In Broadcast - May 2017 - 20

20

www.inbroadcast.com | Vol: 7 - Issue 5 | May 2017

InForm

NAB Show Las Vegas - Take 1
platforms like YouTube and
Facebook. A new sound panel lets
users make audio mixes and sound
improvements that in the past would
have required a dedicated session
by an audio engineer.
Adobe's artificial intelligence
and machine learning framework
called Sensei now helps users to
automatically normalise audio
loudness across an entire timeline
with a single click in Premiere Pro
or Audition. In Character Animator,
Sensei will help ensure a puppet's lip
sync is matched.
Within Creative Cloud workflows,
customers have access to millions of
Adobe Stock video assets, including
4K and HD, and the ability to search
and scrub through video directly in the
application. New to this release is the
ability to contribute to Adobe Stock
straight from Premiere Pro, making
the whole business of uploading and
selling stock footage for any filmmaker
much quicker and easier to do.
Additionally, users of Creative Cloud
will now be able to access the video
library of Pond 5 within Adobe Stock.

Blackmagic Design
DaVinci Resolve Mini Panel

Blackmagic Design unveiled a major
new version of its widely used DaVinci
Resolve system that integrates the
sound editing and mixing capability it
acquired from Fairlight.
With the launch of version 14 (the
beta version is now available), new
multi-user collaboration tools would
let editing, colour grading and sound
departments work on the same project
at the same time. The company also
reported that it has reconfigured the
way it handles data, which it claims
could result in significant speed
improvements.
Lawo showed an IP-based sound
mixer which supports all the relevant
video over IP standards (SMPTE 2110,
AES67, RAVENNA and DANTE) and
comes with video thumbnails. The
mc²96 Grand Production Console can
display real-time video thumbnails to
aid channel identification. Touching a
fader changes the LiveView thumbnail

cont'd...

to full-screen mode, providing a more
detailed view of that channel's video
source, such as a camera or a replay
machine.

Atomos Sumo
sports a 19-inch LCD panel

Capture And Recording
Atomos' Sumo sports a 19-inch
LCD panel with 1200nit brightness
and is able to map the HDR output of
most cameras including Sony FS5 and
FS7, Canon C300MKII and C500 or
Panasonic Varicam LT to assist on-set
or in post for editing and grading.
It can record 4K 12-bit Raw, 10-bit
ProRes/DNxHR, plus it can switch and
mix a live record and stream or record
four HD ISO recordings using QuadLink
SDI connections.
"Sumo is one of the most remarkable
video products I've worked on,"
claimed Jeromy Young, Atomos
Co-Founder.
A new version of the ARRI Alexa
is the company's first entirely
wireless system. A low-latency HD
video transmitter and WiFi radio are
integrated to the latest ALEXA SXT W
model. Camera setup will be quicker

Dejero LIVE+ Control
management system provides direct
access to the ExpertFile directory

and productions will be able to move
faster, freed of the necessity to route
video cables. The transmitter itself is
devised by Amimon, most renowned
for its Connex HD wireless box.
ARRI is also giving its Amira and
Alexa Mini cameras software boosts
which among other things improves
their capacity to perform multicamera shoots. The Amira's v5
software improves the cameras' SDI
output data rate sufficiently to allow
external UHD recording at frame rates
up to 60fps. This helps producers use
the Amira's shallow depth of field and
give a cinematic look to live music
concerts, TV soaps, and other fastpaced, multi-camera productions.
The Alexa Mini's v4.0 update
features EXT Sync - the ability to
JVC showed an ENG and multi-camera
live production 'Bridge'

ARRI Amira & Alexa receive multi-camera boost

slave up to 15 Minis to one master
Mini camera, each with parameters
like the frame rate or shutter angle
synchronised - useful to simplify
complex set-ups for VR and VFX
applications.
Mobile links specialist Dejero
partnered with ExpertFile, a search
engine and content platform, to
counter so-called fake news. ExpertFile
is described as a "unique international
resource for identifying subject matter
experts". Its directory of contacts,
covering over 25,000 topics is now
accessible from Dejero's LIVE+ Control
management system from a web
browser within the newsroom or in the
field.
"In this era of fake news, there has
never been a more critical need in
broadcast news for credible sources,"
explained Peter Evans, Founder /
CEO, ExpertFile.
JVC has a new command and
control workstation to work with
its ProHD Mobile Bridge and
Portable Bridge bonded cellular
technologies for ENG and multicamera live productions. This can
access all the active 'Bridge' cameras
in an organisation and superimpose
their locations over a street map with
live image previews. The workstation
will also allow the operator to access
each Bridge camera on the network,
take control, or manage settings.
Panasonic showed a prototype 360
degree 4K device that stitches the
uncompressed output from four 4K
cameras in real time with apparently
very low latency. This means that it
can be put to use without the need
for complex external processing on
live broadcasts of sport, concerts and
other stadium events. It's due for
release in August.


http://www.inbroadcast.com http://www.dejero.com/products/view/cloud-control https://www.atomos.com/sumo https://www.blackmagicdesign.com/uk/products/davinciresolve/control http://pro.jvc.com/prof/attributes/features.jsp?model_id=MDL102468 http://www.arri.com/camera/amira/

Table of Contents for the Digital Edition of In Broadcast - May 2017

Contents
In Broadcast - May 2017 - Intro
In Broadcast - May 2017 - Cover1
In Broadcast - May 2017 - Cover2
In Broadcast - May 2017 - Contents
In Broadcast - May 2017 - 4
In Broadcast - May 2017 - 5
In Broadcast - May 2017 - 6
In Broadcast - May 2017 - 7
In Broadcast - May 2017 - 8
In Broadcast - May 2017 - 9
In Broadcast - May 2017 - 10
In Broadcast - May 2017 - 11
In Broadcast - May 2017 - 12
In Broadcast - May 2017 - 13
In Broadcast - May 2017 - 14
In Broadcast - May 2017 - 15
In Broadcast - May 2017 - 16
In Broadcast - May 2017 - 17
In Broadcast - May 2017 - 18
In Broadcast - May 2017 - 19
In Broadcast - May 2017 - 20
In Broadcast - May 2017 - 21
In Broadcast - May 2017 - 22
In Broadcast - May 2017 - 23
In Broadcast - May 2017 - 24
In Broadcast - May 2017 - 25
In Broadcast - May 2017 - 26
In Broadcast - May 2017 - 27
In Broadcast - May 2017 - 28
In Broadcast - May 2017 - 29
In Broadcast - May 2017 - 30
In Broadcast - May 2017 - 31
In Broadcast - May 2017 - 32
In Broadcast - May 2017 - 33
In Broadcast - May 2017 - 34
In Broadcast - May 2017 - 35
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In Broadcast - May 2017 - 37
In Broadcast - May 2017 - 38
In Broadcast - May 2017 - 39
In Broadcast - May 2017 - 40
In Broadcast - May 2017 - 41
In Broadcast - May 2017 - 42
In Broadcast - May 2017 - 43
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In Broadcast - May 2017 - 80
In Broadcast - May 2017 - Cover3
In Broadcast - May 2017 - Cover4
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