In Broadcast - April 2017 - 12

12

Appointments
Riedel General Manager
For Australian Division
AUS/GER: John Bell, has been
appointed General Manager of
Riedel Communications Australia.
Bell, who has served as a nonexecutive director of the Australia
division since 2015, will leverage
his deep management experience
in global organisations to expand
Riedel Australia's market share
and brand awareness.
"John's career has spanned some
of the most exciting changes
in the history of media content
production and technology. We are
delighted that he has taken on this
new role," said Cameron O'Neill,
Director of Asia Pacific at Riedel
Communications.
Over his 20-year career, Bell has
worked in film, TV, and music
production and distribution;
consumer electronics and
pro-audio
manufacturing;
medical devices; electrical
and telecommunications cable
manufacturing; and software
development.

TSL Products Appoints
Audio Product Manager

GBR:
Broadcast
equipment
manufacturer, TSL Products, has
appointed Stephen Brownsill to the
role of Audio Product Manager.
Reporting to Mark Davies, Director
of Products and Technology,
Brownsill's responsibilities include
product definition and direction
for the flagship audio monitoring
range. Brownsill brings nearly
30 years of broadcast industry
experience to TSL Products, having
started out as an audio recording
engineer. His most recent role was
Solutions Architect - Production at
Grass Valley. Prior to this Brownsill
was Broadcast Operations Manager
at Fox Kids Europe.
"Stephen's combination of audio
expertise, coal-face experience
and understanding of the
broadcast market make him
an ideal fit for this role,"
said Chris Exelby, Managing
Director, TSL Products.

www.inbroadcast.com | Vol: 7 - Issue 4 | April 2017

Grass Valley Introduces
K-Frame V-Series
G

rass Valley has developed the
K-Frame V-series as an addition
to the K-Frame family of production
switchers to address space limitations
and reduce the complexities of
technical
directors'
production
workloads,
At 3RU, this new frame is a
complement to the GV Korona switcher
panel and fits in locations with limited
space, but requires no compromises
on enterprise features.
"Broadcast production has moved
out of the studio to capture events
where they are happening in realtime, but when it came to compact
switchers, broadcasters were forced to
choose: affordable, small or powerful.
Never all three, until now," said
Neerav Shah, Senior Vice President of
Strategic Marketing, Grass Valley.

"The K-Frame V-series platform,
when paired with the GV Korona
switcher, offers a never-before-seen
combination of power, flexibility and
scalability, fitting well in locations
where space is limited and providing
the legendary Grass Valley high-end
performance at an affordable price."
V-series, as part of the K-Frame

Grass Valley K-Frame V-Series

family, can be used with any
Grass Valley switcher panel and
broadcasters can run multiple panels
and shows off the same frame at the
same time.
Grass Valley is demonstrating the
features of the GV Korona K-Frame
V-series at NAB.

TVLogic Debuts Monitors In Vegas
T

VLogic is introducing several new monitor offering stunning cinematic
4K HDR and OLED monitors at the quality with native 1920x1080
NAB 2017.
resolution;
The new line-up includes:
The LVM-171S - a 17-inch QC-Grade
The LUM-310R - a 31-inch 4K HDR HD Dual-Channel LCD monitor. It
Reference Master monitor with a features a 16.5-inch IPS LCD panel with
Super-IPS 4K LCD (4096 x 2160) and 1920x1080 native resolution, widea local-dimming backlight array
gamut reproduction (up to DCI-P3)
designed to reproduce reference
HDR content featuring 2000nit
maximum luminance;
The LEM-550R - a 55-inch UHD
OLED HDR monitor for broadcast
QC and post-production with UHD
resolution of 3840 x 2160, and
a maximum luminance of up to
750nits;
The VFM-055A - a 5.5-inch
HD OLED viewfinder/onboard
TVLogic LUM-310R for broadcast QC and post

enhanced contrast ratio and wide
viewing angle.
Wes Donahue, Director of Channel
Sales & Marketing, TVLogic USA &
Latin America, said: "This year, we
are showcasing some of our most
advanced video monitor designs
ever. As high resolution image
technologies like 4K and HDR
continue to struggle toward
standardisation, the need for
reference monitors that support
a range of new imaging formats
is imperative. NAB is the perfect
venue to introduce these offerings
to the industry."
The new models will be featured
along with the existing product
line throughout NAB.


http://www.inbroadcast.com https://www.grassvalley.com/news/press/releases/view/3201-grass-valley-introduces-the-new-k-frame-v-series-production-switcher http://www.tvlogic.tv/Monitors/M_Spec.asp?sidx=86 http://videoclarity.com/ http://nab17.mapyourshow.com/7_0/exhibitor/exhibitor-details.cfm?ExhID=726

Table of Contents for the Digital Edition of In Broadcast - April 2017

Contents
In Broadcast - April 2017 - Intro
In Broadcast - April 2017 - Cover1
In Broadcast - April 2017 - Cover2
In Broadcast - April 2017 - Contents
In Broadcast - April 2017 - 4
In Broadcast - April 2017 - 5
In Broadcast - April 2017 - 6
In Broadcast - April 2017 - 7
In Broadcast - April 2017 - 8
In Broadcast - April 2017 - 9
In Broadcast - April 2017 - 10
In Broadcast - April 2017 - 11
In Broadcast - April 2017 - 12
In Broadcast - April 2017 - 13
In Broadcast - April 2017 - 14
In Broadcast - April 2017 - 15
In Broadcast - April 2017 - 16
In Broadcast - April 2017 - 17
In Broadcast - April 2017 - 18
In Broadcast - April 2017 - 19
In Broadcast - April 2017 - 20
In Broadcast - April 2017 - 21
In Broadcast - April 2017 - 22
In Broadcast - April 2017 - 23
In Broadcast - April 2017 - 24
In Broadcast - April 2017 - 25
In Broadcast - April 2017 - 26
In Broadcast - April 2017 - 27
In Broadcast - April 2017 - 28
In Broadcast - April 2017 - 29
In Broadcast - April 2017 - 30
In Broadcast - April 2017 - 31
In Broadcast - April 2017 - 32
In Broadcast - April 2017 - 33
In Broadcast - April 2017 - 34
In Broadcast - April 2017 - 35
In Broadcast - April 2017 - 36
In Broadcast - April 2017 - 37
In Broadcast - April 2017 - 38
In Broadcast - April 2017 - 39
In Broadcast - April 2017 - 40
In Broadcast - April 2017 - 41
In Broadcast - April 2017 - 42
In Broadcast - April 2017 - 43
In Broadcast - April 2017 - 44
In Broadcast - April 2017 - 45
In Broadcast - April 2017 - 46
In Broadcast - April 2017 - 47
In Broadcast - April 2017 - 48
In Broadcast - April 2017 - 49
In Broadcast - April 2017 - 50
In Broadcast - April 2017 - 51
In Broadcast - April 2017 - 52
In Broadcast - April 2017 - 53
In Broadcast - April 2017 - 54
In Broadcast - April 2017 - 55
In Broadcast - April 2017 - 56
In Broadcast - April 2017 - 57
In Broadcast - April 2017 - 58
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In Broadcast - April 2017 - 60
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In Broadcast - April 2017 - 63
In Broadcast - April 2017 - 64
In Broadcast - April 2017 - 65
In Broadcast - April 2017 - 66
In Broadcast - April 2017 - 67
In Broadcast - April 2017 - 68
In Broadcast - April 2017 - Cover3
In Broadcast - April 2017 - Cover4
In Broadcast - April 2017 - S1
In Broadcast - April 2017 - S2
In Broadcast - April 2017 - S3
In Broadcast - April 2017 - S4
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