In Broadcast - December 2017 - 42

42

www.inbroadcast.com | Vol: 7 - Issue 12 | December 2017

InTech

Custom Consoles' Module-R Lite Desk
Equips EVS IP Expertise Center
E

VS, a leading provider of live
video production technology, has
purchased a nine-bay Custom Consoles
Module-R Lite desk for the new IP
Expertise Center at its headquarters in
Li├Ęge, Belgium.
The new desk incorporates an EVS
DYVI live production switcher and will
be used to demonstrate EVS products
in a fully operational IP production
environment.
"Custom Consoles' Module-R Lite was
the logical choice for this application
as it gave us the freedom to configure
a design which exactly matched
our technical requirements and the
available space," comments EVS
Marketing SVP Nicolas Bourdon.
"Module-R and Module-R Lite are
used in many studios around the world
which is an obvious advantage in a
demonstration suite addressing the
video production industry. The desk
itself is 4.7 metres wide and designed
for use by up to three operators.
Nine equipment pods with 45 degree

slanted front panels
are positioned along
the rear of the main
work surface, each pod
housing up to three rack
units of communications
or
auxiliary
control
equipment.
"Equipment
installed
in the desk can be
accessed very easily via
nine removable panels
Custom Consoles
positioned along the Module-R Lite desk
rear. The desk front at EVS' new IP
Expertise Center
and side are finished in
white, the work surface itself being Custom Consoles Sales Manager Gary
a hard-wearing white laminate. With Fuller. "Module-R Lite was introduced
its four silver-anodised support legs for use in latest-generation IT-based
and silver-finished steel skids, it looks studios where long-reach worktops are
great and is very robust."
unnecessary. The front to back depth
"The desk chosen for this project is a of Module-R Lite is a more compact
standard design and should certainly 95 cm than the 120 cm depth of
help to ensure EVS customers feel Module-R."
they are experiencing their product
A mix-and-matchable control room
evaluations in the surroundings of a furniture system, the Custom Consoles
normal broadcast environment," adds Module-R series allows aesthetically

attractive and long-life
broadcast control-room
furniture to be configured
to meet specific shapes
and dimensions from a
selection of high-quality
pods, base sections,
19-inch rack housings,
worktops,
end-panel
modules and legs.
Coordinated desktoplevel pods are available
as single-bay sections
with up to 10U chassis
capacity. The Module-R
product range includes high-quality
single-bay, dual-bay and triple-bay
desk sections with front or rear access,
work surfaces in matching widths,
corner desk sections in 90 degree, 45
degree, 30 degree or 15 degree angles
with integral worktops, slide-out
keyboard drawers, equipment pods
with 3U, 6U or 8U capacity, 19-inch
storage pedestals and 27U equipment
bays.

Avid Unveils Flexible & Efficient
Artist | DNxIP Interface Connectivity
A

vid recently unveiled its Avid
Artist | DNxIP, the latest addition
to the Avid I/O family of hardware
interfaces.
Part of Avid's commitment to
offering the most comprehensive
tools and workflow solutions to
create, distribute and optimise
media, the new portable interface
will enable broadcasters and large

post-production facilities to connect
their entire studios over IP for greater
flexibility and efficiency.
Built in partnership with AJA and
powered by MediaCentral, claimed to
be the industry's most open, tightly
integrated and efficient platform
designed for media, Avid Artist | DNxIP
is a Thunderbolt 3 equipped I/O device
that enables the transfer of SMPTE

standard HD video over 10 GigE IP
networks, with high-quality local
monitoring over 3G-SDI and HDMI 2.0.
"The increased agility and efficiency
of IP workflows is a must have for
content creators and broadcasters
in today's competitive climate," said
Alan Hoff, VP of Market Solutions
for Avid. "We've collaborated with
AJA on the newest addition to our

Avid Artist product line, Avid Artist
DNxIP, which offers broadcasters and
post-production facilities a portable
yet powerful video interface for IP
workflows."
Nick Rashby, President, AJA Video
Systems, said: "DNxIP is the next
evolution of our development efforts
with Avid, a trusted technology
partner. We're excited to be teaming
up with them again on a nextgeneration hardware option that
meets the needs of professional IP
workflows."
The highly portable desktop box
eliminates the challenges of managing
physical resources associated with
legacy video routing over SDI and
gives customers more flexibility in
how they route video within their
facilities.
Avid Artist | DNxIP will be available
Q1, 2018.
IP connectivity:
Avid Artist | DNxIP


http://www.inbroadcast.com http://www.customconsoles.co.uk/ http://www.avid.com/products/avid-artist-io

Table of Contents for the Digital Edition of In Broadcast - December 2017

Contents
In Broadcast - December 2017 - Intro
In Broadcast - December 2017 - Cover1
In Broadcast - December 2017 - Cover2
In Broadcast - December 2017 - Contents
In Broadcast - December 2017 - 4
In Broadcast - December 2017 - 5
In Broadcast - December 2017 - 6
In Broadcast - December 2017 - 7
In Broadcast - December 2017 - 8
In Broadcast - December 2017 - 9
In Broadcast - December 2017 - 10
In Broadcast - December 2017 - 11
In Broadcast - December 2017 - 12
In Broadcast - December 2017 - 13
In Broadcast - December 2017 - 14
In Broadcast - December 2017 - 15
In Broadcast - December 2017 - 16
In Broadcast - December 2017 - 17
In Broadcast - December 2017 - 18
In Broadcast - December 2017 - 19
In Broadcast - December 2017 - 20
In Broadcast - December 2017 - 21
In Broadcast - December 2017 - 22
In Broadcast - December 2017 - 23
In Broadcast - December 2017 - 24
In Broadcast - December 2017 - 25
In Broadcast - December 2017 - 26
In Broadcast - December 2017 - 27
In Broadcast - December 2017 - 28
In Broadcast - December 2017 - 29
In Broadcast - December 2017 - 30
In Broadcast - December 2017 - 31
In Broadcast - December 2017 - 32
In Broadcast - December 2017 - 33
In Broadcast - December 2017 - 34
In Broadcast - December 2017 - 35
In Broadcast - December 2017 - 36
In Broadcast - December 2017 - 37
In Broadcast - December 2017 - 38
In Broadcast - December 2017 - 39
In Broadcast - December 2017 - 40
In Broadcast - December 2017 - 41
In Broadcast - December 2017 - 42
In Broadcast - December 2017 - 43
In Broadcast - December 2017 - 44
In Broadcast - December 2017 - 45
In Broadcast - December 2017 - 46
In Broadcast - December 2017 - 47
In Broadcast - December 2017 - 48
In Broadcast - December 2017 - 49
In Broadcast - December 2017 - 50
In Broadcast - December 2017 - 51
In Broadcast - December 2017 - 52
In Broadcast - December 2017 - 53
In Broadcast - December 2017 - 54
In Broadcast - December 2017 - 55
In Broadcast - December 2017 - Cover3
In Broadcast - December 2017 - Cover4
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