In Broadcast - July 2016 - 79


79

www.inbroadcast.com | Vol: 6 - Issue 7 | July 2016

InAudio

Yamaha Expands EMX Line
Of Powered Mixers

Y

amaha has announced the release
of two new models in the popular
EMX Series of integrated mixers, the
EMX5 and EMX7.
The new models feature a significant
increase in output power and a
more comprehensive selection of
performance features in a very
portable
design.
Suitable
for
musicians, performers, DJs and public
speakers who put a premium on sound
quality and convenient operation,
these new models will provide users
with an ideal solution for a greater
number of sound reinforcement
environments, from small to mid-sized
musical or corporate events, to fixed
installations at bars and restaurants,
houses of worship, rehearsal studios
and more.
The EMX5 and EMX7 feature highefficiency power amplifiers capable
of 630W and 710W output power
respectively, and come equipped
with an overload protection function
to improve reliability. A rugged,

extremely portable enclosure with
a powder-coated, impact resistant
metal chassis adds to the consoles'
durability, while its versatile design
easily adapts to horizontal or
vertical placements in a variety of
configurations.
Both the EMX5 and EMX7 are
equipped with four mono input
channels and four mono/stereo
input channels, allowing up to eight
microphones, and line-level devices
to be connected to each channel, and
channel four can be used with Hi-Z
inputs to connect instruments such as
guitars or basses directly. Each model
is also equipped with two AUX SEND
connections for a monitoring system
or external effect devices, REC OUT
unbalanced RCA-pin output jacks to
connect an external recorder, and
STEREO OUT TRS phone jacks to output
the mixed stereo signal. EMX5/7 also
feature speaker jacks which can be
used with both TS phone and speakON
plugs. Both also feature highly-

efficient internal universal power
supply for operation in any region
around the globe.
The new consoles feature Yamaha's
trademark 1-Knob compressors as
well as a comprehensive DSP section
including 24 SPX effects, and speaker
processor with presets tuned to
perfectly match specific models of
Yamaha's passive speaker lineup for
optimum performance.

The EMX5/7 both come equipped
with a Feedback Suppressor that
utilises a unique Yamaha sevenband notch-filter digital technology
to instantly eliminate annoying and
unwanted feedback with the single
switch of a button.
The EMX5 features 1-Knob Master
EQ for applying optimised settings for
speech, music, and bass boost, while
the EMX7 features a flex-type graphic
equalizer (Flex9GEQ) that allows users
to select up to nine bands out of a
total of 31 for fine tuning
±15 dB.

Yamaha's EMX7 integrated mixer provides an output 710W

Eyeheight Promotion For
AudioLoudnessSuite Plugins

E

yeheight is promoting new
additions to its product range
with the introduction of the first two
modules in its AudioLoudnessSuite
the
AudioLoudMeter
and
CorrectLoudWidget.
Both modules are designed to
operate seamlessly with some of
the most widely used video editing
applications, allowing programme
audio to be conformed quickly and
easily to European or North American
approved standards.
The new modules are being
offered on a six-month freetrial licence so that all clients
can try them out with their
specific loudness files.
The
Eyeheight
AudioLoudMeter
is
a
comprehensive
audio
loudness metering plugin
which evaluates mono, stereo
and 5.1 surround. Compatible

with Adobe Premier Pro, Apple Final
Cut Pro X and Avid Media Composer, it
offers the following key features:
* Three
bargraphs
displaying
momentary, short term and integrated
loudness respectively;
* Five bargraphs showing individual
loudness contributions, L, R, C, Ls & Rs;
* Five true peak bargraphs using 8x
oversampled audio;
* An audio loudness distribution
histogram with Loudness Range (LRA)

Eyeheight's AudioLoudMeter plugin

measurement;
* Time-scalable loudness history
graph for ATSC A/85 and EBU 1770
modes of operation.
Each true peak bargraph has an
additional indicator which latches onto
the highest found value from the start
of the audio until manually reset.
If this value is off the scale, a red
arrow appears above the highest point
of the bargraph. Digital readout is also
shown for each bargraph in Loudness
K-weighted Full Scale (LKFS)
units.
The
Eyeheight
CorrectLoudWidget
is
a
loudness
analysis
and
correction plugin for use with
Adobe Premier Pro and Avid
Media Composer.
Target and true peak
values can be changed as
appropriate. For Europe,
the EBU target is -23.0 LKFS

