In Broadcast - December 2017 - 52

52

www.inbroadcast.com | Vol: 7 - Issue 12 | December 2017

InSound

Pop TV Comedy Swedish Dicks
Utilises DPA Microphones
P

op TV network comedy Swedish the DPA mics: "I've been using DPA
Dicks has relied on a selection of for over 20 years, and knew the mics'
DPA microphones during production.
reliability and versatility would make
When a washed-up ex-stuntman them a perfect choice for this type of
(Peter Stormare) and overly optimistic production.
Swedish DJ (Johan Glans) come
"The show's fast-paced shooting
together to form a private detective style and often last-minute changes
firm, who knows what will happen meant I needed to be able to
next.
seamlessly mix from a lavaliere mic, to
Recently making its television debut a boom mic, to a plant mic. Having the
in the US, Pop TV's Swedish Dicks is same frequency response from every
a half-hour single-camera comedy microphone in a scene made DPA my
following
the
detectives
Blocking out a scene
as they solve some of the in Swedish Dicks
strangest and wildest cases
LA has ever seen. To keep up
with the show's constantlychanging production needs
and to capture the hilarious
happenings from the unlikely
duo, veteran Sound Mixer
Peter Ølsted relied on a
selection of DPA microphones.
Ølsted
said
that
all
production
audio
was
recorded exclusively using

go-to manufacturer."
For Swedish Dicks, Ølsted used a
mix of DPA microphones, including
the d:dicate 4017 Shotgun, d:facto
4018 Supercardioid, d:screet 4098
Supercardioid, a d:facto Vocal and
both the regular and slim versions of
the d:screet 4061 Omnidirectional mic.
The majority of the show is boomed
with the d:dicate 4017. Ølsted also
used the d:facto 4018 capsule along
with DPA's MMP-GS preamp accessory,
as well as the d:screet 4098,
for plant mics.
According
to
Ølsted,
DPA's d:screet lavs are just
that - discreet. "The noise
usually traveling via the
cable is almost eliminated
with DPA's - it's incredible.
The concealer mount for
the d:screet series pretty
much makes it a 'set 'em and
forget 'em' kind of situation,
which is ideal on this type
of production. My d:screet

Veteran Sound Mixer
Peter Ølsted

mics live in the concealers and it's
extremely rare I have to use other
mounting techniques. I just recently
started using the buttonhole mounts
on Swedish Dicks and the results were
great."
Ølsted said: "I think it's an interesting
and fun thing that we are a Swedish/
American show, shooting in the US
with Swedish directors and producers,
a Norwegian DP and camera operator
with cameras rented in Norway, and a
Danish sound mixer using only Danish
microphones (DPA). What a lineup!"

Exterity Signage Deployed At
Ulster Rugby
U

lster Rugby has transformed the
stadium matchday experience
with Exterity IP video and digital
signage technology.
The Challenge: Following the largescale redevelopment supported by
the Department of Culture, Arts and
Leisure Northern Ireland, Ulster
Rugby's home at Kingspan Stadium in
Belfast has increased its capacity from
11,000 to 18,000 with the construction
of three new stands. The stadium
hosted both semi-finals and the final
of the 2017 Women's Rugby World Cup.
To reflect its position as a stateof-the-art connected stadium using
video as a key part of its matchday
experience, Ulster Rugby wanted
to extend its existing Exterity IP
video system with integrated digital
signage to combine its matchday live
coverage with visitor information
and promotional advertisements in
different areas around the stadium.
The Solution: The Exterity IP video
system was deployed by systems

integrator Eurotek, the market leader
in the design, supply, installation
and integration of audio-visual
communications
equipment
in
Ireland, and enables Ulster Rugby to
encode live match camera feeds and
stream them internally - alongside
TV channels, including BBC News and
BT Sport - to 96 screens around the
venue.
The Result: Already a customer of
Exterity's IP video system, the addition
of digital signage enables Ulster Rugby
to deliver live match footage combined
with tailored visitor information and
promotional advertisements to screens
throughout the stadium.
In addition to live and recorded
video, Exterity's ArtioSign signage
solution is used to engage fans and
maximise revenue throughout the
stadium, including screens in:
*	Reception
stands,
corporate
hospitality boxes, lounge and bar
areas - managed by the commercial
team, the integrated signage and

