018 - 19
In Broadcast - February 2018 - 20
In Broadcast - February 2018 - 21
In Broadcast - February 2018 - 22
In Broadcast - February 2018 - 23
In Broadcast - February 2018 - 24
In Broadcast - February 2018 - 25
In Broadcast - February 2018 - 26
In Broadcast - February 2018 - 27
In Broadcast - February 2018 - 28
In Broadcast - February 2018 - 29
In Broadcast - February 2018 - 30
In Broadcast - February 2018 - 31
In Broadcast - February 2018 - 32
In Broadcast - February 2018 - 33
In Broadcast - February 2018 - 34
In Broadcast - February 2018 - 35
In Broadcast - February 2018 - 36
In Broadcast - February 2018 - 37
In Broadcast - February 2018 - 38
In Broadcast - February 2018 - 39
In Broadcast - February 2018 - 40
In Broadcast - February 2018 - 41
In Broadcast - February 2018 - 42
In Broadcast - February 2018 - 43
In Broadcast - February 2018 - 44
In Broadcast - February 2018 - 45
In Broadcast - February 2018 - 46
In Broadcast - February 2018 - 47
In Broadcast - February 2018 - 48
In Broadcast - February 2018 - 49
In Broadcast - February 2018 - 50
In Broadcast - February 2018 - 51
In Broadcast - February 2018 - 52
In Broadcast - February 2018 - 53
In Broadcast - February 2018 - 54
In Broadcast - February 2018 - 55
In Broadcast - February 2018 - 56
In Broadcast - February 2018 - 57
In Broadcast - February 2018 - 58
In Broadcast - February 2018 - 59
In Broadcast - February 2018 - 60
In Broadcast - February 2018 - 61
In Broadcast - February 2018 - 62
In Broadcast - February 2018 - 63
In Broadcast - February 2018 - 64
In Broadcast - February 2018 - 65
In Broadcast - February 2018 - 66
In Broadcast - February 2018 - 67
In Broadcast - February 2018 - 68
In Broadcast - February 2018 - Cover3
In Broadcast - February 2018 - Cover4
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