In Broadcast - May 2017 - 23
23
www.inbroadcast.com | Vol: 7 - Issue 5 | May 2017
InForm
NAB Show Las Vegas - Take 2
Maxon demonstrated version 18
of its Cinema 4D motion graphics
software. This includes enhanced
modelling, animation and shading. A
new Voronoi Fracture effect allows
a graphic artist to tear down walls
or shatter any object into fragments
while retaining easy control of the
distribution of the shattered pieces.
Create artistic procedural geometry
using splines, polygon objects or
particles.
NewTek announced the NewTekVizrt IP Graphics Server (NVG1) realtime 4K 3D graphics system designed
for integration with the NewTek IP
Series and the new TriCaster TC1
video production systems. The NVG1
combines a 1RU server and NDI IP
video connectivity with Viz Trio/Viz
Engine software. Available in either
single or dual-channel configurations,
the NVG1 can output in resolutions and
frame rates up to 2160p60. It will also
ship with user customisable graphics
packages for news and sports from
New York-based broadcast design
house Polygon Labs.
Panasonic introduced the AGUMR20 compact field recorder and
companion AG-UCK20 4K camera
head, designed for HD/UHD image
capture and IP streaming. The
UMR20/UCK20 can be connected via
optional cables (in 3 metre and 20
metre lengths). The UMR20 recorder
captures compressed video to SD
memory card recording. The recorder
cont'd...
Panasonic AG-UMR20 compact
field recorder and AG-UCK20 4K
camera head
is equipped with dual SD memory card
slots and allows hot-swap.
Riedel's Bolero is a new wireless
intercom system capable of supporting
10 belt-packs per antenna and up to
100 antennas in a single deployment.
Bolero runs over a standards-based
AES67 IP network. Decentralised
antennas connect to AES67 switches
and to Riedel Artist frames equipped
with AES67 client cards. The voice
codec is claimed to provide high
speech intelligibility and efficient
use of RF spectrum, supporting
twice the number of beltpacks
per antenna for the same audio
bandwidth as other DECT-based
systems.
Roland describes its
new VR-4HD as a
complete HD studio
in a compact and
portable
package.
Designed for singleperson operation, it allows
easy switching and mixing
of sound and video using with
dedicated hardware controls faders,
buttons and touchscreen interface. It
integrates a digital audio mixer, video
switcher, multi-viewer touchscreen
and USB video/audio streaming
interface into a single device.
Ross Video exhibited a newgeneration Furio robotic camera
system, the Furio SE. This incorporates
over 40 new features, enhancements,
or
performance
improvements.
The carbon-fibre lift is more than
20% taller and twice as fast as its
predecessor, while maximum dolly
speed has been increased by 33%.
Front and rear E-stop buttons instantly
cut power to the system in case of an
emergency. Remote E-stop modules
are also available for placement
anywhere in the studio or control
room. When an E-stop is triggered, the
head becomes free-wheeling, allowing
it to be repositioned manually, while
the lift locks in place at its current
position. The dolly comes to a
controlled stop. Front and rear motion
light bars emit an amber light to
warn anyone in the vicinity when the
system is in motion. Glide wheels lock
the dolly to the track, ensuring that it
cannot tip over even when traveling
at high speed and with the lift fully
extended.
picture quality seemed
unaffected
by
the
resultant
vibration.
Roland VR-4HD
studio switcher
Rushworks' Locked On is an object
tracking system that controls one
or more pan/tilt/zoom cameras.
Positioning data is sourced from
one or more 'tag' battery powered
transmitters
sending
positioning
data to multiple 'anchor' receivers
placed around the perimeter of the
production set. The tag is typically
placed in a presenter's pocket
or an athlete's headgear; it can
also be fixed to inanimate moving
objects. Transmitter and receiver
antenna range is up to 100 metres,
indoors or outdoors. The integral
battery provides about five hours of
continuous operation per charge. Up
to 128 tags and 32 anchors can be
used at any one time.
Sony demonstrated an impressive
mini-cinema-sized 8Kx2K display
screen assembled from modules
based on its Crystal-LED technology
which the company is developing as
a possible successor to OLED. Also on
show was a 55-inch OLED 'Acoustic
Surface' domestic television receiver
which uses the entire display screen
as an audio transducer. The viewed
Thinklogical
demonstrated its new
TLX160 160-port matrix switch,
designed to switch video and
computer peripheral signals. The 9RU
matrix is available with fibre-optic,
CATx and hybrid connectivity options.
