In Broadcast - September 2016 - 34


34

www.inbroadcast.com | Vol: 6 - Issue 9 | September 2016

InStudio

Cartoni Launches MASTER 30 Series

C

artoni, a world leader in precision
camera support, has announced
the release of MASTER 30 Broadcast
and MASTER 30 Cine, the latest
additions to its innovative line of fluid
heads.
Designed
respectively
for
broadcast production and digital
cinematography, the two new heads
include many of the features of the
popular Cartoni MAXIMA fluid head in a
unit that is lighter and more compact.
Cartoni will demonstrate MASTER 30
Broadcast and MASTER 30 Cine for the
first time at IBC2016.
Both heads in the MASTER 30
Series feature Cartoni's famed "wing"
counterbalance system, which delivers
perfect response, even for payloads
with low centres of gravity (such as

those with teleprompters) throughout
the +/- 90 degree range.
The head supports payloads up to
23kg (51lbs) at 200mm (8-inch) centre
of gravity (COG), and heavier payloads
up to 30kg (66lbs) and 40kg (88lbs) at
150mm (6-inch) COG and 100mm (4inch) COG, respectively.
"Camera operators will be thrilled
with the smoothness and fluidity
of MASTER 30," said Cartoni CEO
Elisabetta Cartoni. "The head's unique
feel is the result of our patented
'planetary' drag mechanism. It
delivers perfectly smooth movement
in pan and tilt, going from virtually
freewheeling
to
an
extremely
consistent, maximum drag, while also
providing extraordinarily precise starts
and stops."

MASTER 30
Broadcast

MASTER 30
Cine

Other appealing features of MASTER
30 include a digital readout that allows
operators to check counterbalance and
pan & tilt settings at a glance, and an
illuminated bubble level.
For improved user friendliness,
pan & tilt brakes are conveniently
placed on the left side of the head.
The camera latch has also been
ergonomically designed. It can be
activated with one hand to disengage
the new safety lock and free the
camera plate.
The MASTER 30 Broadcast comes
equipped with dual telescopic pan
bars.
The MASTER 30 Cine features a
single telescopic pan bar and a short,
90 degree pan bar.

Specs MASTER 30
Broadcast / MASTER 30 Cine
Payload Capacity:
@200mm (8") - 23 kg (51 lbs)
@150mm (6") - 30 kg (66 lbs)
@100mm (4") - 40 kg (88 lbs)
Weight: 10.5 kg (23 lbs)
Pan Range: 360°
Tilt Range: 360°
Counterbalance:
Continuous (Wing patented system)
Fluid Drag:
Continuous (Planetary patented system)
Bowl Diameter:
Flat Mitchell/150mm
Temp. Range:
-40°/+60°C (-40°/+140°F)
Pan Bar - Broadcast: Dual
Pan Bar - Cine:
Telescopic and 90° pan bars

I-MOVIX To Show INFINITE System

A

t IBC2016, I-MOVIX will show its
INFINITE system, a new HD/4K
trigger-less and server-less ultra slow
motion camera.
I-MOVIX CEO Laurent Renard, said:
"IBC2016 is the venue for the launch
of the new version of INFINITE, a
brand-new
radically
innovative
solution that provides unprecedented
scalability and the flexibility to fit into
any production workflow. INFINITE,
which was launched last April at NAB,
is based on the Phantom Flex 4K from
Vision Research, with more than one
hour of continuous non-stop loop
recording in high-speed and in high
resolution - and the revolutionary
ability to operate in standalone mode
without a production server. The
configuration based on the Phantom
v642 is now also available."
INFINITE: I-MOVIX INFINITE is
a radically new ultra-slow motion
camera system that combines extreme
scalability with trigger-less operation,
and is the first to provide continuous
on-board loop recording of more
than one hour of high frame rate in

HD and frame-accurate ramping of
speed without compensation and
interpolation.
INFINITE can be operated in a range
of modes to meet any production
constraints, both technical and
financial. INFINITE helps streamline
production logistics when used either
in standalone mode without a server,
or in conjunction with a server, where

it only requires a single channel,
saving cost and space in the OB van.
X10 UHD RF: I-MOVIX will also
showcase the X10 UHD RF system,
completing the X10 product range.
X10 UHD RF can be used in wireless
mode for very high-frame rate ultra
slow motion in HD sports productions,
where being close to the action makes
all the difference.

