In Broadcast - July 2017 - 52

52

www.inbroadcast.com | Vol: 7 - Issue 6

InFocus

Getting To Grips With Supports
An LED ring pointing at the stickers
makes them reflect blue or infrared
into the tracking CCD camera. Only
one tracking camera per tracked
camera is required. The tracking
camera, processing unit and a monitor
are mounted to a camera head. The
control box includes lens encoding,
CPU and Mo-Sys bus. StarTracker can
also be used with third-party pedestal
tracking systems, correcting for their
inherent drift and removing the need
for constant re-homing. StarTracker

Encoded head:
arrowFX5 has a payload range 2 to 21kg

can also be attached to telescopic
cranes or used on hand-held cameras.
In the latter mode, the tracking
camera is rigidly mounted in front of
or behind the camera handle bar. The
unit can also be detached from the
camera and connected via an umbilical
cable.
Motion
Impossible's
Mantis
motorised modular remote camera
dolly has an operating range of up to
300 metres and can be used to drive
a camera into difficult filming areas. It
can be operated under battery power
for typical run times of around one
hour at up to 50km/h or around
three hours up to 10km/h per
charge cycle.
Ronford-Baker's Atlas 7 fluid
head offers 15 variations of
fluid control, plus zero (fluid free)
positions at both ends of the scale.
All fluid units are capable of 360
degree rotation. Camera mounting is
via sliding plates of different lengths
and styles, including ARRI Dovetail,
Panavision or quick release types.
Sachtler recently upgraded its Video
18 fluid head. The Video 18 S2 has a

load bearing capacity of up to 20kg
which is 4kg more payload than the
earlier head. The head is designed to
operate at -40 to +60 degrees Celsius
without any impact on its smooth
operation.
Sk8Plate's Elastic Eye Media camera
tracking system can track cameras
in normal mode or underslung for
overhead shots. It will also perform
motorised time lapse shots and
circular tracking.
Steadicam's M-1 is a modular
camera stabiliser built around an
aluminium base and stage frames,
carbon fibre telescopic posts and a
gimbal. Standard features include
power ports at top and bottom plus a
Vernier-adjustable tilt head.
Telemetrics' Televator EP7
elevating pedestal, replacing
the EP6, is available in three
versions: EP7-600, EP7-700 and
EP7-1000. These can be combined
with Telemetrics pan/tilt heads,
a studio dolly kit, or TG4/TG4-M
TeleGlide camera tracks. The EP7 can
also be floor or ceiling mounted.
XD Motion's GSS B512 five-axis gyro-

cont'd...

stabilised head camera head weighs
under 16kg and is intended for use
on helicopters. A C512 version will be
available for 4K digital cameras with
compact optics.

Modular
system:
Steadicam
M-1

Kairos Communications
Live Streams Beatification
T

he first beatification service held
outside of Rome was held for Irish
Jesuit priest Father John Sullivan, who
devoted his life to the sick and poor of
Ireland until his death in 1933.
The service took place in Dublin's
Gardiner Street Church, and given
that space in the church was limited,
and the event would attract a global
audience of millions, the service was
screened in marquees in the church's
gardens, nearby college and broadcast
live online via the Jesuit website and
on Stream Zilla.

Kairos Communications was given
the responsibility for delivering the
live production from the service. "This
was a historic event, and we knew that
not only would people from all over
the world want to be able to watch the
service, but the Church itself would
want the best possible showcase
for the first beatification service in
Ireland, so the pressure was high,"
explains Sebastian Pannackal, who led
Kairos' production team on the day.
Kairos had recently added to and
updated its OB production capabilities
with a full Blackmagic Design
The beatification service for Father John Sullivan
PPU, designed, specified and
integrated by Dublin based
broadcast reseller Broadcast
Video Services (BVS), which
formed the hub for its
livestream at the church.
Three URSA Mini Pro cameras
equipped with B4 broadcast
lenses were the lead units of
the six camera set up, and

located in the centre
aisle and to either side
of the nave, in order to
capture every element
of the service.
"We wanted to create
a balance between
reverence, to reflect
the importance of the
event, and inclusion,
to help those watching
online feel as if they
were also part of the congregation,"
explains Sebastian. All three URSA
Mini Pro units were connected via
fibre and controlled remotely by a
vision mixer operating an ATEM 1 M/E
Production Studio 4K, which helped to
keep production team members within
the auditorium to a minimum.
Two live streams were produced
using Blackmagic Web Presenter and
Stream Zilla to produce 720p feeds
for the Jesuit website and a backup
streaming to YouTube Live.

