In Broadcast - April 2016 - 58
58
www.inbroadcast.com | Vol: 6 - Issue 4 | April 2016
InStudio
Bluebell Opticom
Point-To-Point First
A
t the 2016 NAB Show, Bluebell
Opticom will introduce the BCX760 Series 10G Ethernet point-to-point
fibre link, a camera-back interface
that allows easy connection and signal
transport between a camera and an OB
truck or a base station.
In a first for the industry, BCX
interfaces map all signals presented at
the back of any broadcast camera onto
a 10G Ethernet point-to-point link,
ensuring safe, robust, interferenceimmune, high-quality transport over
much longer distances than have been
possible before.
The BCX-760 Series products are
designed to create rugged connections
in a range of OB environments such as
special-event venues, ENG sites, sports
arenas, and golf courses. They can
also serve as a replacement for heavy
SMPTE hybrid connections on cameras
in a studio setting, and in certain
variations can be deployed to link and
control remote robotic cameras. The
BCX range will transport both digital
3G-SDI programme video and return
video, as well as composite feeds for
genlock, analogue audio for intercom
signals, and Gigabit Ethernet for
network access.
Making its North American debut
will be the TDM-750, a rack-mounted
module for single-direction transport
of HD-SDI and 100BaseT Ethernet
signals. Requiring only two fibres with
an option for single-fibre operation,
the TDM-750 suits smaller robotic/
POV camera systems that require only
a single video path and bidirectional
data via Ethernet.
The BC364 multiformat interface
takes in multiple optical signals and
retransmits them at wavelengths
that can be inserted into a CWDM
mux. On the other end of the link, the
signals are returned to their individual
state. This functionality, coupled with
Bluebell's ShaxX power-insertion
technology, is what makes camera
multiplexing possible. In this
application, the BC364 is packaged
with ShaxX in a flight case to
facilitate the operation of multiple
broadcast HD-SDI camera systems
over a single fibre.
WB170 Converter System for
Compact, 1-RU 3G-SDI, HD-SDI, SDSDI, and ASI Transport
Visitors to the 2016 NAB Show
will also see the WB170, an ultracompact, 19-inch rack-mount
media converter for converting
up to 32 independent 3G-SDI, HDSDI, SD-SDI, or ASI signals onto fibre.
The WB170 can be populated with
WB172 transmitter or receiver cards
inserted in the front of the frame. At
NAB, Bluebell Opticom will introduce
additional frame options that include
electrical-to-optical conversion and
optical multiplexing.
Focus On Hybrid Video
Contribution Systems
A
t the 2016 NAB Show, AVIWEST,
a global technology provider of
hybrid video contribution systems, will
demonstrate the latest enhancements
to its Digital Mobile News Gathering
(DMNG) system, with a focus on
hybrid video contribution and video
distribution via the cloud.
The business will introduce two
new products, as well as announce
strategic technology partnerships,
at the show. Visitors will get a sneak
peek of the company's DMNG 220-HE
ultra-portable HEVC video contribution
encoder for cellular, Wi-Fi, satellite,
and Ethernet networks, and the DMNG
HE4000 HEVC 4K rack-mounted
contribution encoder.
AVIWEST's advanced live video
contribution
platform
enables
broadcasters to capture and broadcast
live 4K, HD, or SD video over multiple
unmanaged IP networks, including
bonded 4G/3G cellular, Wi-Fi, Ethernet,
and satellite links.
Offering seamless integration into
existing workflows and headends,
extremely low power consumption,
high reliability, and unparalleled
mobility, the DMNG system offers
broadcasters a fully integrated and
cloud-based solution for breaking
news and live events coverage.
Key product updates:
AVIWEST's DMNG Laptop is now
available for purchase. The DMNG
Laptop is a powerful newsgathering
tool that combines an H.264/AVC
and H.265/HEVC encoder in an Apple
MacBook Pro to enable high-quality
streaming. Using the DMNG Laptop,
broadcasters can receive video content
from a wide range of video sources.
The laptop application includes an
intuitive GUI that makes it easy to
manage various content delivery
profiles, providing support for a
variety of broadcast use cases.
AVIWEST will also showcase two
major evolutions of the DMNG
Manager: video grid and statistics
capabilities. DMNG Manager is an
innovative application that enables
broadcasters and video professionals
to monitor and manage an entire fleet
of DMNG equipment.
The DMNG Manager provides
broadcasters with a video thumbnail of
each feed coming from the field units
or from any standard IP video sources.
When arranged in a grid-view, these
thumbnails
ease
system
resource
allocation
by
helping operators
route the video
streams to one or
multiple
receiver
outputs or CDNs,
with simple drag
and drop. A new
statistics
feature
for
the
DMNG
Manager supplies broadcasters with
essential information such as SIM card
Bluebell's TDM-750
for HD-SDI and 100BaseT
Ethernet signals
Also new to NAB will be
the latest addition to the
WB170 system, the WB172-63 card
for format conversion and HDMI
monitoring within the WB170 frame.