It can be configured as a unidirectional
160x160 or a bidirectional 80x80
switch. The TLX160 is claimed to
deliver uncompressed10Gbps signal
paths with the lowest signal latency
in the industry. When combined with
TLX extenders, the TLX160 allows
transmission and switching of UHD,
HDR and 4K DCI resolution video at up
to 4096x2160 resolution, 60Hz frame
rate, 4:4:4 chroma subsampling and
30-bit per pixel colour depth.
TVLogic's VFM-055A is a 5.5-inch
OLED on-camera viewfinder monitor
with a 1920×1080 resolution. It offers
deep blacks, wide-gamut colour
reproduction, very wide viewing angle,
and support for multiple video formats
via 3G-SDI and HDMI 1.4 inputs.
Functions include cinema camera logto-linear LUT conversion, HDMI-SDI
cross-converted output, waveform and
vector scope, markers, focus assist and
audio level meters.
NAB 2018
NAB returns to the Las Vegas
Convention Center, April 7 to 12, 2018.
Registration information is available at
www.nabshow.com
A list of Las Vegas hotels with
soundproof sleeping accommodation
is available at www.tripadvisor.co.uk
http://www.inbroadcast.com
http://pro-av.panasonic.net/en/hd_camcorder/ag-umr20_uck20gj/index.html
https://proav.roland.com/global/products/vr-4hd/
https://blog.dell.com/en-us/world-first-32-inch-8k-overall-thinnest-monitors-ces-2017/
http://www.nabshow.com
http://www.tripadvisor.co.uk
Table of Contents for the Digital Edition of In Broadcast - May 2017
Contents
In Broadcast - May 2017 - Intro
In Broadcast - May 2017 - Cover1
In Broadcast - May 2017 - Cover2
In Broadcast - May 2017 - Contents
In Broadcast - May 2017 - 4
In Broadcast - May 2017 - 5
In Broadcast - May 2017 - 6
In Broadcast - May 2017 - 7
In Broadcast - May 2017 - 8
In Broadcast - May 2017 - 9
In Broadcast - May 2017 - 10
In Broadcast - May 2017 - 11
In Broadcast - May 2017 - 12
In Broadcast - May 2017 - 13
In Broadcast - May 2017 - 14
In Broadcast - May 2017 - 15
In Broadcast - May 2017 - 16
In Broadcast - May 2017 - 17
In Broadcast - May 2017 - 18
In Broadcast - May 2017 - 19
In Broadcast - May 2017 - 20
In Broadcast - May 2017 - 21
In Broadcast - May 2017 - 22
In Broadcast - May 2017 - 23
In Broadcast - May 2017 - 24
In Broadcast - May 2017 - 25
In Broadcast - May 2017 - 26
In Broadcast - May 2017 - 27
In Broadcast - May 2017 - 28
In Broadcast - May 2017 - 29
In Broadcast - May 2017 - 30
In Broadcast - May 2017 - 31
In Broadcast - May 2017 - 32
In Broadcast - May 2017 - 33
In Broadcast - May 2017 - 34
In Broadcast - May 2017 - 35
In Broadcast - May 2017 - 36
In Broadcast - May 2017 - 37
In Broadcast - May 2017 - 38
In Broadcast - May 2017 - 39
In Broadcast - May 2017 - 40
In Broadcast - May 2017 - 41
In Broadcast - May 2017 - 42
In Broadcast - May 2017 - 43
In Broadcast - May 2017 - 44
In Broadcast - May 2017 - 45
In Broadcast - May 2017 - 46
In Broadcast - May 2017 - 47
In Broadcast - May 2017 - 48
In Broadcast - May 2017 - 49
In Broadcast - May 2017 - 50
In Broadcast - May 2017 - 51
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In Broadcast - May 2017 - 53
In Broadcast - May 2017 - 54
In Broadcast - May 2017 - 55
In Broadcast - May 2017 - 56
In Broadcast - May 2017 - 57
In Broadcast - May 2017 - 58
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In Broadcast - May 2017 - 60
In Broadcast - May 2017 - 61
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In Broadcast - May 2017 - 76
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In Broadcast - May 2017 - 78
In Broadcast - May 2017 - 79
In Broadcast - May 2017 - 80
In Broadcast - May 2017 - Cover3
In Broadcast - May 2017 - Cover4
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