Kairos Communications
production team

"Given the global importance of
the event, it was critical to have
backups in place, but the main
stream worked well throughout the
service," Sebastian continues. "The
Web Presenter is a handy unit to have
in an OB kit, as it takes any quality of
feed and converts it to the most web
friendly format without any fuss."
The stream was also captured with
HyperDeck SSD recorders for editing
and highlight packages that the Church
could use in future.


http://www.inbroadcast.com https://tiffen.com/steadicam/steadicam-m1/ https://www.millertripods.com/ https://tiffen.com/steadicam/steadicam-m1/ https://www.blackmagicdesign.com/uk/products/blackmagicursaminipro https://www.blackmagicdesign.com/uk/products/blackmagicursaminipro

Table of Contents for the Digital Edition of In Broadcast - July 2017

Contents
In Broadcast - July 2017 - Intro
In Broadcast - July 2017 - Cover1
In Broadcast - July 2017 - Cover2
In Broadcast - July 2017 - Contents
In Broadcast - July 2017 - 4
In Broadcast - July 2017 - 5
In Broadcast - July 2017 - 6
In Broadcast - July 2017 - 7
In Broadcast - July 2017 - 8
In Broadcast - July 2017 - 9
In Broadcast - July 2017 - 10
In Broadcast - July 2017 - 11
In Broadcast - July 2017 - 12
In Broadcast - July 2017 - 13
In Broadcast - July 2017 - 14
In Broadcast - July 2017 - 15
In Broadcast - July 2017 - 16
In Broadcast - July 2017 - 17
In Broadcast - July 2017 - 18
In Broadcast - July 2017 - 19
In Broadcast - July 2017 - 20
In Broadcast - July 2017 - 21
In Broadcast - July 2017 - 22
In Broadcast - July 2017 - 23
In Broadcast - July 2017 - 24
In Broadcast - July 2017 - 25
In Broadcast - July 2017 - 26
In Broadcast - July 2017 - 27
In Broadcast - July 2017 - 28
In Broadcast - July 2017 - 29
In Broadcast - July 2017 - 30
In Broadcast - July 2017 - 31
In Broadcast - July 2017 - 32
In Broadcast - July 2017 - 33
In Broadcast - July 2017 - 34
In Broadcast - July 2017 - 35
In Broadcast - July 2017 - 36
In Broadcast - July 2017 - 37
In Broadcast - July 2017 - 38
In Broadcast - July 2017 - 39
In Broadcast - July 2017 - 40
In Broadcast - July 2017 - 41
In Broadcast - July 2017 - 42
In Broadcast - July 2017 - 43
In Broadcast - July 2017 - 44
In Broadcast - July 2017 - 45
In Broadcast - July 2017 - 46
In Broadcast - July 2017 - 47
In Broadcast - July 2017 - 48
In Broadcast - July 2017 - 49
In Broadcast - July 2017 - 50
In Broadcast - July 2017 - 51
In Broadcast - July 2017 - 52
In Broadcast - July 2017 - 53
In Broadcast - July 2017 - 54
In Broadcast - July 2017 - 55
In Broadcast - July 2017 - 56
In Broadcast - July 2017 - 57
In Broadcast - July 2017 - 58
In Broadcast - July 2017 - 59
In Broadcast - July 2017 - 60
In Broadcast - July 2017 - 61
In Broadcast - July 2017 - 62
In Broadcast - July 2017 - 63
In Broadcast - July 2017 - 64
In Broadcast - July 2017 - 65
In Broadcast - July 2017 - 66
In Broadcast - July 2017 - Cover3
In Broadcast - July 2017 - Cover4
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