In Broadcast - May 2017 - 60

60

www.inbroadcast.com | Vol: 7 - Issue 5 | May 2017

InTech

Miller's Innovative
Support Solutions
Miller Camera Support Equipment brings solutions
to large outside broadcast industry and highdefinition live television productions...

M

iller Camera Support Equipment
continues
to
introduce
innovative solutions to the vast
landscape that is the broadcast industry.
The company recently introduced the
Skyline 90 Fluid Head as a solution
for the challenging requirements of
large outside broadcast productions.
Additionally, Miller is now shipping
its range of arrowFX Fluid Heads for
efficient high-definition live television
productions where augmented reality
effects are inserted into the picture.
Skyline 90
The Skyline 90 is designed to
meet the stringent and rigorous
standards presented by the everchanging
environments
and
conditions of Outside Broadcast (OB)
productions. It supports payloads
of up to 165lbs (75kg) and features
a robust construction. The Skyline
90 also includes a Mitchell base for
flat mounting, and has continuous
counterbalance control that ranges
from zero to 165lbs (75kg) at 12
inches (30cm) above the centre tilt
axis and 15+0 selectable fluid pan-tilt
drag positions to ensure the optimum
drag for any lens focal length. This
fluid drag system with smooth start
and stop technology allows balanced
diagonal transition.
With a sliding platform featuring
300mm of sliding range that glides
smoothly with a full payload, the
Skyline 90 easily balances heavy
camera loads. It also comes with an
auto safety lock to ensure a secure
horizontal position when loading or
dismantling heavy box lenses. The
floating calliper pan and tilt locks with
large metal levers can be operated
simultaneously with one hand without
causing picture disturbance. Two
bubble levels located at either side
of the head allow for convenient
levelling. The Skyline 90 also provides
users with optional features, such
as the quick release wedge plate
for sturdy camera mounting as well
as heavy duty, industry standard

telescopic pan handles.
The Skyline 90 is the result of Miller's
collaboration with the Ronford Baker
Engineering Company, known for
its work with heavy-duty fluid heads
and tripods in the cinema industry. It
combines technological innovations
from both companies to supply the OB
market with specialised fluid heads.
arrowFX
The arrowFX Fluid Heads feature
Miller's patented CB PLUS, a unique
sequential counterbalance design that
takes traditional counterbalancing a
step forward, resulting in repeatable,
accurate and rapid setup and durable,
high-resolution magnetic encoders
integrated into the fluid head. It can
precisely monitor and communicate,
in real-time, the exact position of the
fluid head with zero latency. CB Plus
makes the new arrowFX Series the
ideal choice for any broadcast where
frequent and fast rigging is required.
The arrowFX also features an
Augmented Reality Interface (ARI)
box, which interfaces between the
arrowFX fluid heads and well-known
real-time graphics engines, such as
Vizrt, Orad and others. This provides

accurate real-time pan, tilt, zoom
and focus data, as well as
lens geometry information
to create life-like precision
augmented
productions.
The arrowFX range allows
customers to achieve higher
quality, more realistic and
attractive digital effects.
An extension of the arrowX line
of fluid heads, the arrowFX series is
available as three models - arrowFX
3, arrowFX 5, arrowFX 7. Each arrowFX
model comes with a 120mm sliding
travel plate to help quickly rebalance
changing camera payloads. In addition,
they are designed with illuminated
controls that allow users to work no
matter what lighting or environmental
conditions they are in.
The complete arrowFX line features
a pan resolution of 1,589,246 counts
per 360 degrees and a tilt resolution
of 491,520 counts per 180 degrees.
The arrowFX 3 is designed for lighter
cameras and boasts a payload range
of 1kg to 19kg (2.2lbs to 41.8lbs),
16 positions of counterbalance and
5+0 pan-and-tilt drag positions.
The arrowFX 5 is ideal for larger rigs
with longer lens where more drag is

