In Broadcast - June 2016 - 66


66

www.inbroadcast.com | Vol: 6 - Issue 6 | June 2016

InAudio

JoeCo Recorders In Broadcast
By Joe Bull

J

oeCo multichannel audio recorders
are used extensively as the most
cost effective method of capturing
audio for broadcast. The JoeCo
BlackBox range has proved popular
around the world as a simple, reliable
and robust solution for audio capture.
In Reality TV, BlackBox Recorders
are used on numerous programmes
including the award winning Great
British Bake Off, I'm a Celebrity - Get
Me Out of Here, Geordie Shore, and
many more. Attach radio mics to each
contestant, contributor or presenter
and each BlackBox BBR1B system
will just record up to 24 channels
continuously. All the files are timestamped with the incoming linear
timecode, so they line up perfectly
with the camera footage. On many
such shows, BlackBox Recorders have
been used to capture audio 24/7 for
up to six weeks continuously. The
BlackBox BBR1MP incorporates built
in mic preamps making it a really
compact solution.

In sports broadcasting, BlackBox
BBR64MADI systems were used
to record 64 channels of audio in
every stadium during the FIFA World
Cup in Brazil. Similarly, BlackBox
units were used throughout the
Sochi Winter Olympics. In the USA,
BBR64MADI systems are used by the
NFL (National Football League) to
ensure that the audio is preserved
for future repurposing. The motor
racing industry is using BBR64MADI
units extensively for archival analysis
of teams' performance, and other
repurposing with various teams and
organisations adopting the technology
because of its reliability.
Countless OB Vans have been
upgraded to incorporate BlackBox
Recorders.
Traditionally,
two
workstations
were
required
in broadcast trucks to provide
redundancy but as many broadcasters
have realised, replacing a full audio
workstation rig with a 1U rack unit
acting as a secure backup saves a lot of
real estate.
Religious Broadcasting has grown

The New JoeCo BlueBox BBWR2MP Audio Interface / Recorder

to be an important part of spreading
the word and BlackBox systems
are installed in Houses of Worship
worldwide.
As more broadcasters move to IP
based solutions, the BBR64Dante
system which is AES67 compatible
and so can link to any Ravenna or
Dante network has become popular
providing 64 channels of audio data
recording. The new BlueBox BBWR2MP
includes an audio interface allowing it
to operate both as a Live Multichannel
Recorder with simultaneous backup to
a laptop and in a studio environment.

Since its inception, the BlackBox has
been a stalwart of the music industry
for capturing live performances
at concerts, festivals and on tour.
Ensuring that concerts and festivals
for broadcast are recorded on a simple
bullet-proof system has become
increasingly important.

Broadcast WAV: Joe Bull,
JoeCo's MD, was on the original
EBU committee that specified
the Broadcast WAV format,
and later served on the AES
committee that made Broadcast
WAV the international standard.

NTP Technology Introduces Latest
VMC Routing Software

N

TP Technology, a leader in the
development and production of
audio conversion, routing and signal
processing systems, introduced the
latest version of its Visual Matrix Control
(VMC) routing software to the Asia
Pacific market at BroadcastAsia2016.
NTP Technology co-exhibited with
Danmon Group companies ATG
Danmon UK and Marquis Broadcast.
VMC is a flexible and configurable
Windows-based user interface for
managing audio routing between
studios. It has a wide range of
applications both in broadcast facilities
and audio post-production houses.
VMC allows efficient and versatile
management of signal routing and
monitoring in the NTP Blue | NET MADI
and AoIP routing control system.
NTP Technology will demonstrate
VMC in a system based on an NTP
Penta 720 MADI router with a
Blue | NET enabled 635 controller
interconnecting an AX32 Euconenabled post-production system as

well as Dante compliant audio-over-IP
devices in a common router structure.
VMC allows fast and easy GUI-based
routing of audio signals in various
formats from all connected interfaces.
All signal levels can be viewed as peak
programme meters and individually
monitored. Flexible scheduled routing
automation can be managed as well as
signal-dependant routing.
VMC is a client/server based
application allowing multiple instances
to run in parallel. This multiple user
functionality includes individual user
rights management for access to the
various control features.
Major users of NTP Technology
routing solutions include Chinese
Radio
International,
Danish
Broadcasting Corporation, Finnish
Broadcasting Corporation, Radio NRJ,
Radio 538, RAI, RNE, Swedish Radio &
TV and TV Bahia.
Major users of NTP Technology
DAD audio converters include: Abbey
Road Studios, Acoustic Recordings,

