In Broadcast - February 2018 - 35

35

www.inbroadcast.com | Vol: 8 - Issue 2 | February 2018

InMedia

Amblin Partners Opts
For Wazee Digital

W

azee Digital has entered into
an agreement with Amblin
Partners to use Wazee Digital Core for
archive management and Digital Media
Hub for distributing global marketing
materials.
"Amblin
Partners
Archives
is
continually working to make sure our
asset management processes and
content displays are as simple as they
can be - not only to effectively manage
content across the entire company, but
also to easily market and distribute
it around the globe without missing
opportunities," said Anthony Jackson,
Senior Vice President of archives,
Amblin Partners. "By engaging Wazee
Digital to bring both archiving and
content distribution to our global
partners, we have the tools to direct
our operations effectively while
minimising costs associated with
legacy processes and platforms."
Digital Media Hub is a centralised
SaaS-based solution that allows video

content to be captured and
made immediately available
for
global
publishing.
Through Digital Media Hub
customers can acquire,
enhance, and distribute
media
gleaned
from
production, postproduction,
marketing, and even live-event
environments.
Wazee Digital gives Amblin Partners
the ease of use, security, and reliability
necessary for sustaining a strong user
base. Especially important to Amblin
Partners is Wazee Digital's forensic
watermarking tool, which adds another
layer of security at the asset level.
"We are honoured to work with a
company as prestigious as Amblin
Partners, which has been a market
leader in feature-film and television
production for decades," said Andy
Hurt, Senior Vice President of
Marketing and Business Development
at Wazee Digital.

Mobile Viewpoint's
IP-Based Remote
Multicam Production
M

obile Viewpoint demonstrated
its innovative product range
which provides mobile production
solutions to solve current broadcast
industry challenges in terms of
flexibility and costs at CABSAT.
There was also the opportunity to
see the Mobile Viewpoint LinkMatrix
in action, a Web-based platform
that allows users to manage and
control their live feeds including the
forwarding to social media channels
like Youtube, Facebook
and Twitter.
Michel
Bais,
CEO,
Mobile
Viewpoint,
said: "We enable a
remote-controlled
production
workflow
featuring
360
and
multiple audio channels
thanks to our range
of encoders, decoders
and
the
LinkMatrix
management platform

that is optimised for both online and
offline video. This solution then allows
content to be transmitted to linear
broadcast channels, online and social
media platforms simultaneously, all in
4K quality."
Products displayed included the
Mobile Viewpoint Multicam portfolio,
which includes the WMT TerraLink-4C
Multicam bonded transmitter and the
WMT AirLink.
Both transmitters feature multiple
(two to four) H.265encoders,
eight
audio
channels,
enabling
multicamera OB and 360
productions and remote
control.
Mobile
Viewpoint
customers
include
Al
Arabiya, Jordan Radio &
Television, BBC, RAI, Sky
Sports News.
LinkMatrix: Mobile Viewpoint

"By deploying an archive solution
- Core - that connects to a global
marketing distribution platform -
Digital Media Hub - Amblin Partners
is enabling multiple departments to
work within one centralised platform.
This is a major departure from how
most media and entertainment
organisations operate, with archive
and marketing on opposite ends of
the spectrum in terms of workflow
and priorities. It speaks to the
company's progressive nature and to
the flexibility and scalability of Wazee
Digital solutions."
Digital Media Hub is powered by Core,
Wazee Digital's enterprise SaaS asset

management platform built specifically
for the Cloud, through which users can
search, manage, and monetise digital
content.
Content is captured and ingested
directly into Core in near real-time,
and once the content enters Core,
users can begin working with it
in Digital Media Hub immediately
and/or make it available through
a permission-based hierarchy to
Amblin's global partners.
The combination of Core and Digital
Media Hub allows Amblin Partners to
collect, store, and distribute its own
creative assets through a fully-fledged
media asset management system.

