In Broadcast - May 2017 - 14

14

www.inbroadcast.com | Vol: 7 - Issue 5 | May 2017

InNews
LMG Acquires
Fujinon Zooms

USA: The Optical Devices Division
of FUJIFILM recently announced
the first sale and delivery of the
just-introduced UA18x5.5B 4K
compatible, UHD, handheld zoom.
An Orlando-based live event and
systems integration firm, LMG,
purchased five UA18x's for use
within its expanding "Touring" and
"Show Technology" divisions.
The new zooms will complement
Sony HDC-4300 4K/HD cameras
and Panasonic AK-UC3000 4K
Studio cameras and will be used to
shoot large-scale music concerts
and corporate events.

Facilis Servers At
Fullscreen Media

USA: Fullscreen Media, is using
Facilis Technology TerraBlock
shared storage systems to improve
collaboration
and
workflows
between its remotely located
teams. A global network of content
creators and brands focused on
creating engaging entertainment
across social media channels
and its own subscription service,
Fullscreen Media creates and
supports content over a wide range
of platforms.
Fullscreen Media provides a full
service facility, and has offices
in Los Angeles, New York City,
Atlanta, and Chicago.

RCS Graphics
Fotball Media

NOR / USA: The first round of
this season's live Norwegian
Football matches recently hit TVs,
mobile phones and other viewing
platforms with graphics created by
Reality Check Systems (RCS).
Fotball Media, the Norwegian
Football Federation's broadcast
arm, enlisted RCS ahead of the
season to create a new data-driven
graphics package. This ensured
consistent brand representation
across rights holders.
RCS also teamed with Discovery
Networks Norway (DNN) to develop
a complementary graphics package
for its studio programming.

Gearhouse Sending
Specialist SI Team
G

earhouse Broadcast will present
the operational and commercial
benefits it can bring to systems
integration projects to visitors at
BroadcastAsia 2017.
The SI team will be on stand in
Singapore to highlight the importance
of choosing the right systems
integration partner, particularly when
it comes to embracing emerging
technologies, as well as discussing a
range of projects in the region with
new and existing customers.
"Our systems integration team
has
extensive
experience
of
successfully integrating the latest
broadcast
infrastructures
within
multiple facilities and venues and
Asia is a growing market in which we
operate," said Martin Paskin, Systems
Integration Manager at Gearhouse
Broadcast. "We've spent a long time
building good relationships with

Gearhouse Broadcast's
recently deployed Columbus 4K truck

industry-leading manufacturers as
well as new players on the scene and
understanding new technologies. This
means we can deliver the latest, most
effective solutions to customers in any
location."
Gearhouse Broadcast is able to
leverage its worldwide reach and
infrastructure to deploy SI projects in
any country. Because of this, the team

can be more flexible bringing both
operational and commercial benefits
to customers.
The SI team has also recently
completed the design, build and
installation of Columbus, Gearhouse's
state-of-the-art 4K mobile unit
which was designed specifically for
the North American live sports and
entertainment production market.

dLive S Class 'Rising Star' In India
M

umbai-based PA company, Roshni
Audiomatics, recently invested in
an Allen & Heath dLive S Class mixing
system, comprising a S7000 Surface
and DM64 Rack, in preparation for the

live broadcast of popular singing show,
Rising Star, on the Colors TV Channel.
Established for over 20 years, Roshni
Audiomatics' client base encompasses
all of the major channels and
production houses in the
region. The dLive system
was
purchased
from
Delhi-based
distributor,
Sun Infonet, after the TV
Channel's sound engineer,
Mahesh Amberkar, had
tried and tested it.
"I am really happy with
dLive as it fulfils all of the
Sound Engineer, Mahesh Amberkar with the new dLive, requirements needed for
with Roshni Audiomatics' owner, Prakash Ahuja (right) any live telecast show.

The Surface is user friendly, and I am
very impressed with the extremely low
latency and the EQ, which is superb,"
said Mahesh Amberkar.
The Rising Star show generates
108 inputs and 60 outputs, including
the band, presenters, judging panel
and contestants. dLive manages the
floor monitoring, and provides the
broadcast feed.
"dLive is a game changer as it has
ample headroom, is easy to operate,
especially with its dual-screen
capability, and has tremendous
capacity and flexibility, due to its many
networking options," concludes Roshni
Audiomatics' owner, Prakash Ahuja.


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Table of Contents for the Digital Edition of In Broadcast - May 2017

Contents
In Broadcast - May 2017 - Intro
In Broadcast - May 2017 - Cover1
In Broadcast - May 2017 - Cover2
In Broadcast - May 2017 - Contents
In Broadcast - May 2017 - 4
In Broadcast - May 2017 - 5
In Broadcast - May 2017 - 6
In Broadcast - May 2017 - 7
In Broadcast - May 2017 - 8
In Broadcast - May 2017 - 9
In Broadcast - May 2017 - 10
In Broadcast - May 2017 - 11
In Broadcast - May 2017 - 12
In Broadcast - May 2017 - 13
In Broadcast - May 2017 - 14
In Broadcast - May 2017 - 15
In Broadcast - May 2017 - 16
In Broadcast - May 2017 - 17
In Broadcast - May 2017 - 18
In Broadcast - May 2017 - 19
In Broadcast - May 2017 - 20
In Broadcast - May 2017 - 21
In Broadcast - May 2017 - 22
In Broadcast - May 2017 - 23
In Broadcast - May 2017 - 24
In Broadcast - May 2017 - 25
In Broadcast - May 2017 - 26
In Broadcast - May 2017 - 27
In Broadcast - May 2017 - 28
In Broadcast - May 2017 - 29
In Broadcast - May 2017 - 30
In Broadcast - May 2017 - 31
In Broadcast - May 2017 - 32
In Broadcast - May 2017 - 33
In Broadcast - May 2017 - 34
In Broadcast - May 2017 - 35
In Broadcast - May 2017 - 36
In Broadcast - May 2017 - 37
In Broadcast - May 2017 - 38
In Broadcast - May 2017 - 39
In Broadcast - May 2017 - 40
In Broadcast - May 2017 - 41
In Broadcast - May 2017 - 42
In Broadcast - May 2017 - 43
In Broadcast - May 2017 - 44
In Broadcast - May 2017 - 45
In Broadcast - May 2017 - 46
In Broadcast - May 2017 - 47
In Broadcast - May 2017 - 48
In Broadcast - May 2017 - 49
In Broadcast - May 2017 - 50
In Broadcast - May 2017 - 51
In Broadcast - May 2017 - 52
In Broadcast - May 2017 - 53
In Broadcast - May 2017 - 54
In Broadcast - May 2017 - 55
In Broadcast - May 2017 - 56
In Broadcast - May 2017 - 57
In Broadcast - May 2017 - 58
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In Broadcast - May 2017 - 60
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In Broadcast - May 2017 - 80
In Broadcast - May 2017 - Cover3
In Broadcast - May 2017 - Cover4
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