In Broadcast - June 2016 - 51


51

www.inbroadcast.com | Vol: 6 - Issue 6 | June 2016

InStudio

Ikegami Introduces 4K UHK-430
I

kegami's
new
4K
UHK-430
portable broadcast camera was
introduced to the Asia Pacific market at
BroadcastAsia2016.
4K resolution and high dynamic
range have become important
issues throughout the broadcast
media industry as content producers
and delivery channels plan their
investment strategy for the coming
five to 10 years. The first in Ikegami's
new-generation UNICAM XE range of
cameras, the UHK-430 incorporates
three newly-developed 4K-native 2/3
inch 8MP CMOS sensors which provide
full 3840 x 2160 UHD resolution plus
the depth of field required for studio
and outdoor production. The UHK-430
delivers four times more image detail
than high definition and has a colour
depth of 10 bits per pixel instead of the
current limit of 8 bits per pixel.

The CCU-430 camera control unit

The UHK-430 incorporates
a B4 bayonet mount
compatible with 2/3 inch HD
lenses. An optional SE-U430
expander
accommodates
large studio or OB lenses.
Two piece construction
allows the sensor and lens
head to be detached as
a compact unit for easy
deployment on support
Ikegami's 4K native
devices such as long-reach
UHK-430 portable
manually-controlled camera
broadcast camera
poles. In this mode, the
head can be operated up to 50 metres dynamic range. This allows more
from the camera body.
image information to be retained for
At the heart of the UHK-430 is a new greater headroom and colour grading.
processor, the AXII, reducing power The ITU-R BT.2020 extended colour
consumption and delivering a wide space specification is supported in
range of features including 16-axis 4K mode. BT. 709 colour space is
colour correction and new focus-assist supported in both 4K and HD modes.
for 4K and HD video modes. The AXII
Ikegami viewfinders available for
also
provides
the the UHK-430 include the 7.4-inch
processing for Ikegami's OLED VFE741D, the 7-inch full HD
newly developed i-Log resolution LCD VFL701D LCD and the
transfer characteristic 2-inch portable LCD VFL201D. All
which delivers high three include a serial digital interface
contrast for a wider for integrated camera and viewfinder

menu control.
The companion Ikegami
CCU-430 camera control
unit
enables
easy
migration from HD to 4K
live production. Features
include
switchable
4
x 3G-SDI 4K output as
well as HD output. An
optional plug-in board
makes 4K video, HD video,
and HD cutout from 4K
available simultaneously.
12G-SDI and video-over-IP
interfaces will be introduced in the
coming months.
A built-in 40Gbs optical transceiver
delivers full bandwidth 4K RGB
4:4:4 component channels from
camera to CCU, allowing high-quality
chromakeying. Dual HD outputs are
provided for teleprompt and talent
monitor plus return video lines from
studio to viewfinder. The UHK-430 also
has a Gigabit Ethernet data port to
allow networked control.
UHK-430 deliveries are expected to
ramp up between June and October.


http://www.inbroadcast.com https://youtu.be/RegNf_DSAyo https://youtu.be/RegNf_DSAyo https://www.vitec.com/

Table of Contents for the Digital Edition of In Broadcast - June 2016

In Broadcast - June 2016 - Intro
In Broadcast - June 2016 - Cover1
In Broadcast - June 2016 - Cover2
In Broadcast - June 2016 - 3
In Broadcast - June 2016 - 4
In Broadcast - June 2016 - 5
In Broadcast - June 2016 - 6
In Broadcast - June 2016 - 7
In Broadcast - June 2016 - 8
In Broadcast - June 2016 - 9
In Broadcast - June 2016 - 10
In Broadcast - June 2016 - 11
In Broadcast - June 2016 - 12
In Broadcast - June 2016 - 13
In Broadcast - June 2016 - 14
In Broadcast - June 2016 - 15
In Broadcast - June 2016 - 16
In Broadcast - June 2016 - 17
In Broadcast - June 2016 - 18
In Broadcast - June 2016 - 19
In Broadcast - June 2016 - 20
In Broadcast - June 2016 - 21
In Broadcast - June 2016 - 22
In Broadcast - June 2016 - 23
In Broadcast - June 2016 - 24
In Broadcast - June 2016 - 25
In Broadcast - June 2016 - 26
In Broadcast - June 2016 - 27
In Broadcast - June 2016 - 28
In Broadcast - June 2016 - 29
In Broadcast - June 2016 - 30
In Broadcast - June 2016 - 31
In Broadcast - June 2016 - 32
In Broadcast - June 2016 - 33
In Broadcast - June 2016 - 34
In Broadcast - June 2016 - 35
In Broadcast - June 2016 - 36
In Broadcast - June 2016 - 37
In Broadcast - June 2016 - 38
In Broadcast - June 2016 - 39
In Broadcast - June 2016 - 40
In Broadcast - June 2016 - 41
In Broadcast - June 2016 - 42
In Broadcast - June 2016 - 43
In Broadcast - June 2016 - 44
In Broadcast - June 2016 - 45
In Broadcast - June 2016 - 46
In Broadcast - June 2016 - 47
In Broadcast - June 2016 - 48
In Broadcast - June 2016 - 49
In Broadcast - June 2016 - 50
In Broadcast - June 2016 - 51
In Broadcast - June 2016 - 52
In Broadcast - June 2016 - 53
In Broadcast - June 2016 - 54
In Broadcast - June 2016 - 55
In Broadcast - June 2016 - 56
In Broadcast - June 2016 - 57
In Broadcast - June 2016 - 58
In Broadcast - June 2016 - 59
In Broadcast - June 2016 - 60
In Broadcast - June 2016 - 61
In Broadcast - June 2016 - 62
In Broadcast - June 2016 - 63
In Broadcast - June 2016 - 64
In Broadcast - June 2016 - 65
In Broadcast - June 2016 - 66
In Broadcast - June 2016 - 67
In Broadcast - June 2016 - 68
In Broadcast - June 2016 - 69
In Broadcast - June 2016 - S1
In Broadcast - June 2016 - S2
In Broadcast - June 2016 - S3
In Broadcast - June 2016 - S4
In Broadcast - June 2016 - S5
In Broadcast - June 2016 - S6
In Broadcast - June 2016 - S7
In Broadcast - June 2016 - S8
In Broadcast - June 2016 - S9
In Broadcast - June 2016 - S10
In Broadcast - June 2016 - S11
In Broadcast - June 2016 - S12
In Broadcast - June 2016 - S13
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
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