In Broadcast - June 2016 - 64


64

www.inbroadcast.com | Vol: 6 - Issue 6 | June 2016

InReview

A Look Back At
BroadcastAsia2016
Singapore's Marina Bay Sands was the venue for the region's leading international event for
the audio, film and broadcasting industries and the launch pad for innovative technologies Contributing Editor Jim Evans reports...

A

s consumers increasingly demand entering the IPTV, OTT
VMC allows efficient and
convenient and reliable access to space. According to a
versatile management of
content, anywhere, anytime and on any Multiscreen TV & Video
signal routing and monitoring
device, BroadcastAsia2016 showcased Forecast report by Digital
in the NTP Blue | NET MADI
the latest technologies and solutions TV research, it is even
and AoIP routing control
for OTT and multi-platform streaming predicted that the number
system.
services.
of viewers watching TV
NTP
Technology
The 21st International Digital and video content on
demonstrated VMC in a
Multimedia
&
Entertainment multiple
screens
will
system based on an NTP
Technology Exhibition & Conference climb from 5.60 billion
ATG: Part of a green-screen virtual reality studio recently Penta 720 MADI router with
completed for a client in Hong Kong a Blue | NET enabled 635
gathered industry leaders and in 2010 to 11.32 billion
newcomers from around the world, by 2020, with TV sets' share of total to meet demand for extra programme controller interconnecting an AX32
presenting game-changing products viewers falling from 73 percent to channels and new delivery platforms. Eucon-enabled post-production system
for next-generation broadcasting, 42 percent during this same period. Most importantly, these expansions as well as Dante compliant audioincluding 4K/UHD, OTT/hybrid/LTE/ Meanwhile, there was much to see on must be achievable within each over-IP devices in a common router
IP/broadband/Cloud, multi-platform the exhibition floor.
customer's
existing
operational structure.
streaming, professional audio and
ATG Danmon UK promoted its full framework.
Octopus
Newsroom
showed
more.
range of broadcast systems planning,
Ikegami's new 4K UHK-430 portable Octopus 8. "With audiences expecting
The event's TV Everywhere! Zone design, installation, commissioning broadcast camera was introduced to to watch, hear and read bulletins on
took centre-stage as consumer and post-installation support skills.
the Asia Pacific market following its their choice of device and at their
expectations in the region increasingly
"The Danmon Group has supported highly successful demonstrations at choice of time, we have focused
present new challenges to provide Broadcast Asia for many years," said the recent NAB Show in Las Vegas and development on making the sharing
more convenient and reliable access ATG Danmon UK Managing Director, CABSAT exhibition in Dubai.
of news items and information across
to content. This, combined with the Russell Peirson-Hagger. "The show
The first in Ikegami's new-generation departments easier and faster than
proliferation of digital devices and provides a useful forum for discussions UNICAM XE range of cameras, the ever," Miro Rusko commented.
today's ever-changing market of with potential and existing clients UHK-430 incorporates three newly- "Octopus 8 enables users to
always-on connectivity, means content in the APAC region. As a systems developed 4K-native 2/3 inch 8 collaborate with other teams and
broadcasters are starting to look integrator we need to ensure we are megapixel CMOS sensors which deliver stories in multiple formats
beyond TV to stream and monetise tuned to new developments because provide full 3840 x 2160 ultra-high for the widest possible audience. It
their content.
our customers rely on us to make the definition resolution plus the depth of streamlines operations and workflows
"Though still at an early stage, OTT right technological choices for them in field required for studio and outdoor so that all necessary production
video services adoption is expanding order to gain maximum benefit from production. The UHK-430 delivers four information, including news sources,
rapidly and gaining popularity in Asia," their investment.
times more image detail than high clips and stories, is now available at a
said Mr Calvin Koh, Assistant Project
"Our success both within APAC and definition and has a colour depth of glance."
Director of BroadcastAsia2016. "As around the globe stems from over 10-bits per pixel instead of the current
"Pressure on journalists to hit
broadcasters and content providers 20 years of experience in producing limit of 8-bits per pixel.
deadlines is enormous and continues
across Asia battle for viewers and systems which can be scaled up easily
The UHK-430 incorporates a B4 to increase," added Sales Director
look for innovative ways
bayonet
mount
compatible Gabriel Janko. "Octopus 8 features
to monetise their content,
with 2/3 inch HD lenses. An a new dashboard GUI which
BroadcastAsia2016 will bring
optional SE-U430 expander brings together every assignment,
together top industry service
accommodates large studio or notification and update. Until now,
providers to showcase an entire
OB lenses.
newsroom solutions have treated
ecosystem of the latest end-toNTP Technology introduced social media as an add-on feature.
end solutions needed to stay
the latest version of its Visual Octopus 8, Twitter, Facebook and
ahead of the curve."
Matrix Control (VMC) routing Instagram are fully integrated into
With the evolution of linear
software. VMC is a flexible and the newsroom. Social media is now
channel
brands
already
configurable
Windows-based treated with the same importance as a
underway in Asia, the region
user interface for managing traditional news feed or a programme
is continuing to grow at
audio routing between studios. It rundown. This is a big advantage
an exponential rate and is
has a wide range of applications which reflects the huge importance of
witnessing an increasing number Ikegami's 4K native
both in broadcast facilities and social networks to channel owners and
UHK-430 portable
of
traditional
broadcasters broadcast camera and
audio post-production houses. audiences worldwide."
control unit