arrowFX
Fluid Heads are shipping

required. It has a wide payload range
from 2kg to 21kg (4.4lbs to 46.2lbs),
16 positions of counterbalance and
7+0 pan-and-tilt drag positions. The
arrowFX 7 is best suited for heavier
rigs, including in-studio and OB
applications, and has a payload range
from 6kg to 25kg (13.2lbs to 55.1lbs),
16 positions of counterbalance and
7+0 pan-and-tilt drag positions.
Endorsing the reliability and "THE
RIGHT FEEL" that are the hallmarks
of every Miller product, the Skyline
90 Fluid Head is an ideal solution for
the outside broadcast industry, while
the compact, lightweight, versatile
arrowFX Fluid Heads are the perfect fit
for creative professionals in the highdefinition live television productions
industry.

OB-ready:
Skyline 90
Fluid Head


http://www.inbroadcast.com https://www.millertripods.com/en/fluid-heads/arrowx-5-fluid-head.html https://www.millertripods.com/en/fluid-heads/skyline-90-fluid-head.html

Table of Contents for the Digital Edition of In Broadcast - May 2017

Contents
In Broadcast - May 2017 - Intro
In Broadcast - May 2017 - Cover1
In Broadcast - May 2017 - Cover2
In Broadcast - May 2017 - Contents
In Broadcast - May 2017 - 4
In Broadcast - May 2017 - 5
In Broadcast - May 2017 - 6
In Broadcast - May 2017 - 7
In Broadcast - May 2017 - 8
In Broadcast - May 2017 - 9
In Broadcast - May 2017 - 10
In Broadcast - May 2017 - 11
In Broadcast - May 2017 - 12
In Broadcast - May 2017 - 13
In Broadcast - May 2017 - 14
In Broadcast - May 2017 - 15
In Broadcast - May 2017 - 16
In Broadcast - May 2017 - 17
In Broadcast - May 2017 - 18
In Broadcast - May 2017 - 19
In Broadcast - May 2017 - 20
In Broadcast - May 2017 - 21
In Broadcast - May 2017 - 22
In Broadcast - May 2017 - 23
In Broadcast - May 2017 - 24
In Broadcast - May 2017 - 25
In Broadcast - May 2017 - 26
In Broadcast - May 2017 - 27
In Broadcast - May 2017 - 28
In Broadcast - May 2017 - 29
In Broadcast - May 2017 - 30
In Broadcast - May 2017 - 31
In Broadcast - May 2017 - 32
In Broadcast - May 2017 - 33
In Broadcast - May 2017 - 34
In Broadcast - May 2017 - 35
In Broadcast - May 2017 - 36
In Broadcast - May 2017 - 37
In Broadcast - May 2017 - 38
In Broadcast - May 2017 - 39
In Broadcast - May 2017 - 40
In Broadcast - May 2017 - 41
In Broadcast - May 2017 - 42
In Broadcast - May 2017 - 43
In Broadcast - May 2017 - 44
In Broadcast - May 2017 - 45
In Broadcast - May 2017 - 46
In Broadcast - May 2017 - 47
In Broadcast - May 2017 - 48
In Broadcast - May 2017 - 49
In Broadcast - May 2017 - 50
In Broadcast - May 2017 - 51
In Broadcast - May 2017 - 52
In Broadcast - May 2017 - 53
In Broadcast - May 2017 - 54
In Broadcast - May 2017 - 55
In Broadcast - May 2017 - 56
In Broadcast - May 2017 - 57
In Broadcast - May 2017 - 58
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In Broadcast - May 2017 - 60
In Broadcast - May 2017 - 61
In Broadcast - May 2017 - 62
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In Broadcast - May 2017 - 80
In Broadcast - May 2017 - Cover3
In Broadcast - May 2017 - Cover4
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202403
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http://europe.nxtbook.com/nxteu/lesommet/CTA-VISITOR
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2018
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