Eyeheight's CorrectLoudWidget plugin

and the true peak level is -1.0 dBU.
For the USA, the ATSC A/85 target is
-24.0 LKFS and the true peak level is
-2.0dBU.
Both plugins are available via the
Eyeheight website for free six-month
evaluation.


http://www.inbroadcast.com https://www.youtube.com/watch?v=z356EcOHbKw http://eyeheight.com/wp/

Table of Contents for the Digital Edition of In Broadcast - July 2016

In Broadcast - July 2016 - Intro
In Broadcast - July 2016 - Cover1
In Broadcast - July 2016 - Cover2
In Broadcast - July 2016 - 3
In Broadcast - July 2016 - 4
In Broadcast - July 2016 - 5
In Broadcast - July 2016 - 6
In Broadcast - July 2016 - 7
In Broadcast - July 2016 - 8
In Broadcast - July 2016 - 9
In Broadcast - July 2016 - 10
In Broadcast - July 2016 - 11
In Broadcast - July 2016 - 12
In Broadcast - July 2016 - 13
In Broadcast - July 2016 - 14
In Broadcast - July 2016 - 15
In Broadcast - July 2016 - 16
In Broadcast - July 2016 - 17
In Broadcast - July 2016 - 18
In Broadcast - July 2016 - 19
In Broadcast - July 2016 - 20
In Broadcast - July 2016 - 21
In Broadcast - July 2016 - 22
In Broadcast - July 2016 - 23
In Broadcast - July 2016 - 24
In Broadcast - July 2016 - 25
In Broadcast - July 2016 - 26
In Broadcast - July 2016 - 27
In Broadcast - July 2016 - 28
In Broadcast - July 2016 - 29
In Broadcast - July 2016 - 30
In Broadcast - July 2016 - 31
In Broadcast - July 2016 - 32
In Broadcast - July 2016 - 33
In Broadcast - July 2016 - 34
In Broadcast - July 2016 - 35
In Broadcast - July 2016 - 36
In Broadcast - July 2016 - 37
In Broadcast - July 2016 - 38
In Broadcast - July 2016 - 39
In Broadcast - July 2016 - 40
In Broadcast - July 2016 - 41
In Broadcast - July 2016 - 42
In Broadcast - July 2016 - 43
In Broadcast - July 2016 - 44
In Broadcast - July 2016 - 45
In Broadcast - July 2016 - 46
In Broadcast - July 2016 - 47
In Broadcast - July 2016 - 48
In Broadcast - July 2016 - 49
In Broadcast - July 2016 - 50
In Broadcast - July 2016 - 51
In Broadcast - July 2016 - 52
In Broadcast - July 2016 - 53
In Broadcast - July 2016 - 54
In Broadcast - July 2016 - 55
In Broadcast - July 2016 - 56
In Broadcast - July 2016 - 57
In Broadcast - July 2016 - 58
In Broadcast - July 2016 - 59
In Broadcast - July 2016 - 60
In Broadcast - July 2016 - 61
In Broadcast - July 2016 - 62
In Broadcast - July 2016 - 63
In Broadcast - July 2016 - 64
In Broadcast - July 2016 - 65
In Broadcast - July 2016 - 66
In Broadcast - July 2016 - 67
In Broadcast - July 2016 - 68
In Broadcast - July 2016 - 69
In Broadcast - July 2016 - 70
In Broadcast - July 2016 - 71
In Broadcast - July 2016 - 72
In Broadcast - July 2016 - 73
In Broadcast - July 2016 - 74
In Broadcast - July 2016 - 75
In Broadcast - July 2016 - 76
In Broadcast - July 2016 - 77
In Broadcast - July 2016 - 78
In Broadcast - July 2016 - 79
In Broadcast - July 2016 - 80
In Broadcast - July 2016 - S1
In Broadcast - July 2016 - S2
In Broadcast - July 2016 - S3
In Broadcast - July 2016 - S4
In Broadcast - July 2016 - S5
In Broadcast - July 2016 - S6
In Broadcast - July 2016 - S7
In Broadcast - July 2016 - S8
In Broadcast - July 2016 - S9
In Broadcast - July 2016 - S10
In Broadcast - July 2016 - S11
In Broadcast - July 2016 - S12
In Broadcast - July 2016 - S13
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