The WB172-63's base unit comprises
two SFP cages. By using different
SFP converter modules, the unit's
functionality can be adapted to suit
different applications.
consumption and bandwidth statistics.
New features for its DMNG
StreamHub receiver, decoder, and
distribution platform, include an
advanced playback functionality and
dynamic latency designed to improve
the quality of live video.
AVIWEST will also demonstrate v2.6
of its DMNG PRO video uplink system.
The new software upgrade provides
broadcasters with a wide range of
benefits, including the ability to deliver
higher bit rate, lower latency, webcastresolution video. A new "Gateway"
mode will also be introduced to the
system, allowing operators to use the
unit as a high-speed Internet access
point by aggregating together cellular
connections.
AVIWEST will demonstrate the latest
enhancements to its DMNG system
http://www.inbroadcast.com
http://bluebellcomms.co.uk/tdm-750/
https://youtu.be/THstwKU5UF4
Table of Contents for the Digital Edition of In Broadcast - April 2016
In Broadcast - April 2016 - Intro
In Broadcast - April 2016 - Cover1
In Broadcast - April 2016 - Cover2
In Broadcast - April 2016 - 3
In Broadcast - April 2016 - 4
In Broadcast - April 2016 - 5
In Broadcast - April 2016 - 6
In Broadcast - April 2016 - 7
In Broadcast - April 2016 - 8
In Broadcast - April 2016 - 9
In Broadcast - April 2016 - 10
In Broadcast - April 2016 - 11
In Broadcast - April 2016 - 12
In Broadcast - April 2016 - 13
In Broadcast - April 2016 - 14
In Broadcast - April 2016 - 15
In Broadcast - April 2016 - 16
In Broadcast - April 2016 - 17
In Broadcast - April 2016 - 18
In Broadcast - April 2016 - 19
In Broadcast - April 2016 - 20
In Broadcast - April 2016 - 21
In Broadcast - April 2016 - 22
In Broadcast - April 2016 - 23
In Broadcast - April 2016 - 24
In Broadcast - April 2016 - 25
In Broadcast - April 2016 - 26
In Broadcast - April 2016 - 27
In Broadcast - April 2016 - 28
In Broadcast - April 2016 - 29
In Broadcast - April 2016 - 30
In Broadcast - April 2016 - 31
In Broadcast - April 2016 - 32
In Broadcast - April 2016 - 33
In Broadcast - April 2016 - 34
In Broadcast - April 2016 - 35
In Broadcast - April 2016 - 36
In Broadcast - April 2016 - 37
In Broadcast - April 2016 - 38
In Broadcast - April 2016 - 39
In Broadcast - April 2016 - 40
In Broadcast - April 2016 - 41
In Broadcast - April 2016 - 42
In Broadcast - April 2016 - 43
In Broadcast - April 2016 - 44
In Broadcast - April 2016 - 45
In Broadcast - April 2016 - 46
In Broadcast - April 2016 - 47
In Broadcast - April 2016 - 48
In Broadcast - April 2016 - 49
In Broadcast - April 2016 - 50
In Broadcast - April 2016 - 51
In Broadcast - April 2016 - 52
In Broadcast - April 2016 - 53
In Broadcast - April 2016 - 54
In Broadcast - April 2016 - 55
In Broadcast - April 2016 - 56
In Broadcast - April 2016 - 57
In Broadcast - April 2016 - 58
In Broadcast - April 2016 - 59
In Broadcast - April 2016 - 60
In Broadcast - April 2016 - 61
In Broadcast - April 2016 - 62
In Broadcast - April 2016 - 63
In Broadcast - April 2016 - 64
In Broadcast - April 2016 - 65
In Broadcast - April 2016 - 66
In Broadcast - April 2016 - 67
In Broadcast - April 2016 - 68
In Broadcast - April 2016 - 69
In Broadcast - April 2016 - 70
In Broadcast - April 2016 - 71
In Broadcast - April 2016 - 72
In Broadcast - April 2016 - 73
In Broadcast - April 2016 - 74
In Broadcast - April 2016 - 75
In Broadcast - April 2016 - 76
In Broadcast - April 2016 - 77
In Broadcast - April 2016 - 78
In Broadcast - April 2016 - 79
In Broadcast - April 2016 - 80
In Broadcast - April 2016 - 81
In Broadcast - April 2016 - 82
In Broadcast - April 2016 - S1
In Broadcast - April 2016 - S2
In Broadcast - April 2016 - S3
In Broadcast - April 2016 - S4
In Broadcast - April 2016 - S5
In Broadcast - April 2016 - S6
In Broadcast - April 2016 - S7
In Broadcast - April 2016 - S8
In Broadcast - April 2016 - S9
In Broadcast - April 2016 - S10
In Broadcast - April 2016 - S11
In Broadcast - April 2016 - S12
In Broadcast - April 2016 - S13
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