One of the integrated
signage and IPTV
screens

IPTV screens display
us to combine highpre-match footage and
quality
video
with
information, sponsorship
sponsorship
adverts,
Kingspan Stadium match information and
and
promotional
merchandise
adverts,
tickets, RSS feeds. We like that we can manage
upcoming events, match replays and the entire solution from a central point
social media feeds;
and can easily deliver the right content
*	The corporate lounge area - used to the right screen. The drag-and-drop
for meetings and conferences on graphical editor makes it easy for the
non-match days, Exterity ArtioSign is commercial team to create and update
used to create tailored messages for signage before each match or event,"
corporate customers;
said Adrian McDonagh, IT Manager at
*	The gym - the signage screens Ulster Rugby.
provide information about nutrition
Competing in the Guinness PRO14
and training sessions for the players.
and the European Rugby Champions
"Extending our existing Exterity Cup, Ulster Rugby is one of Ireland's
IP video system with digital signage four professional provincial rugby
was a natural step and has enabled teams.


http://www.inbroadcast.com http://www.dpamicrophones.com/ http://www.dpamicrophones.com/ https://www.exterity.com/

Table of Contents for the Digital Edition of In Broadcast - December 2017

Contents
In Broadcast - December 2017 - Intro
In Broadcast - December 2017 - Cover1
In Broadcast - December 2017 - Cover2
In Broadcast - December 2017 - Contents
In Broadcast - December 2017 - 4
In Broadcast - December 2017 - 5
In Broadcast - December 2017 - 6
In Broadcast - December 2017 - 7
In Broadcast - December 2017 - 8
In Broadcast - December 2017 - 9
In Broadcast - December 2017 - 10
In Broadcast - December 2017 - 11
In Broadcast - December 2017 - 12
In Broadcast - December 2017 - 13
In Broadcast - December 2017 - 14
In Broadcast - December 2017 - 15
In Broadcast - December 2017 - 16
In Broadcast - December 2017 - 17
In Broadcast - December 2017 - 18
In Broadcast - December 2017 - 19
In Broadcast - December 2017 - 20
In Broadcast - December 2017 - 21
In Broadcast - December 2017 - 22
In Broadcast - December 2017 - 23
In Broadcast - December 2017 - 24
In Broadcast - December 2017 - 25
In Broadcast - December 2017 - 26
In Broadcast - December 2017 - 27
In Broadcast - December 2017 - 28
In Broadcast - December 2017 - 29
In Broadcast - December 2017 - 30
In Broadcast - December 2017 - 31
In Broadcast - December 2017 - 32
In Broadcast - December 2017 - 33
In Broadcast - December 2017 - 34
In Broadcast - December 2017 - 35
In Broadcast - December 2017 - 36
In Broadcast - December 2017 - 37
In Broadcast - December 2017 - 38
In Broadcast - December 2017 - 39
In Broadcast - December 2017 - 40
In Broadcast - December 2017 - 41
In Broadcast - December 2017 - 42
In Broadcast - December 2017 - 43
In Broadcast - December 2017 - 44
In Broadcast - December 2017 - 45
In Broadcast - December 2017 - 46
In Broadcast - December 2017 - 47
In Broadcast - December 2017 - 48
In Broadcast - December 2017 - 49
In Broadcast - December 2017 - 50
In Broadcast - December 2017 - 51
In Broadcast - December 2017 - 52
In Broadcast - December 2017 - 53
In Broadcast - December 2017 - 54
In Broadcast - December 2017 - 55
In Broadcast - December 2017 - Cover3
In Broadcast - December 2017 - Cover4
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