In Broadcast - May 2017 - 76
76
www.inbroadcast.com | Vol: 7 - Issue 5 | May 2017
InMedia
Two Rows of Text How Difficult Can it Be?
Cavena subtitling solutions are modular and flexible, independent from
hardware different formats and outputs can easily be added.
S
ubtitling is usually two rows of
text with in and out timecodes.
The normal duration of subtitle text
is between one and eight seconds,
but, apart from correct spelling and
translation, do you know what is
perceived as a job well done with
regards to subtitling? It is actually 20%
fewer written words compared to a
direct translation, a compression of the
dialogue without losing information.
Preparation of subtitles is a craft
which takes years to learn, it includes
high level language skills and a good
eye for the in and out times of each
subtitle row.
Cavena Managing Director Henrik
Moberg asks: "Are we as end-users
prepared to pay for the service of
high-quality subtitling? A big YES is
my answer - based on information
from operators there is nothing that
generates more complaints from
viewers, than missing or low-quality
subtitling. The viewer just does not
accept low-quality subtitling. The main
cost in subtitling is the man-hours to
prepare subtitles, not the technology."
After the preparation of the subtitle
files, two rows of text with timecode
and attributes, stored in an array of
different formats; 890, CIP, STL, PAC
and SRT to name a few. Normally
the broadcaster defines what format
to use and files are stored until
transmission.
Subtitle
transmission
is
an
automated process. The equipment
interfaces to broadcast station
planning and automation systems
to receive programme and trigger
information. The transmission units
synchronise the subtitles for playout
using the video playout timecode.
Subtitles are output in suitable formats
on the transmission platform.
For the end viewer it can be in the
format of open captions (OC), always
visible or closed captions (CC), which
gives visible or hidden subtitles,
There are examples of multi-national
operators in Asia transmitting eight
different subtitle languages for one
video, using the DVB standard.
Trends In Subtitling: More and
more transcoding is required, because
programmes are redistributed on
multiple platforms. An example of
transcoding can be reading subtitles
in VBI format and instantaneously
converting and resending subtitles
in DVB format, with no dependence
on timecode. Cavena's flexible
transmission solutions can switch
between timecoded subtitle file
playout and/or transcoding from one
subtitling format into another.
"Subtitling technology power houses
OOONA, Screen and Cavena have
VITEC IPTV Delivers On
Sports Venue Solution
G
olden 1 Center in Sacramento,
California,
has
successfully
deployed VITEC's IPTV Sports Venue
Solution.
With comprehensive capabilities of
VITEC's EZ TV IPTV and Digital Signage
Platform, each of the over 700 displays
located throughout the concourse,
concession stands, VIP clubs, suites,
and lofts now offers fully customisable,
dynamic digital signs, live TV channels,
and low-latency streaming of any
event.
"VITEC's EZ TV IPTV and Digital
Signage platform helped us enhance
the fan experience like never before
and truly sets the Golden 1 Center
apart from other venues," said Ryan
Montoya, Chief Technology Officer,
Sacramento Kings. "Viewers don't
have to worry when they leave their
seats because we've optimised every
screen in the arena with the help of
VITEC's innovative solution. From
corporate events to concerts and
Kings basketball games,
we are able to dynamically
create video-rich signage
campaigns
that
are
perfectly synchronised and
visually captivating."
With the power of VITEC's
EZ TV platform, hardwarebased IPTV and signage
end-points, along with the
company's
professional
carrier-grade
Blade
System encoders, Golden
1 Center can utilise its IP
infrastructure to provide
fans and visitors with a unique,
feature-rich experience - blending
high-quality, broadcast-grade video
streaming and dynamic digital signage
with low-latency distribution and
flawless synchronisation between
displays. VITEC's versatile end-points
can be used for both digital signage
and IPTV applications.
"We are proud to have been
Cavena Managing Director Henrik Moberg
partnered to revolutionise online
subtitle creation software," said
Moberg.
Moberg concludes: "Cavena has
been committed to delivering robust
subtitling solutions for over 25 years.
Two rows of text presented frame
accurately is not that difficult, for us.
Solving various customer workflows is
a fun challenge."
operators to automate routine video
and signage tasks so that they can
allocate more time and resources
toward innovation, user-engaging
activities and the creation of additional
monetisation opportunities that ensure
a positive ROI."
EZ TV allows Golden 1 Center
administrators to centrally
manage and distribute up to
16 in-house feeds, 16 unique
menu board channels, and
74 TV channels, all from one
comprehensive solution.
As part of a future platform
upgrade, Golden 1 Center plans
to expand its IPTV and Signage
offering.
Fully
integrated
with
Appetize, a leading solution for
food sales and inventory, and
Golden 1 Center home of the Sacramento Kings Legends Hospitality, a wellselected by one of the world's most known food and client service provider
technologically
advanced
sports for the world's best sports venues, EZ
arenas to power all in-venue live TV will make it simple and efficient to
streaming and digital signage," said create and update every menu board,
Eli Garten, VP IPTV & Enterprise Video based on inventory and demand.
Solutions, VITEC. "Our goal with the EZ
A customised iPad app will give
TV Platform is to enable users to set arena guests access to on-demand
a higher standard for fan experience content and a custom electronic
and optimised in-venue video services. programme
guide
with
DVR
Our solution allows teams and venue capabilities.
http://www.inbroadcast.com
https://youtu.be/yd79XidMkHs
https://www.vitec.com/
Table of Contents for the Digital Edition of In Broadcast - May 2017
Contents
In Broadcast - May 2017 - Intro
In Broadcast - May 2017 - Cover1
In Broadcast - May 2017 - Cover2
In Broadcast - May 2017 - Contents
In Broadcast - May 2017 - 4
In Broadcast - May 2017 - 5
In Broadcast - May 2017 - 6
In Broadcast - May 2017 - 7
In Broadcast - May 2017 - 8
In Broadcast - May 2017 - 9
In Broadcast - May 2017 - 10
In Broadcast - May 2017 - 11
In Broadcast - May 2017 - 12
In Broadcast - May 2017 - 13
In Broadcast - May 2017 - 14
In Broadcast - May 2017 - 15
In Broadcast - May 2017 - 16
In Broadcast - May 2017 - 17
In Broadcast - May 2017 - 18
In Broadcast - May 2017 - 19
In Broadcast - May 2017 - 20
In Broadcast - May 2017 - 21
In Broadcast - May 2017 - 22
In Broadcast - May 2017 - 23
In Broadcast - May 2017 - 24
In Broadcast - May 2017 - 25
In Broadcast - May 2017 - 26
In Broadcast - May 2017 - 27
In Broadcast - May 2017 - 28
In Broadcast - May 2017 - 29
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In Broadcast - May 2017 - 37
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In Broadcast - May 2017 - 77
In Broadcast - May 2017 - 78
In Broadcast - May 2017 - 79
In Broadcast - May 2017 - 80
In Broadcast - May 2017 - Cover3
In Broadcast - May 2017 - Cover4
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