In Broadcast - September 2016 - 40


40

www.inbroadcast.com | Vol: 6 - Issue 9 | September 2016

InStudio

BT Reveals Future
Of UHD OBs

B

T will unveil the latest UHD OB
links truck at this year's IBC show.
The vehicle will be used by BT's
Media and Broadcast (BT M&B) division
to broadcast BT Sport's live coverage
of the Round 2 AVIVA Premiership
Rugby Matches in 4K.
The TES52 truck, which was designed
and built by systems integrator,
Megahertz, is the first vehicle in the
UK capable of transmitting multiple
HD and UHD/4K visions via fibre and
satellite simultaneously. The truck
will also use the latest encoding
equipment, which has been specifically
designed for premium live sports
broadcasting.
BT's digital and media broadcast
services arm will display the TES52
truck in the Outside Exhibition area at
IBC.
The showcase will also host a number
of panel speaker sessions which will
include experts from Adstream, the

BBC, Ericsson, Eurovision,
Megahertz and Nevion. The
sessions will cover topics
such as The Next Generation
of Networking, 4K HDR
and Beyond, Designing a
Broadcast Truck for the Future and
Cyber Security.
BT M&B recently completed work
upgrading 20 leading football stadiums
around the UK with an ultrafast fibre
network which can support multiple
camera feeds simultaneously, with
perfect picture quality. 40Gbps of fibre
capacity will run directly from each
Premier League football ground to the
BT Tower. The fibre cabinets which are
part of the new network will also be on
display at BT's IBC stand.
Mark Wilson-Dunn, Vice President at
BT Media and Broadcast, said: "We're
really excited to be showcasing our
latest technology innovations at IBC,
as it'll give us even more opportunities

The 4K TES52 Truck

to meet and share
ideas
with
others
from the industry. We
believe that we have
the UK's best outside
broadcast links fleet,
delivering the highest
quality footage to
broadcasters
and
sports fans across the world in all
formats, including 4K UHD. It's not
good enough to just keep up in this
industry. We owe it to our clients to
keep innovating and lead from the
front."
BT recently signed a major deal with
the BBC to provide the broadcaster

with global IP network services for at
least seven years from April 2017.
Under the agreement, BT is
delivering a brand new optical fibre
network designed to give the BBC
flexible network capacity to support
and accommodate their needs, now
and into the future.

JoeCo Launches BLUEBOX Recorders

S

et to raise the standard of DAWbased recording set-ups, the
BLUEBOX range of Workstation
Interface Recorders is officially
launching from JoeCo.
Delivering up to 24 channels of
individually switchable mic/line inputs
with best-in-class preamps on every
channel, BLUEBOX will also back-up
all of your work, all of the time - the
ultimate safeguard against unexpected
DAW freeze and failure. Meanwhile,
for location recording, all of the
plaudit-winning features of
the BlackBox Recorder are
available to deliver a fully
stand-alone, high-end multitrack audio recorder.
The BLUEBOX range launches
with two Workstation Interface
Recorders, the BBWR24MP
and
BBWR08MP.
Both
24bit/96kHz models have been
designed and constructed to
the same exacting standards
as the BlackBox range, with
its reputation for rock solid
reliability. As the names imply,
the
BBWR24MP
provides
24 channels of individually

switchable mic/line inputs, while the
BBWR08MP represents JoeCo's most
affordable package yet with eight
channels of individually switchable
mic/line inputs and 16 channels of
dedicated balanced line inputs. All mic
channels on both units incorporate
JoeCo's renowned mic preamp designs.
Adaptability is also central to the
appeal of BLUEBOX. In a studio
environment, a BBWR24MP will
deliver 24 channels of pristine audio
at 24bit/96kHz both to and from a

workstation, with near-zero latency
and simultaneously back up of all
audio at the same quality. In the
field, all of the mic preamps become
available to deliver a fully standalone, multi-channel audio acquisition
recorder with near-zero latency and
24bit/96kHz performance.
For larger applications, multiple
BBWR24MP
can
be
connected
to the same Mac (via Core Audio
drivers) or Windows (via dedicated
ASIO drivers) machine. You can

also control your BLUEBOX as you
choose, either from the workstation
itself with JoeCoControl, or using
the JoeCoRemote app for iPad. Both
platforms open a wealth of features
and functions such as the setting of
individual mic pre channel parameters,
expandable channel strips and realtime monitor mix adjustment.
"BLUEBOX is a powerful high-end
interface platform with the best
preamps available, and it's also
the best insurance policy against
losing work that any DAWbased studio can choose,"
commented JoeCo Managing
Director Joe Bull. "No matter
how robust a DAW-based setup might seem, there is always
a risk that something could go
wrong and that critical work
could be lost. With BLUEBOX,
you can simply press record
at the beginning of the day
and it will capture all of your
work, all of the time. Not even
a power loss is enough to stop
it."
BLUEBOX range of Workstation
Interface Recorders


http://www.inbroadcast.com http://www.mediaandbroadcast.bt.com/ http://www.mediaandbroadcast.bt.com/ https://vimeo.com/179450107