Mistika VR Stabilises
360° Footage
S

GO has announced an updated
version of Mistika VR that stabilises
360° footage in just one click.
The new version of Mistika VR,
claimed to be the fastest stitching
software on the market, brings a oneclick stabilisation tool that easily and
quickly smooths out shaky footage.
The latest version introduces many
new features and is available free of
charge to existing customers.
The stabilisation tool is the essence
of this new version and comes with
different settings to achieve the best
result. The most significant is the 'oneclick' option that stabilises the 360°
footage with just one simple operation.
You can check out how to stabilise
VR video with one click https://
vimeo.com/247998504. Detailed
information on other new settings
that come with the new Stabilize
feature is available at the online
forum.
Among other improvements
that the latest version of Mistika
VR brings support of VR180

format, and utilities like 'Clone Shot',
facilitating trying multiple settings for
versions of the same shot. The entire
list of new features, new presets and
fixed bugs is available at the www.sgo.
es Website.
Premium features, such as Stereo
3D and Stabilization tool are added to
the Personal version of Mistika VR as a
part of SGO's loyalty rewards.
All subscriptions signed before
January 31, 2018 (including the existing
ones) will receive and maintain
these functionalities as long as the
subscription is active.
Orders that will be realised after that
date will have the premium features
included in the Mistika VR Professional
Version only.


http://www.inbroadcast.com http://www.wazeedigital.com http://www.sgo.es http://www.sgo.es http://www.mobileviewpoint.com http://www.vimeo.com/247998504 http://www.vimeo.com/247998504 http://www.sgo.es http://www.mobileviewpoint.com

Table of Contents for the Digital Edition of In Broadcast - February 2018

Contents
In Broadcast - February 2018 - Intro
In Broadcast - February 2018 - Cover1
In Broadcast - February 2018 - Cover2
In Broadcast - February 2018 - Contents
In Broadcast - February 2018 - 4
In Broadcast - February 2018 - 5
In Broadcast - February 2018 - 6
In Broadcast - February 2018 - 7
In Broadcast - February 2018 - 8
In Broadcast - February 2018 - 9
In Broadcast - February 2018 - 10
In Broadcast - February 2018 - 11
In Broadcast - February 2018 - 12
In Broadcast - February 2018 - 13
In Broadcast - February 2018 - 14
In Broadcast - February 2018 - 15
In Broadcast - February 2018 - 16
In Broadcast - February 2018 - 17
In Broadcast - February 2018 - 18
In Broadcast - February 2018 - 19
In Broadcast - February 2018 - 20
In Broadcast - February 2018 - 21
In Broadcast - February 2018 - 22
In Broadcast - February 2018 - 23
In Broadcast - February 2018 - 24
In Broadcast - February 2018 - 25
In Broadcast - February 2018 - 26
In Broadcast - February 2018 - 27
In Broadcast - February 2018 - 28
In Broadcast - February 2018 - 29
In Broadcast - February 2018 - 30
In Broadcast - February 2018 - 31
In Broadcast - February 2018 - 32
In Broadcast - February 2018 - 33
In Broadcast - February 2018 - 34
In Broadcast - February 2018 - 35
In Broadcast - February 2018 - 36
In Broadcast - February 2018 - 37
In Broadcast - February 2018 - 38
In Broadcast - February 2018 - 39
In Broadcast - February 2018 - 40
In Broadcast - February 2018 - 41
In Broadcast - February 2018 - 42
In Broadcast - February 2018 - 43
In Broadcast - February 2018 - 44
In Broadcast - February 2018 - 45
In Broadcast - February 2018 - 46
In Broadcast - February 2018 - 47
In Broadcast - February 2018 - 48
In Broadcast - February 2018 - 49
In Broadcast - February 2018 - 50
In Broadcast - February 2018 - 51
In Broadcast - February 2018 - 52
In Broadcast - February 2018 - 53
In Broadcast - February 2018 - 54
In Broadcast - February 2018 - 55
In Broadcast - February 2018 - 56
In Broadcast - February 2018 - 57
In Broadcast - February 2018 - 58
In Broadcast - February 2018 - 59
In Broadcast - February 2018 - 60
In Broadcast - February 2018 - 61
In Broadcast - February 2018 - 62
In Broadcast - February 2018 - 63
In Broadcast - February 2018 - 64
In Broadcast - February 2018 - 65
In Broadcast - February 2018 - 66
In Broadcast - February 2018 - 67
In Broadcast - February 2018 - 68
In Broadcast - February 2018 - Cover3
In Broadcast - February 2018 - Cover4
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