The solution, enabling live and replay
operation with standard RF equipment,
is lightweight, convenient, and as easy
to operate as the other systems of the
product range.
The system is available with
a
choice of wireless cameraback
solutions, including Vislink's Clip-On 4
or L1700.
I-MOVIX INFINITE


http://www.inbroadcast.com https://www.cartoni.com/products/fluid-heads/fluid-heads-flat-base/hm3000-master-30/ https://www.cartoni.com/products/fluid-heads/fluid-heads-flat-base/hm3000-master-30/ http://i-movix.com/infinite

Table of Contents for the Digital Edition of In Broadcast - September 2016

In Broadcast - September 2016 - Intro
In Broadcast - September 2016 - Cover1
In Broadcast - September 2016 - Cover2
In Broadcast - September 2016 - 3
In Broadcast - September 2016 - 4
In Broadcast - September 2016 - 5
In Broadcast - September 2016 - 6
In Broadcast - September 2016 - 7
In Broadcast - September 2016 - 8
In Broadcast - September 2016 - 9
In Broadcast - September 2016 - 10
In Broadcast - September 2016 - 11
In Broadcast - September 2016 - 12
In Broadcast - September 2016 - 13
In Broadcast - September 2016 - 14
In Broadcast - September 2016 - 15
In Broadcast - September 2016 - 16
In Broadcast - September 2016 - 17
In Broadcast - September 2016 - 18
In Broadcast - September 2016 - 19
In Broadcast - September 2016 - 20
In Broadcast - September 2016 - 21
In Broadcast - September 2016 - 22
In Broadcast - September 2016 - 23
In Broadcast - September 2016 - 24
In Broadcast - September 2016 - 25
In Broadcast - September 2016 - 26
In Broadcast - September 2016 - 27
In Broadcast - September 2016 - 28
In Broadcast - September 2016 - 29
In Broadcast - September 2016 - 30
In Broadcast - September 2016 - 31
In Broadcast - September 2016 - 32
In Broadcast - September 2016 - 33
In Broadcast - September 2016 - 34
In Broadcast - September 2016 - 35
In Broadcast - September 2016 - 36
In Broadcast - September 2016 - 37
In Broadcast - September 2016 - 38
In Broadcast - September 2016 - 39
In Broadcast - September 2016 - 40
In Broadcast - September 2016 - 41
In Broadcast - September 2016 - 42
In Broadcast - September 2016 - 43
In Broadcast - September 2016 - 44
In Broadcast - September 2016 - 45
In Broadcast - September 2016 - 46
In Broadcast - September 2016 - 47
In Broadcast - September 2016 - 48
In Broadcast - September 2016 - 49
In Broadcast - September 2016 - 50
In Broadcast - September 2016 - 51
In Broadcast - September 2016 - 52
In Broadcast - September 2016 - 53
In Broadcast - September 2016 - 54
In Broadcast - September 2016 - 55
In Broadcast - September 2016 - 56
In Broadcast - September 2016 - 57
In Broadcast - September 2016 - 58
In Broadcast - September 2016 - 59
In Broadcast - September 2016 - 60
In Broadcast - September 2016 - 61
In Broadcast - September 2016 - 62
In Broadcast - September 2016 - 63
In Broadcast - September 2016 - 64
In Broadcast - September 2016 - 65
In Broadcast - September 2016 - 66
In Broadcast - September 2016 - 67
In Broadcast - September 2016 - 68
In Broadcast - September 2016 - 69
In Broadcast - September 2016 - 70
In Broadcast - September 2016 - 71
In Broadcast - September 2016 - 72
In Broadcast - September 2016 - 73
In Broadcast - September 2016 - 74
In Broadcast - September 2016 - 75
In Broadcast - September 2016 - 76
In Broadcast - September 2016 - 77
In Broadcast - September 2016 - 78
In Broadcast - September 2016 - 79
In Broadcast - September 2016 - 80
In Broadcast - September 2016 - Cover3
In Broadcast - September 2016 - Cover4
In Broadcast - September 2016 - S1
In Broadcast - September 2016 - S2
In Broadcast - September 2016 - S3
In Broadcast - September 2016 - S4
In Broadcast - September 2016 - S5
In Broadcast - September 2016 - S6
In Broadcast - September 2016 - S7
In Broadcast - September 2016 - S8
In Broadcast - September 2016 - S9
In Broadcast - September 2016 - S10
In Broadcast - September 2016 - S11
In Broadcast - September 2016 - S12
In Broadcast - September 2016 - S13
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