Table of Contents for the Digital Edition of In Broadcast - September 2016

In Broadcast - September 2016 - Intro
In Broadcast - September 2016 - Cover1
In Broadcast - September 2016 - Cover2
In Broadcast - September 2016 - 3
In Broadcast - September 2016 - 4
In Broadcast - September 2016 - 5
In Broadcast - September 2016 - 6
In Broadcast - September 2016 - 7
In Broadcast - September 2016 - 8
In Broadcast - September 2016 - 9
In Broadcast - September 2016 - 10
In Broadcast - September 2016 - 11
In Broadcast - September 2016 - 12
In Broadcast - September 2016 - 13
In Broadcast - September 2016 - 14
In Broadcast - September 2016 - 15
In Broadcast - September 2016 - 16
In Broadcast - September 2016 - 17
In Broadcast - September 2016 - 18
In Broadcast - September 2016 - 19
In Broadcast - September 2016 - 20
In Broadcast - September 2016 - 21
In Broadcast - September 2016 - 22
In Broadcast - September 2016 - 23
In Broadcast - September 2016 - 24
In Broadcast - September 2016 - 25
In Broadcast - September 2016 - 26
In Broadcast - September 2016 - 27
In Broadcast - September 2016 - 28
In Broadcast - September 2016 - 29
In Broadcast - September 2016 - 30
In Broadcast - September 2016 - 31
In Broadcast - September 2016 - 32
In Broadcast - September 2016 - 33
In Broadcast - September 2016 - 34
In Broadcast - September 2016 - 35
In Broadcast - September 2016 - 36
In Broadcast - September 2016 - 37
In Broadcast - September 2016 - 38
In Broadcast - September 2016 - 39
In Broadcast - September 2016 - 40
In Broadcast - September 2016 - 41
In Broadcast - September 2016 - 42
In Broadcast - September 2016 - 43
In Broadcast - September 2016 - 44
In Broadcast - September 2016 - 45
In Broadcast - September 2016 - 46
In Broadcast - September 2016 - 47
In Broadcast - September 2016 - 48
In Broadcast - September 2016 - 49
In Broadcast - September 2016 - 50
In Broadcast - September 2016 - 51
In Broadcast - September 2016 - 52
In Broadcast - September 2016 - 53
In Broadcast - September 2016 - 54
In Broadcast - September 2016 - 55
In Broadcast - September 2016 - 56
In Broadcast - September 2016 - 57
In Broadcast - September 2016 - 58
In Broadcast - September 2016 - 59
In Broadcast - September 2016 - 60
In Broadcast - September 2016 - 61
In Broadcast - September 2016 - 62
In Broadcast - September 2016 - 63
In Broadcast - September 2016 - 64
In Broadcast - September 2016 - 65
In Broadcast - September 2016 - 66
In Broadcast - September 2016 - 67
In Broadcast - September 2016 - 68
In Broadcast - September 2016 - 69
In Broadcast - September 2016 - 70
In Broadcast - September 2016 - 71
In Broadcast - September 2016 - 72
In Broadcast - September 2016 - 73
In Broadcast - September 2016 - 74
In Broadcast - September 2016 - 75
In Broadcast - September 2016 - 76
In Broadcast - September 2016 - 77
In Broadcast - September 2016 - 78
In Broadcast - September 2016 - 79
In Broadcast - September 2016 - 80
In Broadcast - September 2016 - Cover3
In Broadcast - September 2016 - Cover4
In Broadcast - September 2016 - S1
In Broadcast - September 2016 - S2
In Broadcast - September 2016 - S3
In Broadcast - September 2016 - S4
In Broadcast - September 2016 - S5
In Broadcast - September 2016 - S6
In Broadcast - September 2016 - S7
In Broadcast - September 2016 - S8
In Broadcast - September 2016 - S9
In Broadcast - September 2016 - S10
In Broadcast - September 2016 - S11
In Broadcast - September 2016 - S12
In Broadcast - September 2016 - S13
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
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