http://www.inbroadcast.com http://www.atgdanmon.co.uk/ https://youtu.be/RegNf_DSAyo https://youtu.be/RegNf_DSAyo

Table of Contents for the Digital Edition of In Broadcast - June 2016

In Broadcast - June 2016 - Intro
In Broadcast - June 2016 - Cover1
In Broadcast - June 2016 - Cover2
In Broadcast - June 2016 - 3
In Broadcast - June 2016 - 4
In Broadcast - June 2016 - 5
In Broadcast - June 2016 - 6
In Broadcast - June 2016 - 7
In Broadcast - June 2016 - 8
In Broadcast - June 2016 - 9
In Broadcast - June 2016 - 10
In Broadcast - June 2016 - 11
In Broadcast - June 2016 - 12
In Broadcast - June 2016 - 13
In Broadcast - June 2016 - 14
In Broadcast - June 2016 - 15
In Broadcast - June 2016 - 16
In Broadcast - June 2016 - 17
In Broadcast - June 2016 - 18
In Broadcast - June 2016 - 19
In Broadcast - June 2016 - 20
In Broadcast - June 2016 - 21
In Broadcast - June 2016 - 22
In Broadcast - June 2016 - 23
In Broadcast - June 2016 - 24
In Broadcast - June 2016 - 25
In Broadcast - June 2016 - 26
In Broadcast - June 2016 - 27
In Broadcast - June 2016 - 28
In Broadcast - June 2016 - 29
In Broadcast - June 2016 - 30
In Broadcast - June 2016 - 31
In Broadcast - June 2016 - 32
In Broadcast - June 2016 - 33
In Broadcast - June 2016 - 34
In Broadcast - June 2016 - 35
In Broadcast - June 2016 - 36
In Broadcast - June 2016 - 37
In Broadcast - June 2016 - 38
In Broadcast - June 2016 - 39
In Broadcast - June 2016 - 40
In Broadcast - June 2016 - 41
In Broadcast - June 2016 - 42
In Broadcast - June 2016 - 43
In Broadcast - June 2016 - 44
In Broadcast - June 2016 - 45
In Broadcast - June 2016 - 46
In Broadcast - June 2016 - 47
In Broadcast - June 2016 - 48
In Broadcast - June 2016 - 49
In Broadcast - June 2016 - 50
In Broadcast - June 2016 - 51
In Broadcast - June 2016 - 52
In Broadcast - June 2016 - 53
In Broadcast - June 2016 - 54
In Broadcast - June 2016 - 55
In Broadcast - June 2016 - 56
In Broadcast - June 2016 - 57
In Broadcast - June 2016 - 58
In Broadcast - June 2016 - 59
In Broadcast - June 2016 - 60
In Broadcast - June 2016 - 61
In Broadcast - June 2016 - 62
In Broadcast - June 2016 - 63
In Broadcast - June 2016 - 64
In Broadcast - June 2016 - 65
In Broadcast - June 2016 - 66
In Broadcast - June 2016 - 67
In Broadcast - June 2016 - 68
In Broadcast - June 2016 - 69
In Broadcast - June 2016 - S1
In Broadcast - June 2016 - S2
In Broadcast - June 2016 - S3
In Broadcast - June 2016 - S4
In Broadcast - June 2016 - S5
In Broadcast - June 2016 - S6
In Broadcast - June 2016 - S7
In Broadcast - June 2016 - S8
In Broadcast - June 2016 - S9
In Broadcast - June 2016 - S10
In Broadcast - June 2016 - S11
In Broadcast - June 2016 - S12
In Broadcast - June 2016 - S13
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202403
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202402
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202401
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201912
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201911
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201908
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY3
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY2
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY1
http://europe.nxtbook.com/nxteu/lesommet/CTA-VISITOR
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201906
http://europe.nxtbook.com/nxteu/lesommet/CTA-PREVIEW
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201905
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201904
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201903
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201902
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201901
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201812
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201811
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201810
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201809
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201808
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201806
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201805
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201804
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201803
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201802
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201801
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201712
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201711
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201710
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201709
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201707
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
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