Alchemy Mastering, Bauer Studios,
Benny Andersson's RMV Studio,
Classic Sound, CMC Studios, Collegium
Records, Danish Radio, Deutsches
Filmorchester
Babelsberg,
DEX
Mastering,
DPA
Microphones,
Echopark Studios, Galaxy Studios,
Goldcrest Post Production, Hana Music
Montreux, Helsinki Music Centre,
Lindberg lyd, Magne Furuholmen,
Master Touch, McGill University,
Moscow Music Conservatory, NDR
Hamburg, NHK, NRK, Opéra de Dijon,

The latest NTP Technology Visual
Matrix Control software

QVC shopping channel, Radio France
Internationale, Real Sound, Royal
Danish Opera House, Royal Opera
House London, Sidney Opera House, SK
Works, Slovak Philharmonic Orchestra,
SoundWorks/Jeff Sheridan, Spanish
Radio, St Petersburg Philharmonic
Orchestra, Stock Fish Records, Swedish
Radio, Swineshead Productions, Telarc
International, Timbre Music, Ultimo
Productions and the Warsaw National
Philharmonic Orchestra.


http://www.inbroadcast.com http://www.joeco.co.uk/BBWR2MP-introduction.html http://www.ntp.dk/page1002.aspx

Table of Contents for the Digital Edition of In Broadcast - June 2016

In Broadcast - June 2016 - Intro
In Broadcast - June 2016 - Cover1
In Broadcast - June 2016 - Cover2
In Broadcast - June 2016 - 3
In Broadcast - June 2016 - 4
In Broadcast - June 2016 - 5
In Broadcast - June 2016 - 6
In Broadcast - June 2016 - 7
In Broadcast - June 2016 - 8
In Broadcast - June 2016 - 9
In Broadcast - June 2016 - 10
In Broadcast - June 2016 - 11
In Broadcast - June 2016 - 12
In Broadcast - June 2016 - 13
In Broadcast - June 2016 - 14
In Broadcast - June 2016 - 15
In Broadcast - June 2016 - 16
In Broadcast - June 2016 - 17
In Broadcast - June 2016 - 18
In Broadcast - June 2016 - 19
In Broadcast - June 2016 - 20
In Broadcast - June 2016 - 21
In Broadcast - June 2016 - 22
In Broadcast - June 2016 - 23
In Broadcast - June 2016 - 24
In Broadcast - June 2016 - 25
In Broadcast - June 2016 - 26
In Broadcast - June 2016 - 27
In Broadcast - June 2016 - 28
In Broadcast - June 2016 - 29
In Broadcast - June 2016 - 30
In Broadcast - June 2016 - 31
In Broadcast - June 2016 - 32
In Broadcast - June 2016 - 33
In Broadcast - June 2016 - 34
In Broadcast - June 2016 - 35
In Broadcast - June 2016 - 36
In Broadcast - June 2016 - 37
In Broadcast - June 2016 - 38
In Broadcast - June 2016 - 39
In Broadcast - June 2016 - 40
In Broadcast - June 2016 - 41
In Broadcast - June 2016 - 42
In Broadcast - June 2016 - 43
In Broadcast - June 2016 - 44
In Broadcast - June 2016 - 45
In Broadcast - June 2016 - 46
In Broadcast - June 2016 - 47
In Broadcast - June 2016 - 48
In Broadcast - June 2016 - 49
In Broadcast - June 2016 - 50
In Broadcast - June 2016 - 51
In Broadcast - June 2016 - 52
In Broadcast - June 2016 - 53
In Broadcast - June 2016 - 54
In Broadcast - June 2016 - 55
In Broadcast - June 2016 - 56
In Broadcast - June 2016 - 57
In Broadcast - June 2016 - 58
In Broadcast - June 2016 - 59
In Broadcast - June 2016 - 60
In Broadcast - June 2016 - 61
In Broadcast - June 2016 - 62
In Broadcast - June 2016 - 63
In Broadcast - June 2016 - 64
In Broadcast - June 2016 - 65
In Broadcast - June 2016 - 66
In Broadcast - June 2016 - 67
In Broadcast - June 2016 - 68
In Broadcast - June 2016 - 69
In Broadcast - June 2016 - S1
In Broadcast - June 2016 - S2
In Broadcast - June 2016 - S3
In Broadcast - June 2016 - S4
In Broadcast - June 2016 - S5
In Broadcast - June 2016 - S6
In Broadcast - June 2016 - S7
In Broadcast - June 2016 - S8
In Broadcast - June 2016 - S9
In Broadcast - June 2016 - S10
In Broadcast - June 2016 - S11
In Broadcast - June 2016 - S12
In Broadcast - June 2016 - S13
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
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http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
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